Rush announces first tour in 11 years, coming to Chicago

**Rush Announces First Tour Since Neil Peart’s Passing, Coming to Chicago**

CHICAGO — Iconic progressive rock band Rush has announced their first tour since the death of legendary drummer Neil Peart. The band, which announced their retirement in 2018 after 41 years together, will be returning to the road, including shows in Chicago.

Neil Peart, the band’s drummer and lyricist, sadly passed away at age 67 in early 2020 after a battle with brain cancer. In a heartfelt move, Rush has welcomed German drummer Anika Nilles to join them for this tour. Nilles launched her career through YouTube in the early 2010s and has toured with renowned guitarist Jeff Beck.

Rush is scheduled to play at the United Center in Chicago on Thursday, July 16, and Saturday, July 18.

Bassist Geddy Lee shared a statement reflecting on the tour and Peart’s legacy:

> “It’s been over 10 years since Alex and I have performed the music of RUSH alongside our fallen bandmate and friend Neil. A lifetime’s worth of songs that we had put our cumulative hearts and souls into writing, recording and playing together onstage.
>
> And so, after all that has gone down since that last show, Alex and I have done some serious soul searching and come to the decision that we fucking miss it, and that it’s time for a celebration of 50-something years of RUSH music.
>
> So in 2026, my BFF Lerxst (aka Alex Lifeson) and I are going to hit the road once again to pay tribute to our past and to Neil by performing a vast selection of RUSH songs in a handful of cities.
>
> No small task, because as we all know Neil was irreplaceable. Yet life is full of surprises, and we have been introduced to another remarkable person; an incredible drummer and musician who is adding another chapter to our story while continuing her own fascinating musical journey. Her name is Anika Nilles, and we could not be more excited to introduce her to our loyal and dedicated RUSH fanbase, whom, we know, will give her every chance to live up to that near impossible role.
>
> Before we hit the stage, we also hope to add another musician or two to expand our sound a wee bit and free up Alex and I, in order to show off some of our new fancy dance steps.
>
> Lerxst, Anika and myself, along with many of our longstanding crew members have been hard at work rehearsing and designing the kind of RUSH show you’ve grown accustomed to expect from us.
>
> We dearly hope you will come along and help us celebrate our history together.”

### Tour Dates

– June 7 & 9 — Los Angeles
– June 18 — Mexico City
– June 24 & 26 — Fort Worth
– July 16 & 18 — Chicago (United Center)
– July 28 & 30 — New York
– August 7 & 9 — Toronto
– September 17 — Cleveland

Pre-sale registration is available now, and general tickets will go on sale on October 17.

Don’t miss this unique opportunity to experience the music of Rush live once again and celebrate the band’s incredible legacy.
https://wgntv.com/news/deans-list/rush-announces-first-tour-in-11-years-coming-to-chicago/

Robbie Williams forced to cancel final tour gig in Turkey over terror fears as hitmaker tells fans decision to axe performance ‘was beyond our control’

Robbie Williams has been forced to cancel a planned performance in Turkey over terror fears, the singer revealed in a statement released on Saturday.

The Angels hitmaker, 51, took to Instagram to share with devastated fans that he had no option but to cancel his set in Istanbul. Robbie said, “I’m extremely sorry that I will not be able to perform in Istanbul next week.”

The former Take That frontman continued: “City authorities have cancelled the show, in the interests of public safety. The last thing I would ever want to do is to jeopardise the safety of my fans – their safety and security come first.”

“We were very excited to be playing Istanbul for the first time, and purposely chose the city as the final show of the BRITPOP tour. To end this epic run of dates in front of my Turkish fans was my dream, given the close connections my family have with this wonderful country.”

“To everyone in Istanbul who wanted to join the 1.2 million people who have shared this phenomenal tour this year with us, I am deeply sorry. We were so looking forward to this show but the decision to cancel it was beyond our control.”

