Robert Pattinson Registers 7 Songs with ASCAP: Will He Be the First Batman Since Adam West to Release an Album?

Robert Pattinson, known for his roles as a vampire and a superhero, may be adding pop star to his list of achievements. The actor has registered seven songs with ASCAP, the music licensing agency. These songs include “Bent Out That Midnight Day,” “Best Friend,” “Fascinate,” “Fell Off,” “Green Light,” “Waiting on Me,” and “Witness,” the latter of which is a cover of a Michael Jackson track.

In addition to his music pursuits, Pattinson is also involved in filmmaking. He is the writer and co-producer of *Only the Strong Survive*, a documentary featured at prestigious film festivals such as Cannes, Sundance, and Telluride. The film is directed by D.A. Pennebaker and Chris Hegedus, further showcasing Pattinson’s diverse talents in the entertainment industry.
https://www.showbiz411.com/2025/10/27/robert-pattinson-registers-7-songs-with-ascap-will-he-be-the-first-batman-since-adam-west-to-release-an-album

Ben Affleck’s First Batman Costume Test Photo Unveiled

Zack Snyder has shared a rare photo of Ben Affleck from his first Batman costume test for *Batman v Superman: Dawn of Justice*. The image, posted on Snyder’s Instagram, captures the moment Affleck wore the iconic Batsuit for the very first time.

The black-and-white photo, taken on a 4×5 Polaroid, offers fans a unique glimpse into an important milestone in the development of the DC Extended Universe (DCEU). In the caption, Snyder wrote:
“A black-and-white 4×5 Polaroid I took of Ben during the costume test first time in the suit. Everything I hoped it would be. #Batman.”

This rare image has drawn significant attention from fans, who have flooded the post’s comment section with excitement and admiration.

Ben Affleck went on to portray Batman in several DCEU films, including *Batman v Superman: Dawn of Justice*, *Suicide Squad*, and *The Flash*, where he made his final appearance as the Dark Knight. Reflecting on his time as Batman, Affleck previously shared his enjoyment of the role, saying:

“I had a really good time. I loved doing the Batman movie. I loved *Batman v Superman*. And I liked my brief stints on *The Flash* that I did, and when I got to work with Viola Davis on *Suicide Squad* for a day or two. And it was something we really went for in the first movie.”

Snyder’s post follows another recently released photo, shared just a few days earlier, featuring Henry Cavill as Superman, continuing to excite fans about the legacy of the DCEU.
https://www.comingsoon.net/guides/news/2049483-ben-affleck-batman-v-superman-first-costume-test-photo

Stephen King Lists It: Welcome to Derry as Halloween Must Watch

**Stephen King Shares His Top Halloween Movie and TV Show Recommendations**

As the Halloween season approaches, legendary author Stephen King has shared his personal list of must-watch movies and television shows perfect for the spooky occasion. In a recent post on Threads, King highlighted five screen adaptations of his work that he believes capture the spirit of Halloween perfectly.

In his post, King wrote, “Need some Steve King for Halloween? Gotcha covered,” followed by his curated list:

– **The Institute** (available on MGM+ and Prime Video)
– **1922** (Netflix)
– **Gerald’s Game** (Netflix)
– **Lisey’s Story** (Apple TV+)
– **It: Welcome to Derry** (HBO Max)

He added with a playful challenge, “You can find other stuff, too. If you’re brave enough.”

### Spotlight on *It: Welcome to Derry*

King’s recommendation of *It: Welcome to Derry* comes just as the highly anticipated series debuts on HBO Max. Set in 1962, this prequel explores the sinister origins of Pennywise’s terror in the fictional town of Derry. Fans will be excited to see Bill Skarsgård reprise his iconic role as the terrifying clown that has haunted generations.

### King on His Current and Upcoming Projects

Beyond sharing his Halloween picks, King recently opened up about his current creative endeavors in an interview with USA Today. He revealed that he is working on a new installment of *Never Flinch*, the Holly Gibney detective series, as well as a third book following *The Talisman* and *Black House*.

King reflected on his work ethic and future plans, saying, “I’m trying to clear my desk as much as I can. At my age, you’re off the warranty. You can’t take anything for granted.” Despite his ongoing projects, the author expressed a desire to slow down, noting, “You can’t guarantee anything once you get past the age of 75, 76. So you’ve got to be a little bit careful. Anything can happen to anybody.”

### Perfect Viewing for a Spooky Season

Whether you prefer chilling adaptations like *Gerald’s Game* and *1922* or the eerie mysteries of *Lisey’s Story* and *The Institute*, Stephen King’s recommendations offer a range of options to get into the Halloween spirit. And with *It: Welcome to Derry* freshly available, it’s the perfect time to dive into the terrifying world of King’s creations.

