CONFIRMED! Ranveer Singh’s Dhurandhar trailer to drop on November 12

Posted on 16/10/2025 by admin

After weeks of heightened anticipation, the makers of *Dhurandhar* have finally confirmed that the trailer of the Ranveer Singh-starrer will be unveiled on November 12, 2025. This announcement comes on the heels of the film’s fiery title track release, which has already taken the internet by storm with its high-energy sound and striking visuals.

**CONFIRMED! Ranveer Singh’s Dhurandhar Trailer to Drop on November 12**

Backed by Saregama India, Jio Studios, and B62 Studios, *Dhurandhar* is among the most awaited films of the year. The project marks filmmaker Aditya Dhar’s return after the massive success of *Uri: The Surgical Strike*.

The title track is a bold fusion of modern hip-hop, Punjabi folk, and cinematic intensity, amplifying excitement around the film and giving fans a taste of the world Dhar is about to unleash. Composed by Shashwat Sachdev and Charanjit Ahuja, the track features vocals by Hanumankind, Jasmine Sandlas, Sudhir Yaduvanshi, Shashwat Sachdev, Muhammad Sadiq, and Ranjit Kaur.

Described as the “heartbeat of the film” by Sachdev, the track was intricately woven into the script from the very beginning, underscoring its importance to the film’s narrative and mood.

Headlined by Ranveer Singh, *Dhurandhar* also stars an ensemble cast including Sanjay Dutt, Akshaye Khanna, R. Madhavan, and Arjun Rampal in key roles. The film is written, directed, and produced by Aditya Dhar, with Jyoti Deshpande and Lokesh Dhar serving as joint producers.

Promising to be a large-scale cinematic spectacle, *Dhurandhar* is generating immense buzz ahead of its trailer launch. The trailer is set to drop on November 12, 2025, while the film itself is slated for release on December 5, 2025.

—

**Also Read:**
*Dhurandhar* title song out now: Hanumankind and Jasmine Sandlas bring explosive energy to Ranveer Singh’s film, watch

**More Pages:**
Dhurandhar Box Office Collection | BOLLYWOOD NEWS LIVE UPDATES
https://www.bollywoodhungama.com/news/bollywood/confirmed-ranveer-singhs-dhurandhar-trailer-drop-november-12/

High-Flying Ahi

Posted on 16/10/2025 by admin

My younger brother used to have a pan of kalbi fries whenever we got together with friends. Like the good older sister I am, I never paid attention to where they came from. All I remember is that a friend’s dad made them. I assumed he meant his friend’s dad cooked it at home for fun.

Years later, I found out that the friend’s dad was Leroy Melchor, owner of the popular Mililani food truck Flyin’ Ahi. Even better, he now has a brick-and-mortar location in Kaneohe, open from 11 a.m. to 2 p.m. on Mondays and from 11 a.m. to 4 p.m. Tuesdays through Sundays.

But for a true taste of what the business offers, you’ll want to visit the food truck parked at Mililani Tech Park. It operates from 11 a.m. to 1:30 p.m., Tuesdays through Fridays.

The food truck’s menu hasn’t changed much over the years, but Melchor’s love for making fresh, delicious food continues to grow. At both locations, you’ll find fan favorites like the Korean fried chicken plate ($15) and the ahi katsu plate ($16), both served with rice, tossed salad, and potato mac salad. You can also add a side of poke for an additional $4.

The teri burger with fries ($12) is a charbroiled teriyaki deluxe with cheese. For the ultimate meal, upgrade your fries to kalbi fries for $5 more.

If fries are your main craving, go for the tsunami fries ($6), seasoned with Cajun spices and furikake, then topped with wasabi ranch. Or try the bestselling kalbi fries ($14), piled high with boneless marinated kalbi.

