Xiaomi 17 Pro Max sold so well that the company is now confident it’ll have to keep selling phones with displays on the back. Releasing a truly different smartphone in 2025 is challenging, but Xiaomi managed to pull it off. The company released the Xiaomi 17 Pro and 17 Pro Max, which feature secondary displays on the back, and that move appears to have been a success. Xiaomi will continue making phones with secondary displays on the back During a livestream (source in Chinese) on Weibo, Xiaomi’s president Lu Weibing said the company will continue to feature Dynamic Back Displays on its future flagship smartphones. He said that the company is already planning to increase its R&D investments to ensure quality improvements of the displays that will be featured on Xiaomi’s next-generation smartphones. The decision is based on the success of the Xiaomi 17 series, which the company claims was a massive success, and saw a 20% increase in sales compared to last year. The greatest hit is the Xiaomi 17 Pro Max, which set a first-day domestic sales record. What does the rear display serve for Unlike Apple’s iPhone 17 and 17 Pro Max, the Xiaomi 17 Pro and Xiaomi 17 Pro Max utilize the so-called camera plateau and feature secondary displays on it. It is a 2. 66-inch OLED display with 904 x 572 pixels resolution, up to 120Hz refresh rate, and brightness hitting 3, 500 nits. Similar to modern flip phones’ cover screen, it supports personalized wallpapers, a few widgets, a selfie viewfinder, and a few more features. Receive the latest Android news By subscribing you agree to our terms and conditions and privacy policy. Considering Xiaomi’s latest announcement, it wouldn’t be a surprise to see a bigger display with more features on what could be the Xiaomi 18 series. Lu Weibing said that the company is working on updates to the current generation’s displays. One of them should add a real-time translation feature to the device. Would you like to have a rear display on your phone? Yes, I’d love it Yes, but only if it has good features No, I don’t want more displays Yes, I’d love it 0% Yes, but only if it has good features 0% No, I don’t want more displays 0% No other mainstream smartphone has a similar display on its back. Nothing’s Phone (3) sports a proprietary Glyph Matrix display on the back, which can be used for a few micro games and some limited features. Committing to a standout feature is admirable One of my biggest irks with features like Xiaomi’s secondary display is that they are often one-time endeavors. Many companies try some crazy ideas and never stick to them long enough to make them work. That’s why Xiaomi’s commitment to the rear display is admirable. I’m still not sure how useful such a feature is, but now at least we know it has a future. “Iconic Phones” is coming this Fall! Relive the most iconic and unforgettable phones from the past 20 years! Iconic Phones is a stunningly illustrated book we’ve been crafting for over a year-and it’s set to launch in just a couple of months! Iconic Phones: Revolution at Your Fingertips is the ultimate coffee table book for any phone enthusiast. Featuring the stories of more than 20 beloved devices, it takes you on a nostalgic journey through the mobile revolution that transformed our world. Don’t miss out-sign up today to lock in your early-bird discount! LEARN MORE AND SIGN UP FOR EARLY BIRD DISCOUNTS HERE Buy 3 Months, Get 3 Free Visible+ Pro up to $135 savings on Verizon’s fastest 5G We may earn a commission if you make a purchase Check Out The Offer Follow us on Google News Recommended Stories FCC OKs Cingular\’s purchase of AT&T Wireless.
https://www.phonearena.com/news/xiaomi-will-continue-making-phones-with-rear-displays-after-the-17-pro-max-breaks-sales-records_id174942
Category Archives: design
brutalist berlin: a concrete chronicle of the german city’s postwar identity
**Brutalist Berlin: A Study in Concrete and Context**
*Published by Blue Crow Media*
*Brutalist Berlin* is an architectural guidebook devoted to the raw materiality and social ambition of Berlin’s postwar concrete structures. Written and photographed by architectural historian Dr. Felix Torkar, this volume documents more than fifty sites across the city—from housing estates and cultural institutions to infrastructural landmarks—and situates them within the political and cultural framework of Germany’s Cold War reconstruction.
Torkar’s images present the city’s Brutalist landmarks as both familiar and estranged: structures that belong as much to the fabric of Berlin as they do to an era of ideological tension and material experimentation. His writing emphasizes how the optimism of the postwar decades translated into a new design language that is at once pragmatic and expressive.
