2025年10月12日 19:02 （2025年10月12日 19:03 更新）
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沖縄県の伝統行事「那覇大綱挽」が12日、那覇市中心部で行われました。平和を願い、長さ160メートル、重さ35トンの世界最大級の大綱を引き合うこの祭りは、琉球王国時代の1450年ごろに始まったとされています。
1997年に当時の…
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▼西日本新聞meとは？
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【残り359文字】
7日間無料トライアルあり。1日37円で読み放題、年払いならさらにお得です。
https://www.nishinippon.co.jp/item/1410546/
スポーツ
大坂なおみ「皆さん楽しんで」 テニスジャパンOP、初戦は園部
2025年10月12日 18:40（2025年10月12日 18:43更新）
[有料会員限定記事]
テニスの木下グループ・ジャパン・オープン女子に出場する大坂なおみ（フリー）が12日、大阪市のモリタテニスセンターうつぼで記者会見を開いた。
大坂は「自分のプレーを皆さんに見て、楽しんでもらえたら」と笑顔で話した。
※この記事は有料会員限定です。残り198文字。7日間無料トライアル、1日37円で読み放題。年払いならさらにお得。
https://www.nishinippon.co.jp/item/1410539/
スポーツ｜テニス
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### 小田凱人、国枝慎吾ペアが実現
車いすテニスのエキシビションで観客魅了
2025年10月12日 18:18（18:21更新）
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12日、東京・有明コロシアムにて車いすテニス男子ダブルスのエキシビションマッチが行われました。若さあふれる19歳の小田凱人選手（東海理化）と、42歳の国枝慎吾選手のペアが華麗なプレーで来場者を魅了しました。
国枝選手は四大大会とパラリンピックを制覇した「生涯ゴールデンスラム」を達成した実績を持ち、今回のペア結成は注目が集まりました。
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[西日本新聞meとは？]
https://www.nishinippon.co.jp/item/1410529/
スポーツニュース
デンソーが開幕2連勝 バレー女子のSVリーグ
2025年10月12日 15:35（2025年10月12日 15:38 更新）
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バレーボールの大同生命SVリーグは12日、福島県郡山市の宝来屋ボンズアリーナなどで女子の5試合が行われました。
デンソーは東レ滋賀をストレートの3―0で下し、開幕から2連勝を飾りました。
昨季準優勝のNEC川崎もSAGA久光に勝利し、好調を維持しています。
（※この記事は有料会員限定です。）
https://www.nishinippon.co.jp/item/1410472/
スポーツ ドジャース戦、午前9時8分開始 リーグ優勝決定シリーズ（ナ・リーグ）日本時間 2025年10月12日 16:58更新
【ロサンゼルス共同】米大リーグで大谷翔平、山本由伸、佐々木朗希が所属するドジャースが、ミルウォーキーでブルワーズと対戦するナ・リーグ優勝決定シリーズ（7回戦制）第1戦の試合開始時間が、13日午後7時に決定しました。
本記事は有料会員限定の記事となります。クリップ機能のご利用も有料会員のみとなっておりますので、ご了承ください。
西日本新聞meとは？
【有料会員限定情報】残り84文字。7日間無料トライアル実施中。1日37円で読み放題、年払いならさらにお得です。
**Warner Bros. Rejects Paramount’s $20/Share Takeover Bid as Too Low**
*By Akash Pandey | October 12, 2025, 10:59 AM*
Warner Bros. Discovery has turned down an initial takeover offer from Paramount Global, considering the proposed $20 per share bid too low. According to Bloomberg News, Warner Bros. rejected the offer in recent weeks, prompting Paramount to explore alternative strategies to pursue the acquisition.
### Paramount Weighs Next Steps
Paramount is now evaluating various options to move forward, including potentially raising its bid or seeking financial backing from partners such as Apollo Global Management. Under CEO David Ellison’s leadership, Paramount is also contemplating going directly to Warner Bros.’ shareholders to pressure the company into accepting the offer.
CNBC recently reported that ongoing talks between the two companies remain stalled over disagreements on price. Making the offer public and addressing shareholders directly could be a tactic Paramount employs to advance the deal.