If you’re in the mood for fish, order your choice of fresh ahi — spicy, shoyu, or lime — for the perfect poke plate ($16). Other seafood favorites include fish and chips ($14), fish tacos ($13) stuffed with ahi katsu, cabbage slaw, and wasabi ranch, or the grilled ahi plate ($16) with your choice of garlic, shoyu butter, ginger scallion, or misoyaki.

Be sure to follow @flyinahi on Instagram for daily specials like blackened ahi salad, HI-style smoked meat, and garlic ahi belly.

Whether you’re on the Windward side or visiting the original food truck, get there early before the ahi flies off the shelves.

—

**Flyin’ Ahi Mililani Tech Park**
200 Akamainui St., Mililani
Instagram: [@flyinahi](https://www.instagram.com/flyinahi/)
**How to order:** In person
https://www.staradvertiser.com/2025/10/16/food/high-flying-ahi/

How to reach the Underground Cellar in Fish It

Posted on 16/10/2025 by admin

How to Find the Underground Cellar in Fish It

The Underground Cellar is a secret location and an important quest area in Fish It, where you can complete a series of tasks to earn an exclusive rod. You can find the Cellar in the Ancient Jungle, and acquiring a Crescent Artifact will help you open the doors to this underground area.

This location can be a little challenging to find on your own, but with a bit of guidance, you’ll be able to reach it without any issues. Here’s how you can get to the Underground Cellar in Fish It.

Reaching the Underground Cellar

Getting to the Underground Cellar starts with traveling to the Ancient Jungle Island. Before you set out into the open seas, consider purchasing a Fishing Radar if you don’t already have one. This tool will help you navigate more effectively.

Once equipped, hop on a boat and sail out into the sea to locate the Ancient Jungle Island. Make a beeline straight to it and follow the path from the main entrance all the way to the other end of the island. Upon reaching the end, turn right and make your way through the archipelago until you spot a door adorned with torchpoles and sconces. This is the entrance to the Underground Cellar.

Keep in mind that the doors to the Underground Cellar only open at nighttime. If you arrive too early or too late, you’ll need to wait until the day-night cycle switches to night. While waiting, you can explore the Ancient Jungle, work on completing its bestiary, or visit another area until night falls.

When you return at night, the doors will be open and the Cellar ready to explore. With that, you’re all set to start spelunking in the Underground Cellar and discover what the quest has in store for you.

About the Element Quest

Inside the Underground Cellar, you’ll encounter two short platformer courses as part of the Element Quest. Be cautious as falling will cause your character to die and respawn back at the starting point, making you run the entire path back to the Ancient Jungle.

After successfully completing these courses, you will enter a room featuring a massive triangle carved into the floor, along with a board presenting the Element Quest. The Element Quest consists of four objectives:

Own the Ghostfinn Rod.
Catch a secret fish in the Ancient Jungle.
Catch a secret fish at the Sacred Temple.
Create three Transcended Stones.

Once you have completed all four objectives, you can claim the Element Rod, which is widely regarded as the best rod in the game.

Additional Tips

Check out our detailed guide on how to catch the Magma Shark in Fish It to further enhance your fishing adventures.

FAQs on Fish It

How do I access the Underground Cellar in Fish It?

The Underground Cellar is located in the Ancient Jungle, and its doors only open during nighttime.

What can I find in the Underground Cellar?

The Underground Cellar features two mini-parkour challenges and the Element Quest, which leads to obtaining the Element Rod.

Is the Element Rod worth getting?

Yes! The Element Rod is considered the best rod in the game, making it well worth the effort to obtain.

https://www.sportskeeda.com/roblox-news/how-reach-underground-cellar-fish-it

‘This is not Gaza’: Palestinians return to war-torn neighborhoods amid ceasefire

Posted on 16/10/2025 by admin

Palestinians Return to Gaza After Ceasefire, Find Devastation and Displacement

KHAN YOUNIS, Gaza Strip – While some Palestinians returning to the Gaza Strip this week after two years of war showed joy on their faces, many found their old neighborhoods unrecognizable due to relentless fighting that reduced numerous buildings to rubble.

