‘Tell Me Lies’ star Jackson White hints at big Season 3 finale

**SCAD TVfest Honors Television’s Brightest Stars in Atlanta**

ATLANTA — The Savannah College of Art and Design (SCAD) held its annual TVfest this week in Atlanta, celebrating “an exceptional group of artists and storytellers whose work reflects television’s enduring power and cultural impact.”

Among the honorees were some of the industry’s most dynamic talents:

– **Quinta Brunson**, creator and star of *Abbott Elementary*, received the Variety Creative Showrunner Award.
– *Tell Me Lies* star **Jackson White** was honored with the Rising Star Award.
– The beloved *Scrubs* cast — **Zach Braff**, **Donald Faison**, and **Sarah Chalke** — took home the Cast Award.

### Rising Star Jackson White Talks *Tell Me Lies*

On The Red Carpet spoke with Jackson White, who portrays Stephen, the toxic love interest of Lucy (played by Grace van Patten) in Hulu’s *Tell Me Lies*. White described playing Stephen as “a good exercise in stoicism.”

Receiving the Rising Star Award at SCAD TVfest, White shared his gratitude:
“It’s great. What an honor. So cool. It’s nice to be recognized in any capacity for all of the pain and the grinding.”

Looking ahead to the highly anticipated Season 3 finale, White teased, “I can’t say it’s a great ending, but it’s going to spark a lot of conversation.” The finale is set to premiere on Hulu on February 17.

### *Scrubs* Cast Reunites Ahead of Revival on ABC

Also at the fest, we caught up with the *Scrubs* cast as they gear up for the show’s ABC revival. The original series aired from 2001 to 2010, and the new version will premiere on February 25.

Sarah Chalke reflected on the enduring friendships among the cast:
“I’ve known these guys 25 years.”

Braff and Faison’s on-screen bromance is just as strong off-screen:
“Yeah, it’s mostly thanks to his wife,” Braff joked. “She’s sort of the mediator because we get in bromance disagreements, and he will go off and pout. Then his wife, on the text chain, will be like, ‘Y’all need to work this out.’”

Faison chimed in with a laugh:
“That is 100% true, yes. And I do pout, yes. Yeah, so I really have to give credit to CaCee Cobb, Donald’s wife, because she’s the glue.”

For those new to *Scrubs*, no worries — the revival promises to be accessible to all viewers:
“I promise you, we did the research, and we’re giving you what you want. And if you’re new to the show, you don’t have to watch the old show to enjoy this version of it. It’s for everybody,” said Faison.

*Note:* The Walt Disney Company is the parent company of Hulu, ABC, and this ABC station.
https://abc7.com/post/scad-tvfest-stars-hint-tell-lies-season-3-finale-whats-come-scrubs-revival/18556098/

High-Profile Peacock Show Officially Scrapped

A high-profile Peacock show is no longer happening. After it was announced in 2025 that the *Upgrade* sequel series was canceled, producer Tim Walsh further confirmed the news.

Back in 2020, Deadline reported that Leigh Whannell’s 2018 sci-fi thriller *Upgrade* would be getting a TV follow-up. The original film follows a technophobe who, after a mugging leaves him paralyzed, is implanted with a chip that allows him to control his body. The planned series was set to pick up a few years after the events of the film, broadening the universe with an evolved version of STEM and a new host, imagining a world in which the government repurposes STEM to help curb criminal activity.

Blumhouse Television and UCP were set to collaborate on the project, with Whannell attached to direct. However, in early 2025, Whannell alluded to the show’s cancellation during an interview with *The Hollywood Reporter*. He explained, “As far as making a sequel to *Upgrade*, it’s another one where he thinks they’re good and it doesn’t need another. I would love to let that film keep bubbling away as this cult movie, and if people keep thinking that it was somehow prophetic, then that would be great.”