Prepare your popcorn, dim the lights, and get ready for a spine-chilling Halloween experience with these Stephen King favorites.
https://www.comingsoon.net/tv/news/2049226-stephen-king-it-welcome-to-derry-halloween-list-5

Report: Taylor Sheridan Leaving Paramount for a New Studio

Taylor Sheridan’s Next Chapter Could Reshape Prestige Television

Taylor Sheridan, the acclaimed creator behind hits like Yellowstone and Landman, is reportedly preparing to leave his longtime home at Paramount. This move signals a major shift in Hollywood’s ongoing battle for top storytelling talent and could redefine Sheridan’s creative reach in both film and television.

**Taylor Sheridan Reportedly Leaving Paramount**

According to Puck News, Sheridan will depart Paramount once his existing film and television commitments conclude. He has finalized a significant new deal with NBCUniversal that will cover both film and TV production.

The arrangement includes an eight-year film agreement starting in March 2026, followed by a five-year overall television deal beginning in 2028, coinciding with the end of Sheridan’s current contract with Paramount. Additionally, his production company, 101 Studios—led by David Glasser—will also transition to Universal.

**Reasons Behind the Move**

Sources familiar with the situation reveal that Sheridan grew dissatisfied with changes at Paramount following David Ellison’s acquisition of the studio in August 2025. Many executives Sheridan had worked closely with were either removed or reassigned, and new leadership under streaming chief Cindy Holland began questioning several of his production budgets.

Further straining the relationship, Ellison reportedly sought to involve Paramount in a separate film deal Sheridan made with Warner Bros. These tensions contributed to Sheridan’s decision to explore other opportunities.

**Competitive Interest from Top Studios**

Represented by CAA, manager Scott Greenberg, and lawyers Neil Meyer and Emily Downs, Sheridan held discussions earlier this year with multiple studios including Warner Bros. Discovery, Amazon, Netflix, Apple, and NBCUniversal.

Ultimately, Sheridan chose NBCUniversal following meetings with Donna Langley. Langley, who recently expanded her role to oversee both film and television at NBCU, has a strong track record working with renowned filmmakers such as Steven Spielberg, Jordan Peele, and Christopher Nolan—an aspect that reportedly appealed to Sheridan.

**Paramount’s Response**

Despite David Ellison previously praising Sheridan as “a singular genius and content creator” and expressing a desire to retain him “as long as he wants to be telling stories,” Paramount had not extended Sheridan’s television deal beyond 2028.

Current Paramount projects including Tulsa King, Mayor of Kingstown, Landman, Lioness, and upcoming Yellowstone spinoffs are expected to remain with the company even after Sheridan’s departure.

This move marks a pivotal moment in Taylor Sheridan’s career and could have lasting impacts on the landscape of prestige television and film production in the years to come.
https://www.comingsoon.net/tv/news/2048361-paramount-taylor-sheridan-leaving-why

Review: Kate Hudson Fulfills the Promise of Her 2000 Oscar Nomination in Sudsy Musical “Song Sung Blue” About Neil Diamond Performers

Waaaay back in 2000, Kate Hudson received an Oscar nomination for her intuitive performance as band muse Penny Lane in Cameron Crowe’s *Almost Famous*. What followed for the next 25 years was a seesaw of roles mostly in romcoms that came and went. Nothing ever stuck. In the meantime, she became a successful entrepreneur with the Fabletics activewear brand.

Then, in May 2024, Hudson released a very good record album that I reviewed in this column. She turned out to be a terrific singer and performer. So when I heard she’d be in a movie about a couple who perform Neil Diamond songs professionally, I had a feeling it would work out. My feeling turned out to be right.

In Craig Brewer’s *Song Sung Blue*, Hudson plays Claire Sardina, who in the late 1980s has been singing around Milwaukee as country great Patsy Cline. No wallflower, Claire has a voice and the looks that help her make a little money from the impersonation. Into her life comes Mike, also on the circuit in Milwaukee, playing his guitar and doing tributes to various rock stars.

The pair meet, team up, and become “Lightning and Thunder.” They marry, blend their families, and get so popular locally that Eddie Vedder asks them to open for Pearl Jam. All of this was reported in a 2008 documentary, including real-life health and living issues that would fill any soap opera.

Along the way, Claire is hit by an out-of-control car that careens into their front lawn. I won’t spoil what happens next. Mike faces significant heart trouble from years of booze and drugs, so you know things are going to go sideways.