Following a historic ceasefire agreement enacted on Monday, tens of thousands of displaced residents, along with nearly 2,000 Palestinians released from Israeli prisons, made their way back to Gaza—only to find themselves homeless.

“Of course, I was happy about being released, but not happy about being displaced with no safety in place, no life necessities,” said 23-year-old Abdullah Wa’el Mohammed Farhan, one of the former Palestinian prisoners freed on Monday as part of a ceasefire deal brokered by President Donald Trump.

Standing outside a tent in Khan Younis, where he and his family are currently living, Farhan told ABC News that he was imprisoned for 20 months as the war with Israel raged on. He described how, while detained, he and other Palestinian prisoners were “completely isolated from the world.”

“When I was told about my release, I didn’t believe it because more than once [Israeli authorities] told us about our release and moved us from one prison to another while being tortured and beaten,” Farhan said.

ABC News has contacted the Israel Defense Forces and the Israel Prison Service regarding allegations from Farhan and other released prisoners about being tortured and subjected to starvation while incarcerated, but has yet to receive a response.

Abdullah’s sister, 21-year-old Samaher Farhan, spoke to ABC News about their reunion. While thankful to be together again, she expressed sadness that her brother had to return to a community ravaged by war.

“When I saw Abdullah yesterday, it was mixed feelings of happiness and sadness because of how he looked before he went to prison and how he looked now,” Samaher said. She hopes to resume living in their home, which remains intact but is located in an area currently uninhabitable.

“For the time being, we are living in a tent,” she added. “We felt bad that this is not a worthy welcoming of a prisoner. How can he come out to a worn tent? So, it was a sad feeling. I even tried not to meet him or sit with him for a long time because the situation is dire in this worn tent.”

She recalled that when Abdullah was taken prisoner, their neighborhood was still in good shape. “It was barely 1% of the destruction we have now,” she said.

Devastation Across Gaza

The United Nations and other organizations have reported that there is no safe place left in the Gaza Strip, which measures approximately 25 miles long by 7.5 miles wide. The Israel Defense Forces (IDF) have designated most of the war-torn territory as a “no-go zone,” issuing evacuation orders for civilians, according to the U.N. Office for the Coordination of Humanitarian Affairs.

A damage assessment by the U.N. Satellite Centre found that 83% of all structures in Gaza City—the capital of the Palestinian territory—have been damaged. The assessment identified at least 17,734 structures destroyed, representing about 43% of the total number of damaged structures.

In a report issued on Tuesday, the U.N. estimated that it will cost approximately $70 billion to reconstruct Gaza.

Human Toll of the Conflict

According to the Palestinian Ministry of Health’s latest report on Wednesday, nearly 68,000 Palestinians were killed in the Gaza Strip during the war. The conflict began on October 7, 2023, when Hamas terrorists launched a surprise attack on Israel, killing more than 1,200 people and taking about 250 others hostage.

The final 20 living Israeli hostages were released by Hamas on Monday as part of the ceasefire deal.

Voices from Those Released

Shadi Abu Sido, a Palestinian photojournalist released from Israeli prison on Monday, expressed shock at the widespread devastation in Gaza since his detention in March 2024.

“I entered Gaza and found it to be like a scene of Judgment Day,” Sido said in a video testimony. “This is not Gaza. Where is the world?”

He shared that while in prison, an Israeli officer told him his wife and two children had been killed during the war. However, upon returning to his home in Khan Younis, he discovered they were alive.

“I heard her voice, I heard my children—I was astonished. It cannot be explained, they were alive,” Sido told Reuters.

For another Palestinian prisoner, the joy of being freed was quickly replaced by heartbreak upon learning that his three children—aged 2, 5, and 8—had died in the conflict.