More recently, in an interview with *Bloody Disgusting*, producer Tim Walsh shed additional light on the cancellation. “Leigh and I sold that to Peacock back in 2019,” he recalled. “I think I started my writer’s room for *Upgrade* on the day the world shut down from the pandemic. We had the writer’s room. We wrote the scripts. But, as often happens in this business, somebody up top at Peacock got fired, and a new person came in, thought they knew everything, and dropped that project. It never got picked up later because it was a tumultuous time in the world.”

Considering Whannell has expressed no interest in pursuing an *Upgrade* sequel, it can be assumed that he and Walsh won’t be trying to revive the series. Whether the series would have moved forward if not for the pandemic remains unknown, but COVID-19 certainly disrupted many productions. It seems the pandemic was the final nail in the coffin for the *Upgrade* sequel series.
https://popculture.com/streaming/news/high-profile-peacock-show-officially-scrapped/

Reggae Genealogy returns for a cinematic celebration of Jamaican music and culture

Reggae Genealogy is back and ready for its close-up during Reggae Month! This year’s theme is a cinematic celebration of music, culture, and legacy. From legendary roots to modern vibes, this party promises to be a true blockbuster.

The lovely sounds of reggae have deep roots, and this Saturday, honoring the great legends behind this powerful groove is what Reggae Genealogy is all about.

### A Musical History Lesson with Tifa

Tifa shares, “It is a history class but done in such a fun musical way that the whole family can enjoy it.” Gracing the musical stage, Tifa adds, “I’ll be doing a mixture, so I’ll be giving you some singing as well as the standard DJing. You will get the high energy Tifa, of course. A medley of different songs, definitely a hybrid. I can’t say anymore—stop asking me these questions!”

### Hosted by Jamaican Actress Audrey Reid

Jamaican actress Audrey Reid is hosting this year’s event, and the vibe fits her perfectly. Audrey says, “‘Reggae Genealogy: Lights. Camera. Action.’ This year’s theme is right up my alley. I’m an actress, known for my role in the movie ‘Dancehall Queen.’”

Starring in the 1997 movie “Dancehall Queen” made her mark, but being featured on Deco Drive is like icing on the cake. Audrey shares, “We’re getting new audiences, and I’m just all over the place. Right now, I’m on Deco Drive, which will add volume to my portfolio.”

### Honoring Legendary Artists

Ms. Reid will be rocksteady partying with some of reggae’s finest. “Our great Leroy Sibbles will be there. We’ll be honoring Vegas, one of our… I mean, a bad artist in Jamaica. We’ll be honoring the late great Jimmy Cliff, who passed earlier this year, and Sly from Sly and Robbie, sadly, who passed recently,” says Audrey.

### Food, Vendors, and Unique Finds at Volunteer Park

Plenty of grub and vendors will be present at Volunteer Park in Plantation this year, including some rare finds from Genesis Unique Jewelry. Carmen Puccio shares, “I love participating in Reggae Genealogy; this will be my third year. I love the culture and the colors that they use. My husband and I make everything by hand using materials like leather, copper, wood, aluminum, and bamboo. I compliment your confidence with my unique jewelry. Everything is handcrafted, authentic, and one-of-a-kind.”

### Tickets and Event Details

Reggae Genealogy is truly a one-of-a-kind experience. Tickets start at $30.

**Event Location:**
Volunteer Park
12050 West Sunrise Blvd.
Plantation, FL 33323

**For more information and to buy tickets, [click here].**

Don’t miss out on this vibrant celebration of reggae music, culture, and legacy!
https://wsvn.com/entertainment/deco-drive/reggae-genealogy-returns-for-a-cinematic-celebration-of-jamaican-music-and-culture/

John Fox

John Fox is an elite warrior and super soldier known for saving the leaders of various states. His exceptional skills and bravery have earned him a reputation as one of the best in the field.

Before retirement, John was a professional mercenary who served with honor and distinction. After years of dedicated service, he chose to step away from the battlefield and enjoy a peaceful life.