### Market Snapshot
As of last Friday, Warner Bros.’ shares closed at $17.10, valuing the company at approximately $42.3 billion. Paramount’s shares stood at $17 each, giving it a market cap of around $18.6 billion.
### Leadership and Strategic Moves at Paramount
David Ellison, son of billionaire Larry Ellison, took the helm of Paramount in August following an $8 billion merger with his production company, Skydance Media. Paramount’s portfolio includes CBS, Nickelodeon, MTV, and its iconic film studio.
In efforts to strengthen its bid for Warner Bros., Paramount has been in discussions with alternative asset manager Apollo Global Management for potential financial support.
### Warner Bros.’ Planned Business Split
Meanwhile, Warner Bros. is preparing to split into two separate businesses: one focusing on cable TV and the other on streaming and studio operations. This restructuring is expected to be completed next year.
Warner Bros.’ CEO David Zaslav believes that by separating streaming and studios from the debt-heavy cable networks, the company can achieve a significant premium for these assets. Convincing Zaslav to sell before this separation occurs will be a critical hurdle for Ellison and Paramount.
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The evolving negotiations between Warner Bros. Discovery and Paramount Global highlight the complexities of major media consolidations amid changing market dynamics and strategic realignments.
https://www.newsbytesapp.com/news/business/paramount-s-20-per-share-offer-for-warner-bros-rejected/story
**Crime Series *Countdown* Review: A High-Stakes Thriller Anchored by Jensen Ackles**
*Countdown*, created by Derek Haas, enters the crowded world of American crime thrillers with an ambitious promise: a high-stakes manhunt uniting agents from multiple federal and local agencies to stop a citywide catastrophe. At first glance, it has all the right ingredients—action, tension, and a powerhouse lead in Jensen Ackles. Yet, while the show delivers adrenaline, its realism and procedural accuracy waver between credible and cinematic fantasy.
The series begins with the public assassination of a Homeland Security officer, triggering the creation of a covert, multi-agency task force. Detective Mark Meachum, played by Jensen Ackles, is drawn into the chaos alongside DEA agent Amber Oliveras (Jessica Camacho), FBI analyst Evan Shepherd (Violett Beane), and Special Agent Nathan Blythe (Eric Dane), who oversees the operation. Their mission is not merely to solve a murder but to uncover a conspiracy that stretches far deeper.
The premise fuses the structural appeal of *24* with the moral greys of *True Detective*. However, it does not always strike the perfect balance between realism and spectacle.
### Strong Ensemble Cast
The ensemble cast is *Countdown*’s strongest asset. Jensen Ackles, best known for his long-running role as Dean Winchester in *Supernatural* and his darkly comedic turn in *The Boys*, once again demonstrates his command over morally complex characters. His portrayal of Meachum—a detective haunted by a personal health crisis and moral fatigue—anchors the series emotionally. Ackles’s charisma and rugged vulnerability add depth to a character who might otherwise have felt like another hardened cop archetype.
Jessica Camacho, recognized from *All Rise* and *Westworld*, adds emotional resonance as DEA Agent Oliveras. Her performance offers a grounded counterbalance to Meachum’s impulsiveness. *The Flash* alum Violett Beane plays the tech-savvy FBI agent Evan Shepherd with youthful sharpness. Eric Dane, known from *Grey’s Anatomy* and *The Last Ship*, brings an authoritarian presence as Nathan Blythe, although his role occasionally slips into cliché.
The supporting cast, including Elliot Knight and Uli Latukefu, fill out the task force with competence, though their subplots often feel rushed amid the show’s relentless pacing.
### Realism vs. Spectacle
*Countdown* is a paradox: fast, flashy, and full of heart, yet occasionally hollow at its core. The series thrives on charisma and momentum rather than innovation or procedural accuracy. What unites the cast is an earnestness making even the most predictable moments feel watchable. Ackles’s natural chemistry with his co-stars carries much of the narrative tension. While the script occasionally falters, the performances never lose their grip on the viewer.