In a video testimony, the man, whose name has not been released, is seen falling to his knees and sobbing. Holding a bracelet in his hand, he explained that he had made it in prison and planned to give it to his youngest daughter.

“I made this for my daughter, whose birthday was supposed to be in five days,” he said in the video.

ABC News’ Bill Hutchinson contributed to this report.

https://abcnews.go.com/International/gaza-palestinians-return-war-torn-neighborhoods-amid-fragile/story?id=126551546

Nintendo (NTDOY) addresses recent hacking claims by Crimson Collective

Posted on 16/10/2025 by admin

Last week, a group of hackers calling itself the Crimson Collective claimed to have infiltrated Nintendo’s systems and secured a wealth of private data. This week, Nintendo has responded to these allegations.

The gaming giant shared that it has investigated the purported breach. While some servers hosting Nintendo’s webpages may have been defaced, there is no indication that personal or business data were compromised. This information comes from the Japanese publication The Sankei Shimbun, which Nintendo provided an official statement to regarding the matter.

In the statement, Nintendo assured fans that it has found no evidence of any compromised business or user data. The original claim from Crimson Collective surfaced on Twitter on October 11, 2025. The group posted a screenshot showcasing folders organized into categories such as “production,” “staging,” and “dev.”

Despite these claims, Nintendo remains confident that no critical information related to its games or services was leaked or stolen during the incident. Fans can rest assured that Nintendo is handling the situation and maintaining the security of its systems.
https://www.shacknews.com/article/146373/nintendo-ntdoy-crimson-collective-hack

Excellent Issue

Posted on 16/10/2025 by admin

Editor’s Note: Another wonderful issue of the North Coast Journal (Oct. 9)!

I especially appreciated “What Else Can We Do?” by Kimberly Wear, which provides much-needed information and is very well written—with help from Jennifer Fumiko Cahill.

And, of course, “Trophy Burgers” by Jennifer made me very hungry.

Speaking of Jennifer, her article “The Cult of Ichtharel Calls for the Media to Stop the Demonization of Ichtharel the Unclean, Bringer of Armageddon and Devourer of All, and His Supporters” is also a must-read.

—Dave Rosso, Eureka

*This article appears in Protecting the Night.*
https://www.northcoastjournal.com/letters-opinion/excellent-issue/

The Night When Bob Dylan Went Electric: Watch Him Play “Maggie’s Farm” at the Newport Folk Festival in 1965

Posted on 16/10/2025 by admin

The phrase “when Dylan went electric” once carried as much weight in pop culture history as “the fall of the Berlin Wall” carries in, well, history. Both events have receded into what feels like the distant past, but in the early 1960s, they likely seemed equally unlikely to many a serious Bob Dylan fan in the folk scene. They also seemed equally consequential.

To understand the culture of the decade, we must understand the import of Dylan’s appearance at the Newport Folk Festival in 1965, backed by Mike Bloomfield and other members of the Paul Butterfield Blues Band.

The death of rock and roll in the ’50s is often told through the lens of tragedy, but there was also anger, disgust, and mass disaffection. The Payola scandal had an impact, as did Elvis joining the army and Little Richard’s return to religion. Rock and roll was broken, tamed, and turned into commercial fodder. Simply put, it wasn’t cool at all, man, and even the Beatles couldn’t save it singlehandedly.

Their arrival on U.S. shores is mythologized as music history Normandy—and has been credited with inspiring countless numbers of musicians—but without Dylan and the blues artists he imitated, things would very much have gone otherwise.

In the early ’60s, Dylan and the Beatles’ “respective musical constituencies were indeed perceived as inhabiting two separate subcultural worlds,” writes Jonathan Gould in *Can’t Buy Me Love: The Beatles, Britain, and America*.

“Dylan’s core audience was comprised of young people emerging from adolescence—college kids with artistic or intellectual leanings, a dawning political and social idealism, and a mildly bohemian style. The Beatles’ core audience, by contrast, was comprised of veritable ‘teenyboppers’—kids in high school or grade school whose lives were totally wrapped up in the commercialized popular culture of television, radio, pop records, fan magazines, and teen fashion. They were seen as idolaters, not idealists.”