However, tragedy struck when his beloved pet, Milo, was killed. This heartbreaking loss has reignited John’s fierce determination. Now, he must seek justice and avenge Milo’s death. The mission is personal, and failure is not an option.
https://www.gamespot.com/games/john-fox/

Steam Machine will play the majority of Steam titles ‘at 4K 60 fps with FSR’, but some will require more upscaling than others, Valve says

Valve has finally broken its silence on its forthcoming hardware lineup, revealing new details about the Steam Frame and Steam Machine. The company also explained why it hasn’t yet announced pricing or a release date—blaming the ongoing RAM shortage, humorously dubbed the “RAMpocalypse.”

In a newly released FAQ, Valve shared insights into the expected performance of the Steam Machine. “In our testing, the majority of Steam titles play great at 4K 60 fps with FSR on Steam Machine,” the company stated. However, it added that some games require more aggressive upscaling, and for those titles, it may be better to play at a lower framerate using VRR to maintain a native 1080p internal resolution.

Valve is actively working on several improvements to enhance the gaming experience, including enabling HDMI VRR, investigating better upscaling techniques, and optimizing ray tracing performance in the driver. “We are approaching this from multiple angles,” the FAQ reads, underscoring the company’s commitment to delivering a premium experience.

This 4K at 60 fps target isn’t new. Back in November, Valve engineer Yazan Aldehayyat told PC Gamer, “Our benchmark has always been that it should have enough performance to play every game on Steam at 4K60 when you do some sort of upscaling like FSR.” It’s an ambitious goal, but one that makes sense since the Steam Machine is designed as a living room PC—and most living rooms feature 4K TVs.

Additionally, Valve confirmed that both the SSD and memory modules in the Steam Machine will be upgradable. This flexibility is a welcome feature for users who want to customize or future-proof their devices.

Another interesting announcement is that third-party manufacturers and customers will be able to create their own faceplates for the Steam Machine. Valve plans to share faceplate CAD files, specifications, and details in the coming months to support this customization.

While Valve had hoped to reveal pricing and release dates by now, ongoing shortages in memory and storage components have caused delays. Nonetheless, both the Steam Machine and Steam Frame are still scheduled to launch in the first half of 2026.

Stay tuned for more updates as Valve continues to fine-tune its hardware and prepares to enter the living room gaming market with these new devices.
https://www.pcgamer.com/hardware/steam-machine-will-play-the-majority-of-steam-titles-at-4k-60-fps-with-fsr-but-some-will-require-more-upscaling-than-others-valve-says/

Curry, James, Durant to team up at NBA All-Star Game

Stephen Curry will be joining Olympic teammates LeBron James and Kevin Durant once again, this time at the NBA All-Star Game. The league announced the rosters for this season’s midseason showcase event on Tuesday night, splitting 25 players across three squads.

This year marks the debut of a new All-Star format: U.S. vs. The World. The event is set for February 15 at the Los Angeles Clippers’ home arena in Inglewood, California. NBA Commissioner Adam Silver believes this concept will tap into national pride among the players, making it a timely and exciting change.

The game will be broadcast on NBC, which is also airing the Milan Cortina Winter Olympics starting later this week and running through February 22. The U.S.-vs.-World format had been discussed for years before finally becoming a reality this season.

The NBA and the National Basketball Players Association unveiled this long-awaited plan in an effort to reignite interest in the All-Star Game after last season’s tournament format received widespread criticism.

Notably, the Clippers’ Kawhi Leonard, considered by many as the most deserving player left off the original list of 24 All-Stars, was added to the pool of U.S. players shortly before the rosters were revealed. Leonard’s inclusion likely resulted in New York’s Karl-Anthony Towns being moved to the World team. Although Towns was born in New Jersey, he has represented the Dominican Republic — his late mother’s homeland — in international basketball.