Robbie was due to perform at Atakoy Marina on October 7, coinciding with the second anniversary of the terror attacks on Israel by Hamas. According to local publication Turkiye Today, organisers cited potential security risks and public backlash as the reasons behind the cancellation.

The singer has previously faced criticism for marrying wife Ayda Field, 46, who has Turkish heritage through her father, while her American mother is Jewish. The couple are proud parents to daughter Teddy, 12; son Charlie, 10; daughter Coco, six; and son Beau, four.

Robbie was also scheduled to release his latest studio album, *Britpop*, just days later on October 10. However, the release has now been pushed back to avoid clashing with Taylor Swift’s *Life Of A Showgirl* tour. Robbie previously told fans: “Due to scheduling changes, *Britpop* will now be released on February 6, 2026.”

In other news, it was revealed in August that Robbie is being sued by the co-writer of his smash hit “Angels,” who claims to have earned just £7,500 from the song.

Ray Heffernan is fighting for a third of the future royalties associated with the single, which had sold an estimated 1.8 million copies in the UK as of 2021, combining physical and digital sales. The Irish singer-songwriter, who penned the hit at age 22, aims to use the new “bestseller clause” recently passed by the EU.

The origins of the song date back to 1996 when Mr. Heffernan met Robbie Williams during a night out in Dublin over the Christmas holidays. Heffernan played the song to the former Take That star at his mother’s house, and the pair then recorded a first version of the single.

*Stay tuned for further updates on Robbie Williams and his upcoming projects.*
https://www.dailymail.co.uk/tvshowbiz/article-15162651/Robbie-Williams-forced-cancel-tour-gig-Turkey-terror-fears-hitmaker-releases-statement.html?ns_mchannel=rss&ns_campaign=1490&ito=1490

Soundcheck: What Struck A Chord

Music plays a central role in life, culture, and counterculture. Research shows that listening to music reduces stress hormones, slows the heart rate, and improves mood. It is a simple way to cope with everyday pressures. People turn to music when they want to manage anxiety, recover from grief, sharpen focus while studying, or stay motivated regardless of their goal.

The act of singing or playing an instrument stimulates brain activity, strengthens memory, and builds discipline. It also creates new pathways within the brain and generates new neurons, which is important because it can protect from diseases of the mind that have no cure once the onset begins. Playing an instrument is a skill that carries over to other areas of life.

A familiar melody can unlock memories and help us express emotions that some individuals can’t articulate. It’s almost like magic that a single song can transport you back to a specific moment in time.

Beyond individual well-being, music acts as a social glue that binds communities together. Shared playlists, family gatherings, weddings, and live concerts create spaces where people connect and celebrate together. These shared experiences foster joy and empathy. Feelings of love, loss, and many other emotions become easier to deal with and find expression in a way that language alone sometimes struggles to match. Even the simple act of exchanging song recommendations can deepen friendships.

Culturally, music preserves history and identity in ways that textbooks simply cannot. In Pakistan, centuries-old folk songs pass down stories of place, language, and folklore. They keep a variety of traditions alive from Sindh to Gilgit-Baltistan. These songs carry the voices of our ancestors—their struggles, celebrations, and dreams.

Qawwali, for instance, can open a spiritual door, particularly when all others fail. It is an expression of divine will and consequently lifts the soul. Meanwhile, contemporary genres such as hip-hop, pop, and electronic music give younger generations a platform to reflect on modern realities and global influences.

Streaming services like Spotify and YouTube have dramatically widened this reach. They allow regional artists to find audiences far beyond the regions from which they come. The rules of geography and man-made borders take a backseat. They also make it easier for listeners to explore both ancestral sounds and cutting-edge trends.

Whether ancient or modern, personal or collective, music remains a universal language that speaks to everyone, regardless of background and belief. National shows such as Pakistan Idol add another layer by uncovering hidden singers and giving them a stage to be heard. This serves as a reminder that talent exists everywhere, not just in the big cities. These platforms provide a chance for extraordinary voices to emerge from the most unexpected places, coming from small towns as well as bustling neighborhoods.

