FOTO Modrić se zabavljao na mobitelu, a klinac ‘žicao’ dres. Evo atmosfere iz Varaždina

Po dolasku na stadion u Varaždinu, gdje su igrali protiv Gibraltara, “vatreni” su vjerojatno pratili utakmicu Farskih Otoka i Češke, koja je završila rezultatom 2-1. Kapetan Luka Modrić često je gledao u mobitel tijekom dolaska, prateći najnovije informacije.

Zlatko Dalić, koji živi u tom gradu, dobio je posebnu koreografiju u čast odigranih 100 utakmica na klupi hrvatske nogometne reprezentacije, što je izazvalo dodatnu pažnju među navijačima.

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https://www.24sata.hr/sport/foto-modric-se-zabavljao-na-mobitelu-a-klinac-zicao-dres-evo-atmosfere-iz-varazdina-1080508

大津祭、曳山巡行でにぎわう 復元新調、幕鮮やかに

くらし
大津祭、曳山巡行でにぎわう
復元新調、幕鮮やかに

2025年10月12日 18:05(2025年10月12日 18:06 更新)
[有料会員限定記事]

西日本新聞meとは?

10月12日、大津市で約400年の歴史を持つ「大津祭」が行われました。天孫神社の祭礼で、国の重要無形民俗文化財にも指定されています。

当日は、豪華な幕で彩られた13基の曳山が登場。優雅なおはやしの音色とともに、市内を巡行し、多くの見物客でにぎわいました。

約13万5千人の来場者が訪れ、伝統の祭りを楽しみました。

(この記事は有料会員限定です。続きは7日間無料トライアルでお読みいただけます。)
https://www.nishinippon.co.jp/item/1410523/

那覇で世界最大級160m綱引き 埋まる国道、平和願い熱気

2025年10月12日 19:02 (2025年10月12日 19:03 更新)

※この記事は有料会員限定です。

沖縄県の伝統行事「那覇大綱挽」が12日、那覇市中心部で行われました。平和を願い、長さ160メートル、重さ35トンの世界最大級の大綱を引き合うこの祭りは、琉球王国時代の1450年ごろに始まったとされています。

1997年に当時の…

※クリップ機能は有料会員の方のみご利用いただけます。

▼西日本新聞meとは?

【残り359文字】

7日間無料トライアルあり。1日37円で読み放題、年払いならさらにお得です。
https://www.nishinippon.co.jp/item/1410546/

ソウルで日韓交流祭り 国交正常化60年節目祝う

くらし
ソウルで日韓交流祭り 国交正常化60年の節目を祝う

2025年10月12日 18:34 更新 18:36
[有料会員限定記事]

【ソウル共同】
日本と韓国の文化活動を通じて市民交流を深める恒例の「日韓交流おまつり2025」が12日、ソウルで開催されました。

今年は両国の国交正常化60年、また交流おまつりの開催20周年にあたる節目の年であり、多くの人々が集まり、両国の絆を改めて確認しました。

(※この記事は有料会員限定です。)
残り362文字
7日間無料トライアル実施中。1日37円で読み放題。年払いならさらにお得です。
https://www.nishinippon.co.jp/item/1410535/

Inside Japan’s Great Transformation: Mazda’s Five-Year Reform Plan

Inside its training center in Hiroshima, employees of all ages and departments—many meeting for the first time—are engaged in workshops exploring the company’s corporate culture, known as “food,” and what it should represent. Participants first reflect individually, then discuss in pairs, and finally present their ideas to the group—a process repeated across various themes.

The cultural reform initiative, launched in November 2023, is a cornerstone of Mazda’s five-year transformation plan. In May, the company rented a local soccer stadium to train 4,000 employees, and nearly all staff have now completed the program.

The project unfolds in three phases: first, defining the desired culture through training; second, embedding it in everyday workplace behavior; and third, establishing it as a daily habit. Mazda sees this internal evolution as essential for survival as electrification, environmental concerns, and other sweeping changes reshape the industry.

“We’re not a large company by scale,” one executive noted, “so human creativity, imagination, and uniqueness are critical to generating new value. We must cultivate our organizational culture anew.”

The company’s journey is not without resistance. Some employees question whether management fully supports the changes, while others see altering executive mindsets as key to success. Yet the resolve remains strong as Mazda pushes toward a future where a new corporate culture becomes its competitive edge.

