‘The Idea of You’ Author Robinne Lee Sets Second Novel ‘Crash Into Me’ for Summer 2026 (EXCLUSIVE)

Robinne Lee, author of the bestselling romance novel *The Idea of You*, will publish her second book, *Crash Into Me*, next summer.

Lee’s debut novel, published in 2017, tells the story of a woman on the precipice of turning 40 who embarks on a whirlwind romance with the lead singer of a boy band. The book sold nearly a million copies worldwide and was adapted into a film starring Oscar winner Anne Hathaway alongside Nicholas Galitzine. The movie became a global sensation, drawing over 50 million viewers on Amazon Prime Video and becoming the streamer’s No. 1 romantic comedy debut of all time.

“Women feel like I see them and see their worth and their value; how they want the world to see them as and how they’re afraid that the world no longer sees them,” Lee told *Variety* about *The Idea of You*’s breakthrough success. “I’ve given them permission to live that reality more fully, and to step outside of the box that society’s placed them in.”

Likewise, *Crash Into Me* is described as a “bold and fresh novel of love, lust and self-discovery.” The story follows Cecilia Chen, a wife and mother who reluctantly relocates from Paris to Los Angeles for her husband’s work, with their two children in tow.

As the title suggests, the story’s inciting incident is a car crash. The other driver is Anouk Ferrand, a swan-necked beauty from Cecilia’s past.

“It’s been 20 years since she last encountered the enigmatic model, on a photo shoot in Mexico,” the book’s synopsis details. (The year was 1996. Cecilia was a photographer’s assistant; Anouk was an unknown model, and this was the shoot that made her name.) “And it’s this chance meeting that will upend Cecilia’s life.”

The synopsis continues: “Sexy and spellbinding, at *Crash Into Me*’s core are familiar and complex challenges for many women: how to express creativity, how to be frankly sexual and emotionally vibrant in and out of a marriage, how to be an authentic friend and a good mother.”

In Cecilia, Lee creates a character straddling cultures: she’s an artist of Jamaican descent from the East Coast, married to a Frenchman whose career has catapulted beyond her own.

The intensity of the women’s physical and emotional entanglement drives the narrative, which also explores the dynamics of Cecilia’s conflicted marriage and her concerns about raising her multiracial children amid L.A.’s climate of privilege and power.

“Will what happened between them two decades ago sever the fragile bonds of the present? Will their addictive relationship destroy everything Cecilia has built? Will she find her way home?” the story posits.

In a statement previewing the book, Lee teased: “I wanted to seduce my readers with a privileged, glamorous backdrop and an uncertain future. To lead them on an unexpected journey. Show them the world through a different lens. And give them something to think about long after the last page.”

St. Martin’s Press has acquired the North American rights to *Crash Into Me*, which will be published on July 7, 2026. Elizabeth Beier, St. Martin’s executive editor, acquired the rights in a deal brokered by Richard Pine of InkWell Management. Penguin Michael Joseph (PMJ) will publish the novel in the U.K. on July 9.

Born and raised in New York, Lee is a graduate of Yale University and Columbia Law School. She is a writer, producer, and actress, most recently seen in Netflix’s limited series *Kaleidoscope* opposite Giancarlo Esposito. Her acting credits also include *Hitch*, *Seven Pounds*, *Hotel for Dogs*, *13 Going on 30*, *Being Mary Jane*, and the *Fifty Shades* franchise.
https://variety.com/2025/film/news/the-idea-of-you-author-robinne-lee-new-book-crash-into-me-1236554089/

Ivan Klima, Czech Novelist Who Chafed Under Totalitarian Regimes, Dies at 94

A writer, dissident, teacher, and critic, he carried the weight of his experiences throughout his life.

One of the most profound events that shaped him was his early incarceration as a boy in a concentration camp near Prague.

This harrowing experience deeply influenced his perspectives and work, leaving a lasting impact on his character and creative voice.
https://www.nytimes.com/2025/10/04/world/europe/ivan-klima-dead.html

‘Steve’ review: Cillian Murphy is superb in uneven drama

By Isha Sharma | Oct 03, 2025 | 04:43 pm

**What’s the story?**

*Cillian Murphy’s Steve*, out now on Netflix, is directed by Tim Mielants, who previously collaborated with Murphy on *Small Things Like These*. Based on Max Porter’s 2023 novella, *Shy*, the film traces a turbulent, nerve-racking day in the life of Steve, the headmaster of a reform school for boys. Murphy excels in his complex role, but the film leaves much to be desired.