### 313 Productions to Produce Pakistan Idol as It Enters Phase 2 with Record Participation

HL Global has named 313 Productions as the official producing partner of Pakistan Idol, with seasoned producer Badar Ikram at the helm. The show is set to premiere today, a date that means a great deal to music fans across the country.

Badar Ikram, a veteran of Pakistan’s television industry, launched Karachi-based 313 Productions in July after eleven years as SVP and Head of Film at a well-known local channel’s film division. In the past, he was also the Managing Director of Geo TV, which produced the program’s first and only season more than a decade ago. This gives Ikram unique insight into what made the original show work and what needs to be improved for the upcoming second season.

Pakistan Idol hopes to raise production standards and audience engagement while offering a platform to undiscovered singers. The goal is not only entertainment—it is about creating real opportunities for talented individuals who might otherwise never get their big break. Badar Ikram called the project both an honour and a responsibility, words that reflect the weight of nurturing new talent in a country that has an immense pool of ability and potential.

Meanwhile, MHL Global’s Director, Zoya Merchant, praised the energy at auditions and expressed confidence that the show will inspire viewers and highlight new talent. Auditions have been held nationwide, and state-of-the-art sets have been prepared. The competition has now moved into Phase 2 as organizers begin shortlisting contestants from a vast pool of applicants.

This is a task that’s both exciting and daunting given the sheer volume of talent. Auditions drew singers from Karachi, Lahore, Islamabad, Rawalpindi, Multan, Sukkur, Quetta, and Peshawar. There was also notable turnout from Azad Jammu and Kashmir, Gilgit-Baltistan, and many smaller towns including Khairpur, Jacobabad, Gujrat, D. G. Khan, D. I. Khan, and Hyderabad. The geographic diversity is remarkable.

Those who auditioned wanted to prove that talent knows no boundaries. While many will not make it as contestants, it was heartening to see the turnout. Venues were busy, often with long queues and hundreds of hopefuls auditioning for a chance to progress to the next round. Many contestants traveled for hours just to perform, carrying dreams that had been years in the making.

Pakistan is more than one thing, and this show is ample proof.

The judging panel for Pakistan Idol includes musician and actor Fawad Khan; qawwali and playback singer Rahat Fateh Ali Khan; singer Zeb Bangash; and singer-songwriter, scriptwriter, storyteller, and director Bilal Maqsood.

“What makes Idol special is how it brings Pakistan together through music,” said Zoya Merchant. “From the smallest towns to the biggest cities, every voice matters here. This is where dreams meet opportunity and where the next star is born.”

Her words capture something essential about the show’s mission. It’s not just about finding one winner but about celebrating the musical diversity that exists across the country. As part of the global Idol franchise, the show offers the average individual an opportunity to transform their passion into a profession.

Ultimately, Pakistan Idol aims to create a cultural moment that could resonate for years to come. With 313 Productions at the helm and record participation from across the country, the program has the potential to reshape the local music ecosystem. The show could become a genuine launchpad for new careers rather than a one-season spectacle. This depends on whether production value, the judging panel, and broadcast partnerships match the ambition shown at auditions.

The stakes are high, but so is the potential.

For now, the biggest story is the sheer breadth of talent that turned up. It’s a reminder that opportunity, when paired with the right platform, can change lives and revive interest in the local music scene. In a country where musical talent often goes unrecognised, Pakistan Idol represents hope—hope that the next generation of artists will have better opportunities than those who came before them.

### How to Make the Most of Spotify Free

Spotify, the world’s largest audio streaming platform, is always doing new things to keep listeners engaged. Spotify Free is another step in that direction. It puts a huge library in anyone’s pocket, letting listeners search, play, and share without a subscription.

In Pakistan, many users begin their streaming journey on the free tier, and honestly, it’s a good starting point. You can search for any track, play a suggested playlist, or jump straight into a song a friend has shared. The appeal lies in its simplicity and immediate access to millions of tracks.