Beyond corporate reinvention, Japan is also witnessing groundbreaking research aimed at addressing the climate crisis. On August 5th, temperatures in Gunma Prefecture hit a record 41.8°C—the highest ever recorded in Japan—with the Meteorological Agency warning that above-average heat could persist through November.

As the world works to reduce CO2 emissions from vehicles and fossil fuels, a pioneering project in Tanegashima, Kagoshima Prefecture, is exploring a domestic biofuel alternative derived from sugarcane. At the center of the effort is Satoshi Obara, a special professor at the University of Tokyo, who has spent two decades developing new sugarcane varieties in collaboration with the Kyushu Okinawa Agricultural Research Center.

One such variety, named Haru no Ougi, yields 30–50% more than conventional strains and withstands the island’s frequent typhoons without bending, making it ideal for mechanical harvesting.

Obara, who once worked on biofuel commercialization in the private sector, left his company to pursue this vision independently. His goal: to create a renewable, domestically produced fuel without relying on imported oil or external electricity—a bold attempt to build a sustainable energy future from Japan’s farmland.

Meanwhile, in the resort sector, Spa Resort Hawaiians—a tropical-themed leisure facility in Iwaki, Fukushima Prefecture, known for its towering 40-meter waterslide and daily Hula Girl dance shows—is fighting for survival.

Operated by local company Joban Kosan and celebrating its 60th anniversary next year, Hawaiians has faced severe financial challenges. The 2011 Great East Japan Earthquake forced a six-month closure, while the COVID-19 pandemic caused an additional three-month shutdown, leaving the company with about 28 billion yen in debt and aging facilities.

In November 2023, U.S. investment fund Fortress Investment Group, which manages over 7 trillion yen in assets and previously acquired Seibu Holdings, launched a takeover bid, acquiring more than 85% of Joban Kosan’s shares.

“Given the current financial state, it would be difficult for Hawaiians to remain competitive over the next 50 or 60 years without major change,” said Shunsuke Yamamoto, who led the acquisition.

Fortress plans a sweeping overhaul of the resort, investing heavily to modernize facilities and align them with the expectations of Japanese travelers who have experienced Hawaii firsthand.

Hawaiians’ transformation is part of a broader trend of foreign investment reshaping Japan’s hospitality landscape. Large-scale resorts from the bubble era are being rebuilt from the ground up, reflecting a strategic push to redefine domestic travel experiences.

But not all of Japan’s battles involve boardrooms or laboratories—some are fought in the fields. In Tochigi Prefecture, wild boars, once rare, have proliferated in recent years, wreaking havoc on agriculture. They destroy sweet potato fields, trample rice paddies, and even roll in fields to remove parasites, knocking over crops and reducing grain quality.

Damages nationwide from wild animal incursions now total 16.4 billion yen annually. Despite these losses, Japan’s hunter population has fallen to less than half its previous size, with about 60% now over 60 years old. Local governments are struggling to respond.

Veteran hunter Kiyoshi Sekiguchi, 75, who captured 30 boars last year, says manpower is the biggest obstacle: “There’s nobody left to set traps or check them.” Municipalities offer 16,000 yen per animal, but the shortage of younger hunters—many of whom cannot leave their jobs for extended periods—remains a critical challenge.

The consequences go beyond crops. Wild animals cause traffic accidents, spread disease, and pose risks to human safety.

Yet new business models are emerging to tackle the crisis. In Chiba Prefecture, companies are making it easier for people to enter the hunting industry, including offering training for trap licenses. In Hokkaido, female entrepreneurs are launching ventures that connect hunters with consumers seeking game meat, creating a market-driven incentive for wildlife control.
https://newsonjapan.com/article/147245.php

Chanel’s New Orbit

At the Grand Palais in Paris, Matthieu Blazy presented his debut collection for the House of Chanel in a show that balanced grandeur with restraint. The space, once home to Karl Lagerfeld’s elaborate sets, became a planetarium filled with glowing orbs. The setting echoed Blazy’s direction for Chanel, now entering a new era under its fourth creative director in 115 years.

Among those in attendance were stars including Nicole Kidman, the new brand ambassador, with her daughters, along with Margot Robbie, Penelope Cruz, Ayo Edebiri, Pedro Pascal, Tilda Swinton, and Julia Louis-Dreyfus.

Blazy built the collection around duality. “She decided for herself what she could be and she could be both faces of the same coin,” he said after the show, referring to founder Coco Chanel. The collection reflected that tension between structure and sensuality, intimacy and confidence.