As a police procedural, *Countdown* aims for realism but lands somewhere between authenticity and action-movie shorthand. The show’s depiction of a multi-agency task force is, in principle, accurate—such collaborations do exist for national-security threats or inter-jurisdictional crimes. The inclusion of specialists from different backgrounds—including DEA, FBI, LAPD, and Homeland Security—adds a layer of believability, reflecting the interdisciplinary nature of modern policing.
However, procedural accuracy begins to unravel under the pressure of dramatic convenience. Evidence is analyzed at lightning speed, inter-agency communication appears frictionless, and field agents seem to operate with unlimited jurisdiction. Viewers familiar with real-world investigative processes will notice these shortcuts immediately. Chain-of-custody protocols, warrant procedures, and forensic timelines are often compressed or skipped entirely to maintain pacing.
That said, the show occasionally redeems itself by portraying the emotional toll of police work with sincerity. Meachum’s internal conflicts—such as balancing the urgency of the case with his deteriorating health—humanize the hero archetype. The series also touches briefly on moral dilemmas in law enforcement, like the blurred boundaries between justice and revenge. These moments, though fleeting, remind viewers that beneath the layers of action lies an attempt to explore ethical grey zones.
### Visuals and Pacing
Visually, *Countdown* is sleek and cinematic. The lighting, muted color palette, and high-contrast urban shots evoke a sense of urgency and claustrophobia. The editing is sharp, often cutting between field operations and tactical briefings to sustain a breakneck rhythm.
But this high-energy style is also its downfall: the relentless pace leaves little room for emotional reflection or deep character development.
### For Fans of Tense Crime Dramas
For fans of *24*, *S.W.A.T.*, or *The Night Agent*, *Countdown* will feel familiar and satisfying. It’s a show that knows its audience—viewers who crave tension, teamwork, and a ticking clock. The dialogue sometimes dips into over-familiar territory, relying on hard-boiled cop tropes (“You don’t know what it’s like out there,” “I’ll finish this my way”) that undermine otherwise strong performances. Occasional flashes of humor and camaraderie among the team offer welcome relief from the intensity.
### Critical Reception and Audience Response
Critics have been divided on *Countdown*. *The Hollywood Reporter* praised the ensemble’s chemistry, particularly Ackles and Dane’s dynamic, calling the show “an energetic if uneven ride.” *Screen Rant* highlighted the strong early episodes and effective use of tension. Meanwhile, others—including *The Daily Beast* and RogerEbert.com—criticized its overreliance on clichés and contrived twists.
*The Daily Beast* dubbed it “the year’s most insufferable show,” accusing it of recycling every procedural trope in the book.
Audiences, however, have been more forgiving. On IMDb, user reviews generally applaud the action, pacing, and Ackles’s performance. Many viewers admit that while the writing is not groundbreaking, the series is undeniably entertaining—a solid binge for fans of high-energy crime dramas. On Rotten Tomatoes, the audience score hovers in the mid-60s, reflecting its status as a guilty pleasure rather than prestige television.
### Final Verdict
Ultimately, *Countdown* is a paradox: fast, flashy, and full of heart, yet occasionally hollow at its core. Jensen Ackles carries the show with conviction, and the supporting cast elevates material that might otherwise have felt generic. The police work, while dramatized, maintains enough realism to keep the story grounded, even as it occasionally veers into implausibility.
For viewers seeking a slick, high-octane thriller with solid performances, *Countdown* earns its place as one of 2025’s more watchable new dramas.
However, if psychological depth or methodical realism à la *Mindhunter* is your preference, *Countdown* might fall short. Nevertheless, for those who enjoy tension, teamwork, and a ticking clock, this show delivers a familiar and satisfying ride.
https://www.thenews.com.pk/tns/detail/1350303-t-for-threat-t-for-time
**Karachi Hosts the World Culture Festival 2025**
The Arts Council of Pakistan (Karachi) is bringing together more than 800 artists for the World Culture Festival 2025, to be hosted in the vibrant city by the sea. Gathering voices, movements, and colors from across the world, this event is a grand celebration of diversity through performance, sound, and visual expression. It serves as a showcase of creativity that builds understanding across cultures.