Personalized lists such as Discover Weekly and Release Radar help you find new music. The more you listen and share, the more accurate the recommendations become. It feels like having a friend who understands your taste in music and keeps introducing you to new favourites.

Daylist adapts throughout the day to match your routine, providing upbeat tracks for your morning workout and mellow tunes for your evening wind-down. Meanwhile, real-time lyrics make it easy to sing along and share lines to Instagram or WhatsApp. There’s something satisfying about posting those perfect lyrics that capture exactly how you’re feeling at a particular moment.

For local listeners, Spotify Free is an entry point to both familiar favourites and new voices from across the country. It’s where you might discover that incredible singer from Multan or that indie band from Lahore that’s about to blow up. It lowers the barrier to discovery. There’s no financial commitment, only curiosity and a willingness to explore.

For emerging artists, this openness can lead to real exposure. For listeners, it can spark an interest in gigs, particularly local ones or talent shows such as Pakistan Idol. In that sense, the free tier is more of a beginning than an ending. It’s a first step in an ongoing conversation between artists and audiences that helps keep the music alive—the digital equivalent of discovering new music through word of mouth, just on a much larger scale.
https://www.thenews.com.pk/tns/detail/1346799-soundcheck-what-struck-a-chord

Pop singer Dua Lipa reportedly drops Jewish agent who urged Kneecap’s removal from Glastonbury

**Pop Singer Dua Lipa Reportedly Drops Jewish Agent Who Urged Kneecaps Removal from Glastonbury**

Pop star Dua Lipa has reportedly parted ways with her agent, David Levy, following disagreements related to her music career. According to a music industry source who spoke to *The Mail*, Dua Lipa ensured through her representatives that Levy was no longer involved in managing her music.

The source revealed that the decision was influenced by Dua Lipa’s openly pro-Palestine stance, which did not align with Levy’s views.

Dua Lipa attends Paris Fashion Week on July 7, 2023, in Paris, France.
(Photo Credit: Arnold Jerocki/Getty Images)

*By Grace Gilson/JTA*
https://www.jpost.com/international/article-868400

EXCLUSIVE: Secrets of Stevie Nicks’ and Lindsay Buckingham’s ‘Lost Album’ As It Gets Re-Release After 50 Years

**Stevie Nicks and Lindsey Buckingham’s Legendary Duo Album ‘Buckingham Nicks’ Finally Remastered After More Than 50 Years**

*Published: September 22, 2025, 6:00 p.m. ET*

Stevie Nicks and Lindsey Buckingham’s first and only duo record, *Buckingham Nicks*, has finally been remastered and reissued more than half a century after its initial commercial failure turned it into one of rock’s greatest cult mysteries. RadarOnline.com has the inside story of the album’s making—and the pair’s infamously fractured relationship.

Originally released in September 1973, just 16 months before Nicks and Buckingham joined Fleetwood Mac, the album was a commercial flop. It quickly went out of print and was never made available on CD or legal streaming platforms.

### Why Did The Original Album Disappear?

Despite its failure, the gauzy, 10-track folk-rock set became legendary as the opening chapter of the duo’s creative partnership. The album showcased the vocal harmonies and emotional interplay that would soon reshape Fleetwood Mac.

“It’s like sharing ownership of an old car,” Nicks, now 77, once said of the tangled rights to the album, which were split between herself, Buckingham, and producer Keith Olsen. “The stars never seemed to exactly align.”

For Buckingham, who turns 76 next month, the reasons for the album’s disappearance were less clear. “One of Stevie’s managers has the masters in her house,” he revealed in an interview years later. “Why? Well, because somebody’s got to have them somewhere. The politics of Fleetwood Mac are strange.” He added with a chuckle, “Better hurry up! That’s all I can say.”

### The Long-Awaited Reissue

Those delays have finally ended. Teased in cryptic social media posts earlier this summer, *Buckingham Nicks* is now available on vinyl, CD, and digital formats—sourced from the original analog tapes.