Texture led the narrative. Fabrics appeared almost tangible, drawing the eye to their depth and finish. Colours were rich and concentrated, with red appearing in sequined co-ords, ruffled skirts, and sharp tweed separates. Eveningwear stayed in shades of ivory, beige, and black, echoing Paris’s celebration of a century of Art Deco.

Gold wheat motifs, one of Coco Chanel’s personal symbols, featured on tweed coats and sack dresses, while knits and tweeds were dense and fringed. With tweed, some suits had low-slung wrap skirts, while others were puffed or frayed. The focus was attitude. “There are Chanel women all around the world,” Blazy said.

Accessories followed the same principle. The classic bag appeared without its chain, while new bags were introduced in the collection, including egg-shaped clutches, small top-handles, and soft carryalls in supple leather.

“There was too much beauty. The good thing with the codes of Chanel is you can reduce them. They still look like Chanel,” Blazy said.

The message was direct. Chanel’s next phase will move with the world and speak to many cultures. “Fashion should be beautiful and enjoyable,” he added.

Blazy’s Chanel honours the house’s heritage while pushing it forward. He has brought Chanel back to core.
https://www.thenews.com.pk/tns/detail/1350285-chanels-new-orbit

The Sound, the Stage, the Story

**Karachi Hosts the World Culture Festival 2025**

The Arts Council of Pakistan (Karachi) is bringing together more than 800 artists for the World Culture Festival 2025, to be hosted in the vibrant city by the sea. Gathering voices, movements, and colors from across the world, this event is a grand celebration of diversity through performance, sound, and visual expression. It serves as a showcase of creativity that builds understanding across cultures.

Pakistan’s representation is extensive and varied. Musicians such as Akbar Khamiso Khan, Akhtar Chanal, Asim Azhar, Bilal Saeed, Imran Momina (Emu), Lutaf Ali, Mai Dhai, Rahat Fateh Ali Khan, Ustad Abdullah Khan, Ustad Fateh Ali Khan, Izat Fateh Ali Khan, Ustad Nafees Khan, and Wahab Bugti reflect the richness of the country’s artistic landscape. Spanning folk, classical, and contemporary genres, their performances connect generations and traditions.

Theatre highlights include work by Fawad Khan, Khaled Anam, and Khalid Ahmed, representing Pakistan’s growing stage culture. Adding depth to the festival, classical and contemporary dance showcases by Sheema Kermani and Nighat Chaudhry lend artistic authenticity. Together, these artists capture the vibrant energy of Pakistan’s creative identity, where cultural heritage and self-expression coexist beautifully.

Beyond Pakistan, the festival features a wide range of international talent across disciplines. Groups such as 7 Spices, Anikaya, Ballet Beyond Borders, Barcelona Repertory, Bedaya Group, CirkBizArt, Eurythmy West Midlands, Inkaba Creative Arts House, Khalaha Theatre, Lidia Kopina, Veronika Berashe Vich, Mine Nur Sen, Ozlem, Sahar Assaf, Sakai International, Scalambra, Soky Productions, Spirit Sisters, Stages Theatre Group, The Freedom Theatre, Umunyinya Theatre Company, University of Diyala, and Wava Theatre will bring distinct traditions, languages, and storytelling forms to Karachi audiences.

The global music lineup echoes this diversity, featuring artists such as Adiga Music Band, Arthur Ban, Ashraf Sharif Khan, Diana Baroni, Erica Lauren, Eva Klesse Quartet, Farah Baba Orchestra, Fariya Chaudhuri, Jay-C Val, Kenta Shoji, Liboi, Lucy Tasker, Madan Gopal, Mixwell, Mrs. Georgiana Costea Gluga, Nawal, Ricardo Passos, Sahib Pashazade, Kamran Kerimov, Sarah Dillamore, Shireen Jawad, Sh-oomb, Tommy Hill, Veronika, Vicente, Viktor Marek, and Zouratie Kone.

Their participation promises to add beautiful rhythm and melody to the festival’s collective voice, creating moments where cultural distances fade through shared sound.

Dance remains a key component of the festival’s program. Anisha Thai, CayenaColfolk, Don Sen, Haraka, Lapa Dance Company, Navid Rezvani, and Shaam each bring their unique movement styles to the stage, telling stories through rhythm and motion.