Pakistan’s representation is extensive and varied. Musicians such as Akbar Khamiso Khan, Akhtar Chanal, Asim Azhar, Bilal Saeed, Imran Momina (Emu), Lutaf Ali, Mai Dhai, Rahat Fateh Ali Khan, Ustad Abdullah Khan, Ustad Fateh Ali Khan, Izat Fateh Ali Khan, Ustad Nafees Khan, and Wahab Bugti reflect the richness of the country’s artistic landscape. Spanning folk, classical, and contemporary genres, their performances connect generations and traditions.
Theatre highlights include work by Fawad Khan, Khaled Anam, and Khalid Ahmed, representing Pakistan’s growing stage culture. Adding depth to the festival, classical and contemporary dance showcases by Sheema Kermani and Nighat Chaudhry lend artistic authenticity. Together, these artists capture the vibrant energy of Pakistan’s creative identity, where cultural heritage and self-expression coexist beautifully.
Beyond Pakistan, the festival features a wide range of international talent across disciplines. Groups such as 7 Spices, Anikaya, Ballet Beyond Borders, Barcelona Repertory, Bedaya Group, CirkBizArt, Eurythmy West Midlands, Inkaba Creative Arts House, Khalaha Theatre, Lidia Kopina, Veronika Berashe Vich, Mine Nur Sen, Ozlem, Sahar Assaf, Sakai International, Scalambra, Soky Productions, Spirit Sisters, Stages Theatre Group, The Freedom Theatre, Umunyinya Theatre Company, University of Diyala, and Wava Theatre will bring distinct traditions, languages, and storytelling forms to Karachi audiences.
The global music lineup echoes this diversity, featuring artists such as Adiga Music Band, Arthur Ban, Ashraf Sharif Khan, Diana Baroni, Erica Lauren, Eva Klesse Quartet, Farah Baba Orchestra, Fariya Chaudhuri, Jay-C Val, Kenta Shoji, Liboi, Lucy Tasker, Madan Gopal, Mixwell, Mrs. Georgiana Costea Gluga, Nawal, Ricardo Passos, Sahib Pashazade, Kamran Kerimov, Sarah Dillamore, Shireen Jawad, Sh-oomb, Tommy Hill, Veronika, Vicente, Viktor Marek, and Zouratie Kone.
Their participation promises to add beautiful rhythm and melody to the festival’s collective voice, creating moments where cultural distances fade through shared sound.
Dance remains a key component of the festival’s program. Anisha Thai, CayenaColfolk, Don Sen, Haraka, Lapa Dance Company, Navid Rezvani, and Shaam each bring their unique movement styles to the stage, telling stories through rhythm and motion.
Visual artists such as Adjaratou Mariam Ableusi Ouedraogo, Adrian Bojko, Bubly Barna, Chifumi, Domi Forest, Halldor, Kelechi Nwaneri, King Kesia, Luis M. S. Santos, Mendrika Ratsimandresy, Niharika Momtaz, Onesmus Okamar, Sinenkosi Msomi, Suborna Morsheada, Victoria Santos, and YAZ showcase culture through distinct interpretations of identity and place, expanding the festival’s creative horizons.
Film is represented by Per Fikse, whose work adds a compelling cinematic dimension to the event.
The World Culture Festival 2025 exemplifies how art strengthens connections through empathy and shared imagination. Artistic expression communicates ideas and emotions often beyond words. It records struggle and achievement, reflecting the human desire to create meaning and beauty.
When you experience art, you participate in an ongoing conversation—you learn from differences and recognize shared values across cultures.
Through this gathering, the Arts Council of Pakistan Karachi reaffirms that culture is not a privilege but a living element of society. It shapes thought, sustains identity, and supports creativity. The festival reminds us all that art belongs to everyone, and diversity is not a division but a collective strength.
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**Moklani The Last Mohanas: Pakistan’s Historic Win at the Nature Oscars**
*Moklani The Last Mohanas*, directed and produced by Jawad Sharif, has made history as the first Pakistani feature film to win at the Jackson Wild Media Awards 2025. Often called the Nature Oscars, this prestigious event honors excellence in environmental and wildlife storytelling.
The win, announced on October 2 in Jackson, Wyoming, places Pakistan firmly on the global map of documentary cinema.