“We knew what we had as a duo,” Nicks writes in new sleeve notes. “It stands up in a way you hope it would.” Buckingham echoed her sentiment, saying, “By these two kids who were pretty young to be doing that work.”

### The Early Days: Two Kids from Menlo-Atherton High

The “two kids” first met at Menlo-Atherton High School in California’s Bay Area in 1966. Buckingham was a champion swimmer and budding guitarist, while Nicks had recently relocated from Arizona. They moved to Los Angeles in 1971 to pursue music, with Nicks surviving on waitressing jobs while Buckingham honed his songwriting skills.

“I believed Lindsey didn’t have to work, that he should just lay on the floor and practice his guitar and become more brilliant every day,” Nicks once said.

### The Making of *Buckingham Nicks* and What Happened Next

The duo recorded *Buckingham Nicks* at Sound City Studios with producer Keith Olsen. Despite strong material—including tracks like “Crystal” and “Frozen Love”—Polydor’s promotion was lackluster. Sales were dismal, and plans for a follow-up album fell apart. One demo from these sessions, “Without You,” was later resurrected on Fleetwood Mac’s 2013 EP *Extended Play*.

Fate intervened on New Year’s Eve 1974 when Mick Fleetwood visited Sound City to audition for the studio. Olsen played him “Frozen Love,” and Fleetwood was captivated by Buckingham’s guitar solo. Buckingham agreed to join Fleetwood Mac only if Nicks came along.

Within three months, the new line-up had recorded the self-titled *Fleetwood Mac*, featuring Nicks’ now-classic songs “Rhiannon” and “Landslide.” The rest, as they say, is history.

### The Birth of *Rumours* and a Turbulent Relationship

The band’s iconic 1977 album *Rumours*, written amid Nicks and Buckingham’s breakup, sold more than 40 million copies and defined an era. Yet the volatility in their relationship never disappeared.

Nicks has said she gave Buckingham “more than 300 million chances,” while he admitted their relationship was “like a marriage without the marriage papers.”

### A Legacy Revisited

Half a century later, the duo have set aside old conflicts to resurrect the album that started it all.

“If we had stayed in San Francisco, we would have still been famous,” Nicks reflected in an earlier interview. “But Fleetwood Mac was our destiny.”

*Buckingham Nicks* is now available in remastered form for new and longtime fans alike to rediscover the origins of one of rock’s most iconic musical partnerships.
https://radaronline.com/p/secrets-of-stevie-nicks-and-lindsay-buckingham-lost-album-release/

7 key highlights from Cardi B’s new ‘Breakfast Club’ interview

**Cardi B’s *Am I the Drama?* Released After Seven-Year Wait with Star-Studded Collaborations**

On September 19, 2025, Cardi B released her highly anticipated sophomore album, *Am I the Drama?*, seven years after her debut album, *Invasion of Privacy*. The album features collaborations with notable artists including Summer Walker, Selena Gomez, Kehlani, Lizzo, Cash Cobain, Lourdiz, Janet Jackson, Tyla, and Megan Thee Stallion, as reported by *Billboard* on the day of the release.

Cardi B shared with *Billboard* that the years between albums exposed her to both the good and bad sides of fame, teaching her to control her emotions and better understand life. She also announced plans to embark on the *Little Miss Drama* arena tour in 2026.

### Cardi B Announces Pregnancy Amid New Album Release

Just two days before the album launch, on September 17, 2025, Cardi B revealed on *CBS Mornings* that she is expecting her first child with NFL star Stefon Diggs. The news added a new layer of excitement for fans anticipating her upcoming projects.

On the album release day, Cardi appeared on *The Breakfast Club* to discuss her new music, pregnancy, and personal relationships. Below are seven key highlights from that revealing interview.

### 1. Explaining the Delay Behind *Am I the Drama?*

Cardi addressed the long wait between her first and second albums. When co-host Charlamagne tha God questioned if pregnancy had caused the delay, Cardi was quick to clarify:

> “My mouth is not pregnant.”