You sense bad times are coming because the first half of the film — full of music and laughs — is just too much fun. All the characters get along, the main duo are very talented, and they seem to be gaining local stardom. Then the bottom drops out.

Let’s pause here for a moment.

Craig Brewer directed *Hustle and Flow*, so he knows how to make a music movie. Hugh Jackman is a Broadway star when he’s not playing “Wolverine,” so we know he can sing. These two are big building blocks for the film.

Also, Neil Diamond has a huge catalog of hits, including what’s become a dreaded overused singalong in “Sweet Caroline.” But Jackman’s Mike, thanks to smart turns in the screenplay, doesn’t like “Sweet Caroline.” He says Neil Diamond’s music is more than that. So even though it’s heard, it’s never rammed down our throats.

Mike prefers songs like “Song Sung Blue” and “Play Me,” and he sings the heck out of them. (The only song really missing is one of my favorites, “Solitary Man.”)

Nothing prepares you for Kate Hudson, though. She’s charming and understated. She has a Milwaukee accent that sounds like it’s sawing through trees but doesn’t come out in her vibrant singing. When tragedy befalls Claire, Hudson handles it without too much mishegos. Brewer won’t let her, because the movie is about the music and how it sustains these people through hard times.

There are plenty of very good supporting characters. Mike and Claire each have a daughter, played respectively by King Princess and Ella Anderson. Michael Imperioli, of *Sopranos* fame, plays a guitarist and Buddy Holly imitator. He’s very good. Fisher Stevens and James Belushi are likable managers of Mike and Claire.

Mustafa Shakir doesn’t get enough time to do his James Brown impressions, but in the end, it’s all about Jackman and Hudson. They have lots of chemistry and make lovely music together.

With Jackman, this isn’t a big surprise. Didn’t you see *The Music Man*? But Hudson, daughter of Goldie Hawn, finally gets a spotlight and uses it with grace and wit. Why didn’t we know she was such a good singer before last year?

I predict, at the very least, Critics Choice and Golden Globe nominations, and who knows what else. I do hope there’s a soundtrack album.

*Song Sung Blue* opens Christmas Day, and you know what? You can take the whole family.
https://www.showbiz411.com/2025/10/27/review-kate-hudson-fulfills-the-promise-of-her-2000-oscar-nomination-in-sudsy-musical-song-sung-blue-about-neil-diamond-performers

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IGT’s Cleopatra Gold free slot game, one of the supplier’s popular titles, is an engaging slot with an RTP of 95.97%, featuring 5 reels and 20 fixed paylines. The game transports players to an exotic setting filled with scarab beetles and sphinxes that grant fantastic bonuses. With medium volatility, this Ancient Egyptian-themed slot offers gameplay similar to the original Cleopatra casino slot but with additional features such as the Silver Respin feature.

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Mavericks Fans erupt after Cooper Flagg sets new career-high with thunderous dunk

Cooper Flagg’s throwdown at the end of the third quarter didn’t just rattle the rim; it set off a roar that echoed through the arena and pushed the rookie to a new career high.

Joey Mistretta posted the slam on X, writing that the dunk and the free throw that followed gave Cooper Flagg a new NBA career-high with 19 points. Flagg, the Dallas Mavericks’ No. 1 overall pick, delivered the kind of burst every franchise dreams of from a freshman-turned-rookie: physical at the rim, poised with the ball, and suddenly the most electric man on the court.

Fans rose, cameras zoomed in, and social feeds filled with the kind of highlight reaction that fuels a young player’s brand. “Taking a one pound dribble past half court to punch onna 7 footer is insane !!! Good lord,” one fan wrote. Another echoed the sentiment, saying, “He dunks like Russell Westbrook if he had another ten inches of height holy f**k.”

The box score picture is slightly different. ESPN’s official gamebook shows Flagg with 22 points, four rebounds, and four assists in 29 minutes, as he spearheaded a fourth-quarter surge that nearly erased a large deficit. That stat line underscores both his scoring punch and playmaking upside as a primary creator.

Dallas’ record still sits in the early-season trenches, but a sequence like that—a rookie with size, touch, and timing—gives the Mavericks something to build on. If Flagg keeps making plays that get crowds to their feet, debates about his ceiling will shift toward inevitability.

For now, the highlights keep coming, and so do the questions: can the rookie turn crowd-pleasing moments into consistent winning production?
https://clutchpoints.com/nba/dallas-mavericks/mavericks-news-fans-erupt-cooper-flagg-new-career-high-dunk

Adam Pearce to punish Dominik Mysterio after he does one thing on WWE RAW this week? Possibility explored

In his weekly preview video of WWE Monday Night RAW on X, General Manager Adam Pearce made an exciting announcement.