To evoke anything resembling the commercial pablum of Beatlemania, and at Newport, no less, spoke of treason to folk authenticity. Some called out “Where’s Ringo?” Others called him “Judas.”

Dylan’s set “would go down as one of the most divisive concerts ever”—and that’s saying a lot—“putting the worlds of both folk and rock in temporary identity crisis,” Michael Madden writes at *Consequence of Sound*.

The former folk hero accomplished this in all of three songs: “Maggie’s Farm,” “Like a Rolling Stone,” and “Phantom Engineer,” an early take on “It Takes a Lot to Laugh, It Takes a Train to Cry.”

Pete Seeger famously “threw a furious tantrum” upon hearing the first few bars of “Maggie’s Farm,” though he’s since said he was upset at the sound quality.

The moment was defining—and Dylan apparently decided to do it on a whim after hearing Alan Lomax insult the Paul Butterfield Band, who were giving a workshop at the festival.

He came back onstage afterward to play two acoustic songs for the appreciative audience who remained, unfazed by the vehemence of half the crowd’s reaction to his earlier set.

Yet the revolution to return rock to its folk and blues roots was already underway. Within six months of meeting Dylan in 1964, Gould writes, “John Lennon would be making records on which he openly imitated Dylan’s nasal drone, brittle strum, and introspective vocal persona.” (Dylan also introduced him to cannabis.)

In 1965, “the distinctions between the folk and rock audiences would have nearly evaporated.” The two met in the middle.

“The Beatles’ audience, in keeping with the way of the world, would be showing signs of growing up,” while Dylan’s fans showed signs of “growing down, as hundreds of thousands of folkies in their late teens and early twenties” rediscovered “the ethos of their adolescent years.” They also discovered electric blues.

Newport shows Dylan accelerating the transition, and also signified the arrival of the great electric blues-rock guitarists, in the form of the inimitable Mike Bloomfield, an invading force all his own, who inspired a generation with his licks on “Like a Rolling Stone” and on the absolute classic Paul Butterfield Blues Band debut album, released in The Year Dylan Went Electric.

—

*Note: An earlier version of this post appeared on our site in 2020.*

—

**Related Content:**

– Watch Bob Dylan Play “Mr. Tambourine Man” in Color at the 1964 Newport Folk Festival
– Bob Dylan Explains Why Music Has Been Getting Worse
– Tangled Up in Blue: Deciphering a Bob Dylan Masterpiece
– How Bob Dylan Kept Reinventing His Songwriting Process, Breathing New Life Into His Music

—

*Josh Jones is a writer and musician based in Durham, NC.*
https://www.openculture.com/2025/10/the-night-when-bob-dylan-went-electric.html

Happy 45th Birthday Mary Halvorson

Posted on 16/10/2025 by admin

Happy 45th Birthday, Mary Halvorson!

Mary Halvorson is a true guitar heroine, renowned for her innovative style and captivating performances. In 2022, she released two essential albums simultaneously, both of which have garnered critical acclaim.

Discover our in-depth review of these remarkable works and explore why Mary Halvorson continues to be a vital and influential figure in contemporary music.
https://magnetmagazine.com/2025/10/16/happy-birthday-mary-halvorson/?utm_source=rss&utm_medium=rss&utm_campaign=happy-birthday-mary-halvorson

Mamdani Is Making Overtures to Jewish Leaders. Some Are Listening.

Posted on 16/10/2025 by admin

Zohran Mamdani is intensifying his efforts in Jewish outreach by holding private meetings with rabbis and other community leaders across New York City.

These meetings aim to engage with individuals who oppose his stance on Israel, fostering dialogue and understanding despite differing views.