To accommodate the new format, the NBA announced it would adjust roster sizes as needed to ensure that each of the three teams has a minimum of eight players. The World team currently has nine players, as Giannis Antetokounmpo is not expected to participate due to injury.

The two U.S. teams were split by age: the older players make up USA Stripes, while the younger players comprise USA Stars.

### All-Star Rosters

**USA Stripes**
– Jaylen Brown (Boston)
– Jalen Brunson (New York)
– Stephen Curry (Golden State)
– Kevin Durant (Houston)
– LeBron James (Los Angeles Lakers)
– Kawhi Leonard (Los Angeles Clippers)
– Donovan Mitchell (Cleveland)
– Norman Powell (Miami)
**Coach:** Mitch Johnson (San Antonio)

**USA Stars**
– Scottie Barnes (Toronto)
– Devin Booker (Phoenix)
– Cade Cunningham (Detroit)
– Jalen Duren (Detroit)
– Anthony Edwards (Minnesota)
– Chet Holmgren (Oklahoma City)
– Jalen Johnson (Atlanta)
– Tyrese Maxey (Philadelphia)
**Coach:** J. B. Bickerstaff (Detroit)

**World Team**
– Giannis Antetokounmpo (Milwaukee)
– Deni Avdija (Portland)
– Luka Doncic (Los Angeles Lakers)
– Shai Gilgeous-Alexander (Oklahoma City)
– Nikola Jokic (Denver)
– Jamal Murray (Denver)
– Pascal Siakam (Indiana)
– Karl-Anthony Towns (New York)
– Victor Wembanyama (San Antonio)
**Coach:** Darko Rajakovic (Toronto)

### Schedule and Format

All games will be 12 minutes each.

– **Game 1:** USA Stars vs. World
– **Game 2:** USA Stripes vs. Winner of Game 1
– **Game 3:** USA Stripes vs. Loser of Game 1
– **Game 4 (Championship):** Top two teams from round-robin play

If all three teams finish with a 1-1 record after the round-robin games, the first tiebreaker will be point differential across each team’s games.

This fresh format promises exciting basketball action, pitting top U.S. talent against the best from around the globe in a celebration of the sport’s international reach. Fans can look forward to a renewed All-Star experience when the game tips off in February.
https://www.observer-reporter.com/uncategorized/2026/feb/03/curry-james-durant-to-team-up-at-nba-all-star-game/

Drake addresses plans for UPD

Members of the Students’ Association (SA) held an emergency meeting Friday to vote in opposition to a bill that would have removed the requirement of an enhanced permit as a condition for carrying a concealed pistol on South Dakota public higher education campuses. House Bill 1133 was ultimately killed in a 9-6 vote in the House committee on Monday, according to SA Government Affairs Chair Anna Hundt.

**Open Forum**

Monday night’s SA meeting began with an address from interim Police Chief Michael Drake. Drake is currently providing leadership for the University Police Department (UPD) until South Dakota State University (SDSU) hires a new chief.

When asked about the practices and policies he plans to implement at UPD, Drake emphasized a focus on professionalism and serving the “customer base.”

“I want to make sure that UPD, their culture fits with what you folks want, or what your family wants or what the staff wants here,” Drake said.

During his time as chief, Drake also aims to maintain transparency in the department’s communication.

“My communication standard as far as being the chief of police or representing a police agency is to be upfront and honest with folks,” he explained. “Not because we have to meet standards or comply with Title IX, but because you should know what’s going on when something is happening in the halls, or on the side or within our campus community where that impacts you every day.”

Originally from New York state, Drake moved to Brookings in 2022. He shared that his roles with the Brookings Police Department and now UPD have made him feel “rejuvenated.”

The 2026 Hobo Day Grand Pooba, Grace Barnett, also addressed the senate. Barnett has been involved with the Hobo Day Committee for the past three years and is excited to enhance the annual Hobo Gear Prep Night event during Hobo Week.