Visual artists such as Adjaratou Mariam Ableusi Ouedraogo, Adrian Bojko, Bubly Barna, Chifumi, Domi Forest, Halldor, Kelechi Nwaneri, King Kesia, Luis M. S. Santos, Mendrika Ratsimandresy, Niharika Momtaz, Onesmus Okamar, Sinenkosi Msomi, Suborna Morsheada, Victoria Santos, and YAZ showcase culture through distinct interpretations of identity and place, expanding the festival’s creative horizons.

Film is represented by Per Fikse, whose work adds a compelling cinematic dimension to the event.

The World Culture Festival 2025 exemplifies how art strengthens connections through empathy and shared imagination. Artistic expression communicates ideas and emotions often beyond words. It records struggle and achievement, reflecting the human desire to create meaning and beauty.

When you experience art, you participate in an ongoing conversation—you learn from differences and recognize shared values across cultures.

Through this gathering, the Arts Council of Pakistan Karachi reaffirms that culture is not a privilege but a living element of society. It shapes thought, sustains identity, and supports creativity. The festival reminds us all that art belongs to everyone, and diversity is not a division but a collective strength.

**Moklani The Last Mohanas: Pakistan’s Historic Win at the Nature Oscars**

*Moklani The Last Mohanas*, directed and produced by Jawad Sharif, has made history as the first Pakistani feature film to win at the Jackson Wild Media Awards 2025. Often called the Nature Oscars, this prestigious event honors excellence in environmental and wildlife storytelling.

The win, announced on October 2 in Jackson, Wyoming, places Pakistan firmly on the global map of documentary cinema.

The film tells the story of the Mohana community of Manchar Lake in Sindh. Known as the boat people of Pakistan, the Mohanas have lived on the waters for centuries. Their lives revolve around the lake’s rhythm, but pollution, shrinking water levels, and the loss of traditional practices now threaten their survival.

Sharif’s direction highlights the beauty of Manchar Lake, revealing the fragility of both nature and culture. The film connects local realities with global environmental concerns, giving voice to marginalized communities that are rarely heard.

Supported by the National Geographic Society and Climate Kahani, the project blends art and advocacy to raise awareness about the cultural and ecological importance of Manchar Lake.

Sharif said after receiving the award, “The award belongs to the Mohana people, whose stories deserve to be seen and heard beyond borders.”

The Jackson Wild Media Awards are among the highest honors in conservation filmmaking. *Moklani* competed in the Global Voices category, which recognizes underrepresented perspectives. According to the official Jackson Wild website, over 500 submissions were reviewed by more than 200 international judges in 2025.

This recognition places *Moklani* alongside leading environmental documentaries worldwide and reflects Pakistan’s growing presence in global storytelling. It also highlights how local filmmakers contribute to vital discussions on climate change and conservation.

For Pakistan, this award represents more than a single success—it symbolizes the growth of the country’s creative industries and their confidence on the international stage.

From Sharmeen Obaid-Chinoy’s Oscar-winning documentaries to the global acclaim of *Joyland*, Pakistani cinema continues to evolve. *Moklani* adds to this progress, proving that the nation’s filmmakers can stand among the best.

Sharif noted on his company’s website, “This award is for every Pakistani storyteller who believes that film can be a tool for empathy and change.” His words echo a wider movement among filmmakers using documentaries to raise awareness and inspire action.

*Moklani*’s success shows that documentary filmmaking in Pakistan is gaining momentum after years of limited support. The genre is now recognized as a powerful medium for storytelling, advocacy, and cultural preservation.

Sharif’s earlier films—*Indus Blues* (2018) and *K2 & The Invisible Footmen* (2015)—earned similar acclaim for spotlighting indigenous art and unsung heroes. *Moklani* continues that mission, exploring the link between environment and identity.

The film’s strength lies in its quiet universality. Rooted in Pakistan but understood worldwide, it documents a community’s resilience and humanity. More than a film, *Moklani* preserves the story of the Mohanas and their water-bound world for future generations, capturing their culture, struggle, and hope amid environmental change.

As Pakistan expands its cultural presence globally, *Moklani* stands as proof of what is possible when storytelling meets purpose. It marks a defining moment for Pakistani cinema and for all those who use art to represent their communities.

**Now Playing: Spotify Joins ChatGPT to Turn Chats into Playlists**

Imagine chatting about your day and, with a few words, discovering the perfect song to match your mood. That’s now possible as Spotify integrates with ChatGPT, turning everyday conversations into gateways to new music.