### Plot: Follows a committed, troubled teacher at a reform school

The film centers on Steve, the headmaster of Stanton Wood, a reform school for unruly male teens. His mental health is in tatters, the staff is underpaid and overworked, and the boys show little to no sign of progress. One day, authorities inform Steve that the school will be closed in six months, leaving him to come to terms with this shocking and unfortunate news.

### #1 Murphy delivers a stirring act

Cillian Murphy captures the ache, anxiety, and aggression of Steve exceedingly well—you can truly sense the storm brewing inside him. Steve wears himself out trying to help the kids, and Murphy essays the role with just the right amount of intensity. For Steve, this job is a form of redemption; saving the boys would mean rescuing himself too.

### #2 The film has ambition, but not everything comes together

The film offers sharp dialogue and boasts an ensemble cast of talented, experienced actors including Emily Watson and Tracey Ullman. However, aside from Steve, every character feels underwritten and remains distant from the audience. Adding to this, the ending comes across as quite incomplete. Rather than encouraging reflection, it simply leaves viewers frustrated.

### #3 The movie begins to feel weary after a point

An unbridled energy and constant chaos define the film—boys fighting, teachers struggling, and an exploitative documentary crew conducting interviews. Everything happens simultaneously, and the school is in complete disarray. While this frenetic energy works in the film’s favor initially, it soon begins to overwhelm the narrative, leaving viewers feeling exhausted rather than entertained.

### #4 More on the above aspect

The film has an unapologetically raw and realistic feel but struggles to engage fully. You stay with it because you want to see how Steve’s journey will unfold, but the wayward, sloppy writing never makes this easy. The boys get ample screentime, yet by the film’s end, we know very little about them.

### Verdict: Murphy’s performance alone can’t save the film

*Cillian Murphy delivers a scintillating performance in Steve and leaves no room for complaint, but his artistry alone cannot save the movie.* The film feels tiring and tedious, frequently finding itself on shaky, uneven ground. While Murphy’s role is one for the ages and the film maintains an intense, gritty atmosphere, the overall experience is an unrewarding and unentertaining ride.

**Rating: 2.5/5 stars**
https://www.newsbytesapp.com/news/entertainment/cillian-murphy-s-steve-review/story

‘Steve’ review: Cillian Murphy is superb in uneven drama

By Isha Sharma | Oct 03, 2025 | 04:43 pm

**What’s the story?**

*Cillian Murphy’s Steve*, out now on Netflix, is directed by Tim Mielants, who previously collaborated with him on *Small Things Like These*. Based on Max Porter’s 2023 novella *Shy*, the film traces a turbulent, nerve-racking day in the life of Steve, the headmaster of a reform school for boys.

Murphy excels in his complex role, but the film overall leaves much to be desired.

### Plot: A committed, troubled teacher at a reform school

The film follows Steve, the headmaster of Stanton Wood, a reform school for unruly male teens. His mental health is in tatters, the staff is underpaid and overworked, and the boys show little to no sign of progress.

One day, authorities inform Steve that the school will be closed in six months, leaving him to come to terms with this shocking and unfortunate news.

### #1 Murphy delivers a stirring act

Murphy captures the ache, anxiety, and aggression of Steve exceedingly well—you can truly sense the storm brewing inside him. Steve wears himself out trying to help the kids, and Murphy essays this role with just the right amount of intensity.

He views this job as a form of redemption; saving the boys would mean rescuing himself too.

### #2 The film has ambition, but not everything comes together

The film offers sharp dialogue and boasts an ensemble cast of talented, experienced actors, including Emily Watson and Tracey Ullman. However, aside from Steve, every character is underwritten and remains distant from the audience.

Additionally, the ending comes across as quite incomplete. Rather than encouraging reflection, it simply leaves viewers frustrated.

### #3 The movie begins to feel weary after a point

A sense of unbridled energy and chaos defines the film: the boys are fighting, the teachers are struggling, and an exploitative documentary crew is conducting interviews—all happening simultaneously in a school in complete disarray.

While this energy works in the film’s favor initially, it soon overwhelms the story, leaving the audience feeling exhausted rather than entertained.

### #4 More on the above aspect

The film has an unapologetically raw and realistic feel but struggles to truly engage. You stay with it, hoping to see how Steve’s journey unfolds, but the wayward, sloppy writing makes this difficult.

The boys get ample screen time; yet, by the end, we remain none the wiser about their characters.

### Verdict: Murphy’s performance alone can’t save the film — 2.5/5 stars

Murphy delivers a scintillating performance in *Steve* and leaves no room for complaint. However, his artistic chops alone cannot save the movie.

The film feels tiring and tedious, often standing on shaky, uneven ground. While Murphy’s performance is one for the ages and the film feels intense and gritty, overall, it is an unrewarding, unentertaining ride.