“We’re looking at doing a fun little twist on that, possibly doing some premade outfits, or possibly having different coordinators on the team compose an outfit that they choose,” Barnett said. Hobo Day is set for October 24, 2026.

**Committee Reports**

An additional 200 journals are now available for free to SDSU students, Chief of Staff Emma Peterson announced. The library committee recently signed an agreement, bringing the total number of accessible journals to 1,300.

Peterson also reported a change in Briggs Library’s Sunday hours. Starting now, the library opens at noon instead of 1 p.m.

Additionally, a new textbook guide has been created for students by the Wintrode Student Success Center.

“There is now a textbook guide since there are so many different ways for students to access their textbooks, whether it’s online or a physical textbook,” Peterson explained.

Copies of the textbook guide will be available in the Students’ Association office, located on Main Street in the Student Union.
https://sdsucollegian.com/32743/featured/drake-addresses-plans-for-upd/

Secretary Noem says body cameras are being deployed to field officers in Minneapolis

**Homeland Security Secretary Kristi Noem Announces Nationwide Deployment of Body Cameras for Field Officers**

Washington, D.C. – U.S. Homeland Security Secretary Kristi Noem announced on Monday, February 2, that her department is immediately deploying body cameras to every field officer in Minneapolis. She also stated that the body camera program would be expanded nationwide as funding becomes available.

“Effective immediately we are deploying body cameras to every officer in the field in Minneapolis. As funding is available, the body camera program will be expanded nationwide,” Noem said in a post on X.

This announcement comes amid heightened scrutiny of the immigration enforcement policies of President Donald Trump’s administration, following the killing of two U.S. citizens in Minnesota last month by agents of the federal Immigration and Customs Enforcement (ICE) agency, which operates under the Department of Homeland Security.

The tragic killings have sparked protests across the country. Human rights advocates have widely condemned Trump’s immigration policies, arguing they lack due process and create a hostile environment for immigrant communities. In response, Trump has defended his administration’s actions as necessary measures to improve domestic security.

Commenting on Noem’s announcement, President Trump told reporters that body cameras “generally tend to be good for law enforcement, because people can’t lie about what’s happening.”

“So it’s, generally speaking, I think 80% good for law enforcement. But if she wants to do that, I’m OK with it,” Trump added, clarifying that the decision was made by Noem and not by him.

Noem’s announcement followed a conference call with key officials, including U.S. Customs and Border Protection Commissioner Rodney Scott, Trump Border Czar Tom Homan — who has been assigned to oversee operations in Minnesota — and Acting ICE Director Todd Lyons.

She confirmed that the Trump administration will “rapidly acquire and deploy body cameras to DHS law enforcement across the country,” signaling a broader commitment to increase transparency and accountability within federal law enforcement agencies.
https://www.echopress.com/news/national/secretary-noem-says-body-cameras-are-being-deployed-to-field-officers-in-minneapolis

Opinion: Who draws Utah’s congressional maps is now a federal question

We have filed a federal lawsuit to defend the constitutional process by which Utah chooses its representatives in Congress. That fact alone matters. Until now, Utah’s redistricting disputes have unfolded almost entirely within state courts. This case moves beyond that terrain because the dispute is no longer confined to state law or procedure. It concerns the limits the U.S. Constitution places on judicial power.

We bring this action respectfully and deliberately, and without ill will toward any individual named in the case. This lawsuit is not political theater. It is not an attempt to influence electoral outcomes. It is a necessary response to a breakdown in constitutional order that, if left unaddressed, will weaken representative government in Utah in ways that will not easily be undone.

Power flows from the people through the institutions they have established, or it does not flow at all. The United States Constitution is clear: the authority to determine the time, place, and manner of congressional elections, including the drawing of congressional districts, belongs to state legislatures. Courts may review legislative action. They may enjoin unconstitutional acts. What they may not do is assume legislative power themselves.