This integration is live in English across 145 countries for ChatGPT Free, Plus, and Pro users on both web and mobile apps (iOS and Android).

Whether you’re a free or premium Spotify listener, you can now explore music simply by asking for it. Just link your Spotify account to ChatGPT and start talking. You can ask for playlists to suit your mood, favorite genre, or a specific artist—and with a single tap, listen directly in the Spotify app.

Spotify already plays across more than 2,000 devices including cars, TVs, smart speakers, and home systems. With ChatGPT, that reach extends even further, bringing music discovery into everyday conversation.

Ask for new releases, hidden gems, or songs you once loved; it’s like having a personal DJ who understands not just what you type, but what you mean.

“For listeners, it’s a more direct way to find music. For artists, it provides a broader stage to reach new audiences,” said Sten Garmark, SVP and Global Head of Consumer Experience at Spotify.

By bringing Spotify into ChatGPT, Spotify is creating new ways for fans to connect with artists and creators whenever inspiration strikes. Importantly, Spotify has confirmed that no music, podcasts, or other audio or video content will be shared with OpenAI for training purposes, ensuring that artists and creators remain protected.

Music shapes how we experience moments. This collaboration makes conversation a bridge to sound, where every word can lead to something you love. Describe a mood, your plans, or even a fleeting thought; Spotify in ChatGPT will help you find the right track in seconds.

The process feels effortless, blurring the line between dialogue and discovery—letting words lead you to rhythm.

Spotify in ChatGPT transforms language into listening, keeping the focus on what matters most: music that moves you. It’s not just technology, but a conversation that feels alive and human.
https://www.thenews.com.pk/tns/detail/1350275-the-sound-the-stage-the-story

「犠牲増やさないで」 ガザ戦闘2年 福岡市・天神でデモ

福岡 社会 「犠牲増やさないで」 ガザ戦闘2年 福岡市・天神でデモ

2025年10月12日 6:00
記者一覧:長田 健吾

パレスチナ自治区ガザでのイスラエルとイスラム組織ハマスとの戦闘開始から今月で2年を迎えました。

これに合わせ、福岡市・天神では11日、デモ行進が行われました。参加者たちは「パレスチナに自由を」などとシュプレヒコールを上げながら、福岡市中心部を練り歩きました(11日午後4時前、福岡市中央区にて)。

「犠牲を増やさないで」との思いを込め、多くの市民が平和と人権を訴えました。

※この記事は有料会員限定です。
残り419文字を読むには7日間無料トライアル(1日37円で読み放題)、または年払いプランがご利用いただけます。
https://www.nishinippon.co.jp/item/1410355/

Crowds Rush to Final Weekend of Osaka-Kansai Expo

Long lines formed early in the morning outside the venue’s east gate. When the gates opened around 9 a.m., crowds streamed in, eager to make their way to their favorite pavilions.

Many attendees expressed mixed feelings about finally getting a chance to attend just before the event concludes.
“I’m glad I made it in at the very last moment. I wish they would extend the run,” said one visitor. Another added, “It’s sad to see it end, so I’m going to make the most of the last day.”

On the same day, Shanghai—a sister city to Osaka Prefecture and Osaka City—hosted a special one-day event. Visitors enjoyed Chinese music and dance performances, gaining a unique opportunity to experience overseas culture.

Expo organizers also reminded attendees that unused tickets without reserved dates can still be exchanged for admission passes until October 12th, the day before the event closes.

The Expo, which has spanned 184 days, will officially end on October 13th.
https://newsonjapan.com/article/147242.php

福岡市西区・飯盛神社で流鏑馬 1838年から続く神事、見物客ら歓声

福岡速報|文化
福岡市西区・飯盛神社で流鏑馬
1838年から続く神事、見物客ら歓声

2025年10月11日 18:21(18:50 更新)
[有料会員限定記事]
記者:華山 哲幸

福岡市西区の飯盛神社(宮司:牛尾秀司)で9日、市指定無形民俗文化財の流鏑馬(やぶさめ)行事が行われました。

疾走する馬上から射手が矢を放つ姿が見どころで、多くの見物客から歓声が上がりました。

この流鏑馬の神事は1838年から続いており、地域の伝統文化として大切に守られています。

この記事は有料会員限定の内容となっております。残り284文字は会員限定でお読みいただけます。

7日間の無料トライアルや、月額37円からの読み放題プラン、年払いプランもご用意しております。ぜひご利用ください。
https://www.nishinippon.co.jp/item/1410268/