The film tells the story of the Mohana community of Manchar Lake in Sindh. Known as the boat people of Pakistan, the Mohanas have lived on the waters for centuries. Their lives revolve around the lake’s rhythm, but pollution, shrinking water levels, and the loss of traditional practices now threaten their survival.
Sharif’s direction highlights the beauty of Manchar Lake, revealing the fragility of both nature and culture. The film connects local realities with global environmental concerns, giving voice to marginalized communities that are rarely heard.
Supported by the National Geographic Society and Climate Kahani, the project blends art and advocacy to raise awareness about the cultural and ecological importance of Manchar Lake.
Sharif said after receiving the award, “The award belongs to the Mohana people, whose stories deserve to be seen and heard beyond borders.”
The Jackson Wild Media Awards are among the highest honors in conservation filmmaking. *Moklani* competed in the Global Voices category, which recognizes underrepresented perspectives. According to the official Jackson Wild website, over 500 submissions were reviewed by more than 200 international judges in 2025.
This recognition places *Moklani* alongside leading environmental documentaries worldwide and reflects Pakistan’s growing presence in global storytelling. It also highlights how local filmmakers contribute to vital discussions on climate change and conservation.
For Pakistan, this award represents more than a single success—it symbolizes the growth of the country’s creative industries and their confidence on the international stage.
From Sharmeen Obaid-Chinoy’s Oscar-winning documentaries to the global acclaim of *Joyland*, Pakistani cinema continues to evolve. *Moklani* adds to this progress, proving that the nation’s filmmakers can stand among the best.
Sharif noted on his company’s website, “This award is for every Pakistani storyteller who believes that film can be a tool for empathy and change.” His words echo a wider movement among filmmakers using documentaries to raise awareness and inspire action.
*Moklani*’s success shows that documentary filmmaking in Pakistan is gaining momentum after years of limited support. The genre is now recognized as a powerful medium for storytelling, advocacy, and cultural preservation.
Sharif’s earlier films—*Indus Blues* (2018) and *K2 & The Invisible Footmen* (2015)—earned similar acclaim for spotlighting indigenous art and unsung heroes. *Moklani* continues that mission, exploring the link between environment and identity.
The film’s strength lies in its quiet universality. Rooted in Pakistan but understood worldwide, it documents a community’s resilience and humanity. More than a film, *Moklani* preserves the story of the Mohanas and their water-bound world for future generations, capturing their culture, struggle, and hope amid environmental change.
As Pakistan expands its cultural presence globally, *Moklani* stands as proof of what is possible when storytelling meets purpose. It marks a defining moment for Pakistani cinema and for all those who use art to represent their communities.
—
**Now Playing: Spotify Joins ChatGPT to Turn Chats into Playlists**
Imagine chatting about your day and, with a few words, discovering the perfect song to match your mood. That’s now possible as Spotify integrates with ChatGPT, turning everyday conversations into gateways to new music.
This integration is live in English across 145 countries for ChatGPT Free, Plus, and Pro users on both web and mobile apps (iOS and Android).
Whether you’re a free or premium Spotify listener, you can now explore music simply by asking for it. Just link your Spotify account to ChatGPT and start talking. You can ask for playlists to suit your mood, favorite genre, or a specific artist—and with a single tap, listen directly in the Spotify app.
Spotify already plays across more than 2,000 devices including cars, TVs, smart speakers, and home systems. With ChatGPT, that reach extends even further, bringing music discovery into everyday conversation.
Ask for new releases, hidden gems, or songs you once loved; it’s like having a personal DJ who understands not just what you type, but what you mean.
“For listeners, it’s a more direct way to find music. For artists, it provides a broader stage to reach new audiences,” said Sten Garmark, SVP and Global Head of Consumer Experience at Spotify.
By bringing Spotify into ChatGPT, Spotify is creating new ways for fans to connect with artists and creators whenever inspiration strikes. Importantly, Spotify has confirmed that no music, podcasts, or other audio or video content will be shared with OpenAI for training purposes, ensuring that artists and creators remain protected.