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### Berlin’s Architecture of Resilience
Each building featured in *Brutalist Berlin* is examined through both a visual and spatial lens. The monumental Mäusebunker, with its cantilevered concrete fins and gridded facade, appears almost defensive in its precision. By contrast, the Pallasseum housing complex—an elevated slab of dwellings straddling remnants of the Berlin Wall—reads as a social experiment in vertical living.
Together, these structures embody the tension between endurance and adaptation that defines the city’s urban identity.
Torkar’s photographs approach concrete as a living surface that’s pitted, stained, and marked by time. The play of light on coarse formwork reveals an unexpected warmth, while his compositions often position the viewer at eye level with the architecture’s scale and texture. This rigorous visual study is attuned to both proportion and atmosphere.
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### A Guide for Exploration
Printed by Blue Crow Media on premium uncoated paper, *Brutalist Berlin* invites direct engagement. It functions not only as a guidebook for those tracing the city’s architectural evolution but also as a scholarly reference. The publication connects the work of figures like Werner Düttmann and Ulrich Müther to a broader conversation about European modernism and material honesty.
The tactile quality of the book mirrors its subject matter, translating concrete’s roughness into the grain of the page.
This new title marks the beginning of a series that will expand in 2026 with *Brutalist London* and *Concrete New York*. Together, these books will form an atlas of the twentieth century’s most uncompromising architecture, charting how civic ambition and material innovation shaped distinct urban identities.
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### Contextualizing Berlin’s Brutalism
Dr. Felix Torkar situates Berlin’s Brutalism within the cultural and political landscape of the Cold War. Based in Berlin, Torkar bridges photography and historical research. His academic work—including a 2023 dissertation at Freie Universität Berlin—examines what he terms ‘Neobrutalism’: a contemporary resurgence of raw architecture that revisits the ethics and aesthetics of mid-century design.
In *Brutalist Berlin*, this perspective manifests as both empathy and critique—a recognition of how concrete once embodied progress and how its endurance continues to shape urban memory.
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### Featured Sites
– **Mäusebunker:** Exemplifies monumental ambition with its precise, cantilevered concrete fins and gridded facade.
– **Pallasseum:** Stands as a social experiment in vertical living, perched over the remains of the Berlin Wall.
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### Project Info
– **Title:** Brutalist Berlin
– **Publisher:** Blue Crow Media
– **Author/Photographer:** Dr. Felix Torkar
– **Publication Type:** Architectural guidebook and scholarly reference
© Images by Blue Crow Media
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Explore *Brutalist Berlin* to discover how Berlin’s postwar concrete architecture reflects an era of ideological tension, resilience, and innovative design. This guide invites you to engage directly with the city’s enduring concrete landmarks and understand their place within a broader historical narrative.
https://www.designboom.com/architecture/brutalist-berlin-concrete-german-postwar-book-blue-crow-media-10-16-2025/
African ikebana: How to master the art
African ikebana is a unique art form that beautifully combines the principles of Japanese ikebana with African aesthetics. This fusion creates striking floral arrangements that reflect the harmony and balance found in traditional Japanese design, while incorporating the vibrant colors and textures characteristic of African culture.
By blending these two distinct artistic traditions, African ikebana offers a fresh perspective on floral art, celebrating the rich heritage and creativity of both regions. Whether used for decoration or as a cultural expression, this innovative art form continues to inspire and captivate.
https://www.newsbytesapp.com/news/lifestyle/desert-blooms-a-unique-take-on-african-ikebana/story
Chanel’s New Orbit
At the Grand Palais in Paris, Matthieu Blazy presented his debut collection for the House of Chanel in a show that balanced grandeur with restraint. The space, once home to Karl Lagerfeld’s elaborate sets, became a planetarium filled with glowing orbs. The setting echoed Blazy’s direction for Chanel, now entering a new era under its fourth creative director in 115 years.
Among those in attendance were stars including Nicole Kidman, the new brand ambassador, with her daughters, along with Margot Robbie, Penelope Cruz, Ayo Edebiri, Pedro Pascal, Tilda Swinton, and Julia Louis-Dreyfus.