**Rating: 2.5/5 stars**
https://www.newsbytesapp.com/news/entertainment/cillian-murphy-s-steve-review/story

‘Steve’ review: Cillian Murphy is superb in uneven drama

By Isha Sharma | Oct 03, 2025 | 04:43 pm

**What’s the story?**

*Cillian Murphy’s Steve*, out now on Netflix, is directed by Tim Mielants, who previously collaborated with Murphy on *Small Things Like These*. Based on Max Porter’s 2023 novella *Shy*, the film traces a turbulent, nerve-racking day in the life of Steve, the headmaster of a reform school for boys. Murphy excels in his complex role, but the film leaves much to be desired.

### Plot: A committed, troubled teacher at a reform school

The film follows Steve, the headmaster of Stanton Wood, a reform school for unruly male teens. His mental health is in tatters, the staff is underpaid and overworked, and the boys show little to no sign of progress. One day, authorities inform Steve that the school will be closed in six months, leaving him to come to terms with this shocking, unfortunate news.

### #1 Murphy delivers a stirring act

Murphy captures the ache, anxiety, and aggression of Steve exceedingly well—you can sense the storm brewing inside him. Steve wears himself out trying to help the kids, and Murphy essays this role with just the right amount of intensity. He views the job as a form of redemption; saving the boys would mean rescuing himself, too.

### #2 The film has ambition, but not everything comes together

The film offers sharp dialogue and features an ensemble cast of talented, experienced actors such as Emily Watson and Tracey Ullman. However, aside from Steve, every character is underwritten and remains distant from the audience. To make matters worse, the ending feels quite incomplete. It doesn’t invite reflection but rather leaves you frustrated.

### #3 The movie begins to feel weary after a point

A sense of unbridled energy and chaos defines the film—the boys are fighting, the teachers are struggling, and an exploitative documentary crew conducts interviews. Everything happens simultaneously, and the school is in complete disarray. While this energy works initially, it soon begins to overwhelm the film, leaving viewers feeling exhausted rather than entertained.

### #4 More on the above aspect

The film takes an unapologetically raw and realistic approach but struggles to maintain engagement. You stick with it because you want to see how Steve’s journey unfolds, but the wayward, sloppy writing never makes it easy. The boys receive ample screen time, yet by the end, we know little more about them than before.

### Verdict: Murphy’s performance alone can’t save the film — 2.5/5 stars

Cillian Murphy delivers a scintillating performance in *Steve* and leaves no room for complaint, but his artistic chops alone cannot save the movie. The film feels tiring and tedious, often teetering on shaky, uneven ground. Murphy’s portrayal is one for the ages, and the film is intense and gritty, but overall, it is an unrewarding and unentertaining ride.

**Rating: 2.5/5 stars**
https://www.newsbytesapp.com/news/entertainment/cillian-murphy-s-steve-review/story

Fiction: A man revives an old library. Then, one night, he is stabbed to death. Who did it? Why?

Now he will live like a ghost in the library. He will wander between the book racks. He will thicken on the floor like layers of dust. He will lie on the grimy skylights like sunlight. He will stick to the old curtains like dirt.

Why be sad? Whatever happened was fine. I will never step inside that place as long as I live. What if the wretch, even now, clings to my feet like dust? Those stairs, those corridors, that balcony — how can I pluck them out of my mind? How can I wipe those books away from my memories!

Anyway, now bats will make their home among those books. Whatever happened was fine. Absolutely fine. It wasn’t possible for anything else to have happened. Not in the slightest.

It’s not that I’m particularly delighted at everything that happened — no, no, I’m not. Even if I wanted to, I couldn’t say that I am happy with everything that transpired. I really want to be happy about everything that happened. To laugh and keep laughing. To go in every direction, to cover each direction, every tiny particle, with my laughter.

I want to hug everyone I meet. To start laughing suddenly and very loudly. To see my ringing laughter scatter everywhere, wherever I look. To catch sight of my smiling face in the mirror of my own laughter. Of course, I want this. But I can’t.

Despite so desperately wanting to be happy, I am not happy. Yes, I am not sad — of that I am certain. No, I am not sad.

Let me say it again and again: I am not sad. Nor is there a shadow of regret about me. Not even as small as the shadow cast by a flying bird on the green grass. This is the only end he could have had. Exactly this.

Yes, yes, this is exactly what should have happened. What else could have happened to him? What else happens to people like this? He got what he should have got, how was that wrong? This was what was written for him.

The writing has been written from before, and you simply have to surrender yourself to it, silently, without a word. He too submerged himself in it. He slipped and went on slipping. No matter how scary it appears from the outside, it seems so right, so appropriate from the inside.