He revealed that an Intercontinental Championship number one contender’s match will take place between Penta and Rusev.

This match promises to be a thrilling contest, as both superstars aim to earn a shot at the prestigious Intercontinental Championship. Fans can look forward to an intense showdown on the upcoming episode of RAW.
https://www.sportskeeda.com/wwe/adam-pearce-punish-dominik-mysterio-one-thing-wwe-raw-week-possibility-explored

Co-op horror games are taking over, so here are the best ones to celebrate 2025’s spookiest day

Co-op Horror Games Are Taking Over: The Best Ones to Celebrate 2025’s Spookiest Day

Halloween is almost here, and so are countless co-op horror games that have collectively earned a specific moniker revolving around the word “friend.”

And be the sentiment around them as it may, I still find them incredibly fun to play, especially when it comes to gathering the squad for some late-night gaming. Of course, you could just all fire up CS2, but instead of losing your mind playing to get an imaginary number 400 points higher, you have the option to get scared s**tless—and I think that’s quite better.

So, I’ve gathered four recent co-op horror games and one classic that can and will make your 2025 Halloween night much more exciting.

Misery

Misery sure does love company.
Image via Platypus Entertainment

Having released just a few days prior to this article, Misery places you in the midst of a mysterious Zone, itself located in a fictional Eastern European Republic of Zaslavie. It’s very much Soviet Ukraine and Russia, with its fictional town almost an exact counterpart to our own Chornobyl.

Inspired by hits like STALKER, it allows you and your friends to explore the Zone, gather loot, craft materials, and survive the irradiated, anomalous wasteland. Your characters can go insane, be poisoned by abject radiation, warped by mysterious nuclear apparitions, or beaten to a pulp by a bunch of gopniks in Adidas tracksuits cursing at you in Russian.

It’s a unique and very different style of co-op horror, one that does not shy away from its inspirations.

Vein

Wrecked zombies? How fun!
Image via Ramjet Studios

Described by some as a “first-person Project Zomboid,” Vein is a post-apocalyptic zombie survival multiplayer horror game that places you and your group of friends into a walker-infested hellscape. You are, naturally, tasked with surviving these circumstances and are given free rein over how you want to do it.

It’s a sandbox experience through and through, emphasizing player agency, which, in turn, promotes creativity and “on-the-go” thinking that’ll lead every group of survivors into different outcomes. Want to build a five-star hotel out of the scrap you find? Go right ahead. Or, if it’s more your prerogative, you can mow down any zombie you come across until you get bored. Whatever you want to do, you’re free to.

Cryo

The environments are ultra spooky.
Image via Valko Game Studios

With Lethal Company almost singlehandedly spawning this entire co-op horror subgenre that loves its proximity voice chat, it’s no wonder that a game very close to the origin is on this list. Cryo puts you in the shoes of a mysterious company worker, sent to Antarctica to figure out why the continent has gone dark and cut its communications.

You and your friends really will be on the edges of your seats with this one, having to figure out things quickly but quietly, lest you disturb whatever dark horror awaits you in the pitch blackness of our world’s most remote piece of land.

Escape the Backrooms

Liminal spaces never get old.
Screenshot via Fancy Games

The crown jewel of the Backrooms meme, Escape the Backrooms has recently received its 1.0 update, releasing in full on Steam. With this huge milestone, the game has been expanded with several new levels and lots of additional content, making the trudge through the liminal spaces much more fulfilling and, of course, fun.

Various creatures of the Lovecraftian kind await behind every hallway, with puzzles and riddles along the way that’ll make escaping quite the ordeal. Make sure to keep track of who and where your friends are, because some of these monsters have a tendency to copy, mimic, and imitate, tricking you into falling prey to them.

GTFO

GTFO is among the best co-op shooters out there.
Image via 10 Chambers

And while these relatively new Company-likes are all fun and games, sticking to some classic hits doesn’t hurt a bit. GTFO is one of the best mission-based horror games ever made, combining incredible weapon realism and feedback with that recognizable Left 4 Dead-style gameplay loop where a group of players survives an onslaught of enemies.

It’s usually cheap on Steam this time of year, and brings with it loads of content to play through, which shouldn’t only last you through the spooky season, but also serve as a gateway to fun at any time of year. Its dedicated community means you’ll be able to find a group of eager players almost always, even when your own group is offline.