That boundary was crossed. A state court struck down a map enacted by the Utah Legislature and replaced it with a map of its own choosing. That map was drafted by private advocacy groups. It was never debated, never amended, and never adopted by the people’s elected representatives. The court did not simply review the law. It substituted itself for the lawmaking body.

This federal lawsuit exists to restore the proper constitutional balance. Because the violation arises under the federal Elections Clause, it now belongs in federal court.

The plaintiffs in this case come from across Utah’s civic life. We include county commissioners, mayors, sheriffs, and members of Congress. We are elected officials and registered voters. Some of us serve rural counties and small towns. Others represent large cities and fast-growing communities along the Wasatch Front.

These categories matter because redistricting is not an abstract exercise. Congressional boundaries shape how communities are represented and how federal priorities are advanced. They determine which voices carry weight, which concerns receive attention, and which working relationships endure.

Those relationships are built over time. They depend on geography, shared interests, and continuity. When districts are imposed by judicial order rather than adopted through the constitutionally prescribed process, those relationships are fractured without consent and without accountability.

The harms caused by this judicially imposed map are neither speculative nor partisan. Voters are left uncertain about who represents them and whether their districts will remain stable from one election cycle to the next. Counties and cities are combined or divided in ways that ignore geography, growth patterns, and community ties that local leaders understand well.

Local officials are already losing congressional partners with whom they have worked for years on public lands, water management, infrastructure, homelessness, opioid addiction, and economic development. Those efforts do not simply pause because a map has changed. They stall.

Candidates and incumbents alike face confusion as filing deadlines approach. Campaign plans are being redrawn while calendars fill and resources are committed, all under rules that may not ultimately apply.

For public officials bound by oath, the harm runs deeper. Some are being compelled to implement a map they believe violates the U.S. Constitution they swore to uphold. No public servant should be placed in a position where fidelity to the law and compliance with a court order appear to pull in opposite directions.

These are not political inconveniences. They are injuries to governance, accountability, and public trust. Utahns across our state are being pushed to act to defend representative government, and this lawsuit reflects that reality.

Lt. Gov. Deidre Henderson is named in this lawsuit because the law requires it. As Utah’s chief election officer, she is responsible for implementing congressional maps. Naming her is a legal necessity, not a personal accusation. We do not allege malice, bad faith, or improper motive on her part.

To the contrary, this federal lawsuit seeks to relieve her of being compelled to carry out a state court order that exceeds federal constitutional limits. The present posture places her in an untenable position, caught between judicial instruction and constitutional command.

It is predictable that some media coverage will attempt to frame this case as a conflict between the plaintiffs and the lieutenant governor. That framing may generate attention, but it would be inaccurate. It would reduce a serious constitutional dispute to a personal narrative that does not exist.

This case is not about individuals. It is about roles, authority, and the rule of law.

This lawsuit is not an effort to control political outcomes. It is not an attempt to advantage one party or disadvantage another. It is not a referendum on whether districts should be competitive or compact or on how political balance ought to be measured.

Those debates belong in the Legislature, where proposals can be introduced publicly, amended openly, and resolved by representatives accountable to voters.

This case is about process and about the federal constitutional limits on judicial power. When the process is disregarded, outcomes lose legitimacy regardless of who benefits. Elections conducted under unlawful rules erode public confidence and weaken faith in representative government itself.

Under the federal Constitution, judges do not possess a mandate to redraw political maps because they believe the Legislature erred. Advocacy groups do not acquire lawmaking authority by persuading a court. Power flows from the people through the institutions they have established, or it does not flow at all.

Utah has long benefited from orderly government, clear lines of authority, and respect for constitutional roles. That tradition has fostered stability and civic trust. It has allowed disagreements to be resolved lawfully rather than by expedience.

The fact that this dispute now sits in federal court underscores how far the boundary has been pushed. This is new ground for Utah, and it should give every Utahn pause.