Through these conversations, Mamdani seeks to build bridges and address concerns within the Jewish community regarding his position on the issue.
https://www.nytimes.com/2025/10/16/nyregion/mandani-jews-israel-palestine.html

brutalist berlin: a concrete chronicle of the german city’s postwar identity

Posted on 16/10/2025 by admin

**Brutalist Berlin: A Study in Concrete and Context**
*Published by Blue Crow Media*

*Brutalist Berlin* is an architectural guidebook devoted to the raw materiality and social ambition of Berlin’s postwar concrete structures. Written and photographed by architectural historian Dr. Felix Torkar, this volume documents more than fifty sites across the city—from housing estates and cultural institutions to infrastructural landmarks—and situates them within the political and cultural framework of Germany’s Cold War reconstruction.

Torkar’s images present the city’s Brutalist landmarks as both familiar and estranged: structures that belong as much to the fabric of Berlin as they do to an era of ideological tension and material experimentation. His writing emphasizes how the optimism of the postwar decades translated into a new design language that is at once pragmatic and expressive.

—

### Berlin’s Architecture of Resilience

Each building featured in *Brutalist Berlin* is examined through both a visual and spatial lens. The monumental Mäusebunker, with its cantilevered concrete fins and gridded facade, appears almost defensive in its precision. By contrast, the Pallasseum housing complex—an elevated slab of dwellings straddling remnants of the Berlin Wall—reads as a social experiment in vertical living.

Together, these structures embody the tension between endurance and adaptation that defines the city’s urban identity.

Torkar’s photographs approach concrete as a living surface that’s pitted, stained, and marked by time. The play of light on coarse formwork reveals an unexpected warmth, while his compositions often position the viewer at eye level with the architecture’s scale and texture. This rigorous visual study is attuned to both proportion and atmosphere.

—

### A Guide for Exploration

Printed by Blue Crow Media on premium uncoated paper, *Brutalist Berlin* invites direct engagement. It functions not only as a guidebook for those tracing the city’s architectural evolution but also as a scholarly reference. The publication connects the work of figures like Werner Düttmann and Ulrich Müther to a broader conversation about European modernism and material honesty.

The tactile quality of the book mirrors its subject matter, translating concrete’s roughness into the grain of the page.

This new title marks the beginning of a series that will expand in 2026 with *Brutalist London* and *Concrete New York*. Together, these books will form an atlas of the twentieth century’s most uncompromising architecture, charting how civic ambition and material innovation shaped distinct urban identities.

—

### Contextualizing Berlin’s Brutalism

Dr. Felix Torkar situates Berlin’s Brutalism within the cultural and political landscape of the Cold War. Based in Berlin, Torkar bridges photography and historical research. His academic work—including a 2023 dissertation at Freie Universität Berlin—examines what he terms ‘Neobrutalism’: a contemporary resurgence of raw architecture that revisits the ethics and aesthetics of mid-century design.

In *Brutalist Berlin*, this perspective manifests as both empathy and critique—a recognition of how concrete once embodied progress and how its endurance continues to shape urban memory.

—

### Featured Sites

– **Mäusebunker:** Exemplifies monumental ambition with its precise, cantilevered concrete fins and gridded facade.
– **Pallasseum:** Stands as a social experiment in vertical living, perched over the remains of the Berlin Wall.

—

### Project Info

– **Title:** Brutalist Berlin
– **Publisher:** Blue Crow Media
– **Author/Photographer:** Dr. Felix Torkar
– **Publication Type:** Architectural guidebook and scholarly reference

—

Explore *Brutalist Berlin* to discover how Berlin’s postwar concrete architecture reflects an era of ideological tension, resilience, and innovative design. This guide invites you to engage directly with the city’s enduring concrete landmarks and understand their place within a broader historical narrative.
https://www.designboom.com/architecture/brutalist-berlin-concrete-german-postwar-book-blue-crow-media-10-16-2025/