Music shapes how we experience moments. This collaboration makes conversation a bridge to sound, where every word can lead to something you love. Describe a mood, your plans, or even a fleeting thought; Spotify in ChatGPT will help you find the right track in seconds.
The process feels effortless, blurring the line between dialogue and discovery—letting words lead you to rhythm.
Spotify in ChatGPT transforms language into listening, keeping the focus on what matters most: music that moves you. It’s not just technology, but a conversation that feels alive and human.
https://www.thenews.com.pk/tns/detail/1350275-the-sound-the-stage-the-story
**Nat Sciver-Brunt Smashes Her 5th ICC Women’s World Cup Century**
*By Rajdeep Saha | October 11, 2025, 7:13 PM*
England all-rounder Nat Sciver-Brunt showcased a masterclass innings by hammering her 5th ICC Women’s World Cup century. In a thrilling contest against Sri Lanka Women in Colombo on Saturday, Sciver-Brunt scored a commanding 117 runs off 117 balls, powering England to a total of 253/9 in their 50 overs.
Sciver-Brunt’s brilliant knock was central to England’s innings. Coming to the crease when the team was 49/2, she stabilized the innings and then took charge, forging a crucial 60-run partnership with captain Heather Knight for the third wicket. Throughout her innings, she maintained momentum with several 30-run stands and accelerated impressively towards the end.
The innings had a moment of drama as Sciver-Brunt was dropped early on by Udeshika Prabodhani when she was just on three runs—an error Sri Lanka would come to regret. Eventually, Prabodhani did manage to claim her wicket, but not before Sciver-Brunt inflicted substantial damage.
### Impressive Stats and Milestones
Sciver-Brunt’s 117-run innings included nine fours and two sixes, taking her World Cup tally to an impressive 954 runs at an average of 59.62. This knock marked her 5th century and 2nd fifty-plus score in the tournament, elevating her to the 8th-highest run-scorer in Women’s World Cup history. In doing so, she surpassed Australia’s Meg Lanning, who has 948 World Cup runs at an average of 52.66.
In terms of overall Women’s One Day Internationals (WODIs), this was Sciver-Brunt’s 10th hundred. She has amassed 4,241 runs in 124 matches (110 innings) at an average of 47.12, complemented by 25 fifties. Highlighting her dominance against Sri Lanka, she now has over 500 runs against them—523 runs from 12 matches (10 innings) with a remarkable average of 74.71. This century was her 5th score above fifty against Sri Lanka (2 hundreds and 3 fifties).
### Record-Breaking Feats for England
According to Cricbuzz, Sciver-Brunt now holds the second-highest number of centuries for England in Women’s ODIs, a testament to her consistency and class.
**Most hundreds for England Women in ODIs:**
1. Tammy Beaumont – 12 centuries (125 innings)
2. Nat Sciver-Brunt – 10 centuries (110 innings)
3. Charlotte Edwards – 9 centuries (180 innings)
4. Claire Taylor – 8 centuries (120 innings)
Nat Sciver-Brunt’s stunning performance in Colombo once again highlighted why she is one of the premier all-rounders in women’s cricket today. England will be counting on her firepower as the World Cup progresses.
https://www.newsbytesapp.com/news/sports/nat-sciver-brunt-hammers-century-versus-sri-lanka-in-women-s-wc/story
福岡速報｜文化
福岡市西区・飯盛神社で流鏑馬
1838年から続く神事、見物客ら歓声
2025年10月11日 18:21（18:50 更新）
[有料会員限定記事]
記者：華山 哲幸
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福岡市西区の飯盛神社（宮司：牛尾秀司）で9日、市指定無形民俗文化財の流鏑馬（やぶさめ）行事が行われました。
疾走する馬上から射手が矢を放つ姿が見どころで、多くの見物客から歓声が上がりました。
この流鏑馬の神事は1838年から続いており、地域の伝統文化として大切に守られています。
この記事は有料会員限定の内容となっております。残り284文字は会員限定でお読みいただけます。
7日間の無料トライアルや、月額37円からの読み放題プラン、年払いプランもご用意しております。ぜひご利用ください。
https://www.nishinippon.co.jp/item/1410268/