Blazy built the collection around duality. “She decided for herself what she could be and she could be both faces of the same coin,” he said after the show, referring to founder Coco Chanel. The collection reflected that tension between structure and sensuality, intimacy and confidence.
Texture led the narrative. Fabrics appeared almost tangible, drawing the eye to their depth and finish. Colours were rich and concentrated, with red appearing in sequined co-ords, ruffled skirts, and sharp tweed separates. Eveningwear stayed in shades of ivory, beige, and black, echoing Paris’s celebration of a century of Art Deco.
Gold wheat motifs, one of Coco Chanel’s personal symbols, featured on tweed coats and sack dresses, while knits and tweeds were dense and fringed. With tweed, some suits had low-slung wrap skirts, while others were puffed or frayed. The focus was attitude. “There are Chanel women all around the world,” Blazy said.
Accessories followed the same principle. The classic bag appeared without its chain, while new bags were introduced in the collection, including egg-shaped clutches, small top-handles, and soft carryalls in supple leather.
“There was too much beauty. The good thing with the codes of Chanel is you can reduce them. They still look like Chanel,” Blazy said.
The message was direct. Chanel’s next phase will move with the world and speak to many cultures. “Fashion should be beautiful and enjoyable,” he added.
Blazy’s Chanel honours the house’s heritage while pushing it forward. He has brought Chanel back to core.
https://www.thenews.com.pk/tns/detail/1350285-chanels-new-orbit
iFixit teardown shows Apple’s thinnest iPhone is easily repairable
**iFixit Teardown Shows Apple’s Thinnest iPhone Is Surprisingly Repairable**
*By Akash Pandey | Sep 21, 2025*
Apple’s latest release, the iPhone Air, is its thinnest smartphone yet, measuring just 5.6mm thick. Renowned repair expert iFixit recently performed a detailed teardown of the device, revealing a design that balances extreme thinness with an unexpectedly high level of repairability.
### Innovative Design Meets Repairability
The iPhone Air represents the biggest redesign in the iPhone lineup in years. This teardown highlights Apple’s innovative engineering to pack all essential components into such a slim form factor without sacrificing durability or serviceability.
### Camera “Plateau” Integrates Logic Board
To accommodate internal parts within the ultra-thin chassis, Apple introduced a clever “camera plateau” design. This design integrates part of the logic board into the camera bump, freeing up space for a large metal-encased battery.
This strategic placement not only optimizes space but also helps protect the logic board from bending stress, enhancing the device’s durability against accidental flexing.
### Durable Titanium Frame with Plastic Gaps
The iPhone Air features a titanium frame that resists flexing exceptionally well. However, when stripped of its internal components during teardown, the chassis is more prone to bending due to plastic gaps incorporated to reduce cellular interference.
Whether these structural weak points will impact the device’s long-term durability remains to be seen.
### Battery Compatibility Confirmed
iFixit’s teardown also confirms earlier speculation regarding Apple’s MagSafe Battery Pack. The 12.26W-hour battery inside the pack is the same as the one used in the iPhone Air and can be removed and installed in the phone itself, adding versatility for users.
### Easier Repair Than Expected
Despite its ultra-thin profile, the iPhone Air is surprisingly easy to repair. The internal layout is simplified, with components not overly layered or difficult to access. Both the display and back glass are clipped in place without adhesive, making removal straightforward.
The battery employs a low-voltage electrical current adhesive loosening technique, first introduced with last year’s iPhone 16, enabling safer and easier battery replacement.
### Repairability Score and Improvements
iFixit gave the iPhone Air a provisional repairability score of 7 out of 10. Positive aspects include easier battery access, relatively simple screen replacement, and Apple’s ongoing commitment to repair-friendly practices.
Additionally, Apple has improved repairability by offering spare parts and manuals, and reducing software locks or restrictions related to parts pairing.
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Overall, the iPhone Air proves that ultra-slim design can coexist with thoughtful engineering to support user and technician repairs, marking a noteworthy shift in Apple’s approach to device serviceability.
https://www.newsbytesapp.com/news/science/ifixit-s-iphone-air-teardown-reveals-sleek-design-surprisingly-easy-reparability/story