She explained that the delay was due to being selective about her music and feeling unsatisfied with the material she had early on:

> “Everybody always said that I dropped the ball when I didn’t release an album after *Up*. But to be honest, I only had like six songs. I just felt like I wasn’t ready.”

Cardi added that her debut album was rushed due to circumstances including her first pregnancy, whereas this time, she admitted to overthinking as she got older:

> “As you get older, you just overthink too much. And it’s just like you just got to do it.”

### 2. No Pressure to Prove Herself Anymore

Facing ongoing debates about her career and the second album’s release, Cardi said the scrutiny has intensified but emphasized she doesn’t feel the need to prove anything:

> “It’s been like a whole nasty debate for the past two months… kind of have to prove it to them but it’s like kind of don’t have to prove nothing to nobody but I’m motivated. I feel really good.”

Regarding rumors about her possibly skipping touring, Cardi firmly dismissed them:

> “Like a lot of people think that I’m not going to go on tour and it’s like honey, Live Nation gave me a check. I’m going there… there was a check that was given and there was a check that I got to go get.”

### 3. Preparing Physically and Mentally for the Tour While Pregnant

Cardi discussed balancing her pregnancy with tour preparations, noting that this is not new territory—it’s her “fourth baby.” She described staying active during her previous pregnancies, including exercising up to the final weeks.

> “When I gave birth, like in four days, I just felt like nothing.”

She also shared that her first two pregnancies involved complications, but her third was smoother. She hopes this pregnancy will be similar and plans to stay physically strong to be able to perform post-childbirth:

> “I did it last year. I can do it this year.”

### 4. Protecting Her Peace Amid Industry Pressure

When asked how she maintains peace amidst fame’s pressures, Cardi revealed she doesn’t always have all the answers but relies on her support system:

> “Sometimes I got the answers and sometimes I don’t. But I always have somebody to call. My friends, my family, there’s always somebody there. Nobody complains.”

She noted that setbacks, especially heartbreak, affect her more deeply than people often realize:

> “Some people say, ‘Oh, just give yourself 72 hours.’ Sometimes it will mess you up for a week or longer. Especially if it’s heartache. You can’t fight that.”

Cardi also admitted that some tracks on *Am I the Drama?* served as therapeutic outlets for anger, including responses to other female artists who she felt had taken advantage of her during vulnerable moments:

> “I might talk a certain way. But I’m smart. I know how to play. And when the time comes, I remind people why I’ve lasted this long.”

### 5. Addressing Feud with Bia on *Am I the Drama?*

Cardi openly discussed her public feud with rapper Bia, notably on the track “Pretty & Petty,” which many believe directly calls out Bia. The back-and-forth between the two began in June 2024, when Bia accused Cardi of cheating on then-husband Offset and later released a diss track mentioning Cardi’s children and appearance.

Cardi explained on *The Breakfast Club* that she addressed the feud so directly because Bia involved her family:

> “You mentioned my kids trying to be cute.”

She emphasized that mentioning her children was crossing a line and justified her response on the album:

> “When my kids grow up one day and they see that you mentioned them, they’re gonna ask me, ‘So what you said? What you did?’ I’m [gonna be] like, ‘You see how I violated?’”

### 6. Describing Divorce from Offset as “Not Peaceful at All”

Cardi was candid about the ongoing nature of her divorce from ex-husband Offset, filed in July 2024 after six years of marriage. She dispelled rumors that the split had become amicable:

> “No, it’s not. It’s not peaceful at all.”

Discussing Offset’s song “Move On” from his album *Kiari*, which contains lyrics about their relationship’s end, Cardi said she laughed and remained unbothered by the personal digs:

> “Whatever. You let the world think what they want to think.”

### 7. Calling Out a Woman Who Betrayed Her Trust

Cardi also opened up about a woman who pretended to be friendly before becoming involved with her partner. She described the situation as “weird”:

> “They gave me flowers. Literally flowers. Then, months later, I found out you f****d this n****a. Stuff like that be weird to me.”