We filed this federal lawsuit not because it was easy but because it was necessary. We seek no special treatment. We ask only that the U.S. Constitution be followed, that the Legislature be allowed to fulfill its lawful role under the federal Constitution, and that Utahns retain their right to choose representatives through a process that is legitimate and accountable.

That is not radical. It is foundational. And it is worth defending.
https://www.deseret.com/opinion/2026/02/02/utah-congressional-maps-federal-lawsuit/

10-Minute Challenge: A Painting of Time

You made it time. If you want to look a little longer, just scroll back up and press “Continue.”

The artist Elisheva Biernoff finds photographs that have been thrown away in thrift store bins or on eBay (where she got this one). She pays a few dollars for them, brings them back to her studio, and goes to work.

Seven hours a day, as she hunches over her drawing table, her eyes scan the original. She preps thin painted plywood, sized to match the original photograph. Scroll back and forth between these last few moments and you can see it happen: the additional detail added in reflections on the table, or the subtle shifts in color on each individual surface of the cards. The bright whites are tamped down; everything is brought more in line with the muted tone of the overall image.

“What I’m doing is sticking with it,” Ms. Biernoff said. “The main ingredient in my paintings is time.” This image that you spent time with took her about three months to finish.

In an age when it often seems faster and bigger and more is better, “my work definitely is kind of stubbornly going in the opposite direction,” she told me. “What happens when you go really small? What happens when you spend a lot of time? What happens when you sort of lavish attention on one humble, easily dismissed thing?”

She also paints the back stains, yellowing at the edges, Kodak labels, date stamps, or handwriting (if there is any). With this, they become more than just a flat painting, but a kind of sculptural object that carries an inherent tension: It looks just like the original, but it isn’t.

There’s joy in this tension; your brain breaks a little bit with this trick of perception. “Wait. What am I looking at?”

It happened to me in January when I saw Ms. Biernoff’s paintings at the David Zwirner gallery in Manhattan. Then I saw other people casually stroll through the rooms, glancing around, until having their own “wait, what?” moment—jaws dropping as they leaned in closer.

For this image (which isn’t in the current show), Ms. Biernoff was captivated not just by the young man on the front, but also by the message scrawled on the back:

Me / Wish I was Home

She’s painted this handwriting, the yellowing Kodak paper, and the staining on the edges. The colors have dimmed, and the photo is no longer with its original owner—the memory, in a way, is “being forgotten, fading from consciousness,” she said.

The process, with blue painter’s tape around the edges to keep the borders crisp, unfolds here:

Our relationship with images has changed with the internet and digital photography. Many of us fall into an endless sea of images on social media as soon as we wake up, sometimes spending fractions of a second with them.

Ms. Biernoff’s work challenges us to discover (or rediscover) a different way to look at things. (She’s decidedly not on Instagram.) She picks a few pictures and spends months with them. She chooses photos of people she feels a kinship with.

This one reminded her of her grandfather. Here she was drawn to the man’s protective stance, the boys’ squinting against the sun, and the blaze of orange that fills the scene:

These original photos were from an era when every image felt more permanent. Even so, they ended up at the thrift store. She’s pulled them out of the dollar bin and painstakingly reinvested in them.

“I think of my grandparents’ generation when they had a few photos, and then my parents had albums, so maybe hundreds of photos, and I have thousands of photos and my daughter has tens of thousands of photos,” she said. “And yet, I don’t know what all that extra recording does because it’s hard to review it all, to even see what you’ve got.”

“It’s a lot harder to give weight to any one image when there are so many.”

Elisheva Biernoff: Elsewhere is on view at David Zwirner until Feb. 28.

This is an installment in our series of experiments on art and attention. If you liked this one, you may like these past exercises: a finished, unfinished portrait; a sudden rain over a bridge; a unicorn tapestry; some buckets from Home Depot; and a Whistler painting.
https://www.nytimes.com/interactive/2026/02/01/upshot/10-minute-challenge-biernoff.html