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Jurassic World Evolution 3 Review – Third Time’s a Charm

**Jurassic World Evolution 3 Review**

Dear Frontier, if you’re reading this, please somehow make all your fantastic sims cross-compatible. Sure, maybe the wallabies from *Planet Zoo* might not want to procreate next to an enclosure of velociraptors while a triple inverted coaster screams overhead. Still, you say “build it your way,” right? Wishful thinking aside, thanks for *Jurassic World Evolution 3*. It’s the best of the series. It’s also just a wink and a nudge away from *Planet Zoo*, so let’s talk about that crossover.

### Incremental, but Large Increments

In *Jurassic World Evolution 3*, your tasks remain essentially the same as in prior games. The overarching challenge is finding a balance between commerce and conservation, exploitation and, well, evolution. Turning a profit while advancing science, dinosaur genetics, and efficient keeping.

The tasks are not unlike those in *Planet Zoo*, but the captives are a bit more extreme. *Jurassic World Evolution 3* doesn’t throw the baby tyrannosaur out with the bathwater, because it doesn’t need to. The fundamentals remain solid.

There’s a campaign, a sandbox, and some one-off challenges — more than enough to keep fans satisfied for a good long while. However, for *Jurassic World Evolution 3*, Frontier has added a bit more depth around breeding, genetics, and the dinosaur growth cycle.

The game introduces juvenile animals. In addition to being adorable and audience-pleasing, they also have a separate range of behaviors with each other and their parents. They exhibit the blended genetic tendencies and appearance you might expect.

Juveniles have unique needs separate from adults. It means more stuff to balance, but that’s what players enjoy. Breeding now takes into consideration sexual dimorphism, fertility, compatibility, territory size, and nest placement. Part of the game’s campaign deals with bioengineering enough males to populate breeding programs.

### Dr. Malcolm Returns

The singular Jeff Goldblum — aka The Fly, aka The Wizard of Oz, aka Dr. Ian Malcolm — returns to quip and intone his usual scientific warnings, but the cast is uniformly pretty good.

Overall, the game’s campaign is the best of the three games, taking the player from Hawaii to Japan to the Nevada desert. As always, the campaign is part narrative, part tutorial, and moves along at a welcome, streamlined clip.

The game’s challenge mode presents players with a range of one-off scenarios to test their ability in a variety of situations. If nothing else, the scenarios are a great practice tool for deep diving into the game’s systems.

### Play in the Sandbox

For me, and I suspect many other players, the campaign is like the vegetables, and the sandbox is the dessert. That doesn’t mean the veggies aren’t nutritious and can’t be delicious, but the freedom of building in the sandbox is endlessly fun.

As always, players can shape the sandbox experience in extremely granular ways. For some players, paying attention to every detail of infrastructure, staffing, maintenance, and research is pure joy; for others, worrying about building a sustainable power grid is annoying.

For *Jurassic World Evolution 3*, Frontier introduces modular building tools and the ability to easily customize buildings and other design elements in far more detail. Easy is relative, of course. Building an aesthetically pleasing and entertaining park experience is always a challenge.

This version includes a few new attractions, maybe the coolest of which is a kayak ride. Guests can paddle down rivers while dinos graze on the banks. The new zipline ride lets people swoop over herds of dinosaurs. Will a pen of hungry allosaurs nip at the heels of zipliners? Let’s find out.

### Fly in the Amber

I played *Jurassic World Evolution 3* on the PS5, which means using the controller for building. Thanks largely to Frontier porting its games to consoles, the practicality of playing a building sim with a controller has steadily improved.

It will probably never be as easy or intuitive as a mouse and keyboard, but the experience is relatively painless in *Jurassic World Evolution 3*.

Let me copy/paste my standard Frontier sim game complaint: lack of compatibility with prior games. Especially when a game’s tech is more iterative than dramatically different, having to repurchase content always smacks of greed. It was true in *Planet Coaster*, and it’s true in *Evolution 3*.

However, one really bright spot is that blueprints and player-made content in the Frontier Workshop is cross-platform compatible.

Generally, *Jurassic World Evolution 3* looks great, especially its lighting and scenery. At least on the PS5, some of the dinosaur skin textures have an unrealistic plastic/rubber sheen to them. However, dinosaur animations continue to evolve and feel ever more lifelike.

Players looking forward to playing on PS5 should note that there have been some issues with limits on park complexity. Frontier is working on this problem.

Thanks to its modular building systems, new juvenile dinosaurs, and engaging campaign, *Jurassic World Evolution 3* is the best of the series. It feels like a more flexible and more refined version of a familiar game.

If it had compatibility with prior content, it would be a 10/10, but *Jurassic World Evolution 3* is a great foundation for expansion.

*PS5 code provided by the publisher for review.*
https://cogconnected.com/review/jurassic-world-evolution-3-review/