While Cardi admitted she doesn’t expect loyalty from everyone, the deception and betrayal shook her. She revealed similar past experiences have made her cautious about supporting emerging artists, especially after encouraging some who later got involved with her partner.

### *Am I the Drama?* Goes Platinum Within a Day

Just one day after its release, *Am I the Drama?* earned platinum certification from the Recording Industry Association of America (RIAA) on September 20, 2025. The certification counts Cardi’s previous hit singles “WAP” and “Up” toward the album’s overall sales.

– “WAP,” featuring Megan Thee Stallion, was released in August 2020 and has since gone nine-times platinum.
– “Up,” released in February 2021, is certified five times platinum.
Both singles peaked at No. 1 on the Billboard Hot 100.

Cardi B’s *Am I the Drama?* marks a promising new chapter in her career, blending her personal growth with bold artistic statements. Fans can look forward to the upcoming *Little Miss Drama* arena tour in 2026 as Cardi continues to navigate motherhood, music, and fame.
https://www.sportskeeda.com/us/music/7-key-highlights-cardi-b-s-new-breakfast-club-interview

“Don’t think we’ve seen the end of this” – Insider believes LeBron James’ beef with Drake could end up with them revealing each other’s secrets

LeBron James addressed questions about the status of his relationship with rapper Drake during an interview with Speedy Morman on Thursday. The LA Lakers superstar expressed that he wishes nothing but the best for Drake but noted, “He’s doing his thing, I’m doing mine.” Despite the apparent rift between them, James emphasized that “it’s always love” for the artist.

Van Lathan, host of the podcast *Higher Learning*, reacted to LeBron’s comments during an episode with co-host Rachel Lindsay. Lathan said, “I don’t think we’ve seen the end of this back-and-forth. I honestly hope that no lines are crossed in this that significantly injure the perception the public has of the other guy.” He added, “The bad version about this is it goes crazy because a lot of persons in this town stay cordial because of what they know about each other.”

Lindsay noted that LeBron seems to have moved on from his beef with Drake, but the rapper appears unwilling to let go. Lathan even predicted that Drake’s next album might be titled *Wish Him The Best*.

The tension reportedly escalated after LeBron James sided with Kendrick Lamar, who engaged in a fiery dissing contest with Drake. Following this, Drake appeared to cut ties with James, taking subtle shots at the four-time MVP in his lyrics. In a notable move, the rapper removed a tattoo of LeBron James and replaced it with an image of Oklahoma City Thunder superstar and MVP Shai Gilgeous-Alexander.

How the relationship between LeBron James and Drake will evolve after this latest interview remains uncertain.

### Relationship Dynamics: “Mini-Support Group,” Says Van Lathan

Van Lathan offered insight into the unique bond between LeBron and Drake, describing it less as a traditional friendship and more as a “mini-support group.” According to the former TMZ Live producer, both men have faced intense scrutiny in their remarkable careers, which fostered a connection grounded in mutual understanding.

He elaborated, “Them being pals, it more seemed like it was a mini-support group than it was a friendship. Like, they be on the phone, ‘Hey, man, I score 40, won the championship, and said it was a bubble champ. What you got?’ ‘Ni**a, I went No. 1 again and they telling me some f**king Kendrick Lamar, Jay-Z, Tupac, B. What the f**k? Aye, man, let’s go party together.’ Okay, cool.”

The Academy Award winner continued, explaining that “somebody from that partnership jumped out of the deal, breaking the building block of the relationship.” He expressed hope that LeBron and Drake will continue to stay cordial in order to limit unnecessary damage.

As fans await further developments, it remains to be seen whether LeBron James and Drake can mend their relationship or if this chapter marks a permanent shift in their dynamic.
https://www.sportskeeda.com/basketball/news-don-t-think-seen-end-this-insider-believes-lebron-james-beef-drake-end-revealing-other-s-secrets