No matter what anyone says to me, I’m not sad that Vandana also slipped. Even though she did not slip outside of her life, even though her face reflects her disdain, anger, and pity towards me — why just me, towards all of us — even though her voice may have turned lifeless in her eyes, I am not sad that she has become like this.

She trod a path that could have had no other outcome. All by herself, absolutely by herself, despite me, despite all of us, she trod such a path that she had to slip outside of herself.

Why just me? No one will feel bad about it. Everyone has to suffer, Vando rani, badi siyani, very clever; so what if you are my niece, did you think that would save you? Is there anyone who hasn’t suffered? Has anyone ever escaped the wrath of the universe’s power that you would escape it?

Was there anyone whose eyes did not reflect the shamelessness of what she was doing? So much shamelessness in what she kept doing, quietly. How she put my pride, our pride, on the line. The same pride that I, actually all of us, accumulated bit by bit. What about that?

The difficulties we endured to make a place for ourselves in this city. So much hard work. Is there no value to my, rather our, hard work? I stood for hours in trains when I traveled to Kashmir, returning with saffron, and the entire household spent day after day packing it into small boxes. Only then was it ready for sale.

This was a waste for Vandana, all of this. How did she even think she could do what she did with such shamelessness? Oh God, a simple home like ours, and she, she did everything. Did she never think of us, not even once?

Did our ancestors, hanging on the walls of our house for years, with their large moustaches and beards, never cross her mind even once? Did she never think, not even once, what would happen to me, to us, to those ancestors, when she did all that she did?

Where would we hide? How would we show ourselves to the people of this town? Did she have no responsibility towards us? Not even a little bit? Does it fall only to our lot to be responsible? Doesn’t she get to share the responsibility even a bit?

No, no, whatever happened to her should have happened. This is how it was ordained by destiny, this is how it should have been ordained by destiny. I’m not at all sad about it. The people of the town are with me, my ancestors are with me, the sun and the stars are with me.

Look, no one is mourning that she faltered, no one is shedding any tears over the way she has turned silent, mute. In the end, everything broke the way it had to break.

Oh! My left eye, this stupid eye, why is it blinking convulsively, what am I babbling on about, and why, why?

Soft whispers fly about in every corner of the hall. The back door opens a crack, less than halfway through, and a manlike shape seems to slip through that opening and come inside.

On the stage, an empty chair slowly rocks back and forth like a shadow.

*Excerpted with permission from* **Love Is Participation in Eternity**, *Udayan Vajpeyi, translated from the Hindi by Poonam Saxena, Bloomsbury India.*
https://scroll.in/article/1086687/fiction-a-man-revives-an-old-library-then-one-night-he-is-stabbed-to-death-who-did-it-why?utm_source=rss&utm_medium=public

Chennai International Book Fair 2026 Aims To Become Global Literary Hub With 100 Countries Participating

**Chennai International Book Fair 2026 Aims to Host Publishers from 100 Countries**

*Chennai:* The Chennai International Book Fair (CIBF) is gearing up for its fourth edition in January 2026 with an ambitious target of hosting publishers and literary agents from 100 countries, positioning itself as a rising global hub for literary exchange.

**About The Fair**

The fair, the youngest international book fair in Asia, has rapidly grown in stature since its inception. In 2025, it attracted participation from 64 countries, and officials say the upcoming edition is set to expand that reach significantly.

Tamil Nadu School Education Secretary B. Chandra Mohan attributed the fair’s success to direct engagement with international associations such as the African Publishers Network, Francophone nations, and Publishers Without Borders. “This proactive outreach has helped place Chennai firmly on the global publishing map,” he noted.

To bolster these efforts, a delegation from the state’s school education department will travel to Germany in October to participate in the Frankfurt Book Fair, the world’s largest publishing marketplace. The team has already scheduled more than 30 appointments with potential co-publishers to explore translating Tamil classics and modern works published by the state textbook corporation into English and other foreign languages.

Among the key highlights planned at Frankfurt is the promotion of a comparative etymological dictionary of Tamil and Indo-European languages, aimed at attracting the attention of international publishers and European government agencies.

Discussions are also underway with UNESCO officials in Paris on reviving the *UNESCO Courier* magazine in Tamil, a publication that promotes cross-cultural dialogue and is currently brought out in six global languages.

Parallel to the fair, the Tamil Nadu government has announced an ambitious translation project. Over the next three years, the *Thirukkural* will be translated into 45 additional languages, while Tamil epics such as *Silappathikaram* and *Manimegalai* will be translated into 25 languages.

In addition, 500 Tamil books are planned for translation into English over five years, opening avenues for further adaptations into other foreign languages.

At the 2025 edition, more than 1,300 memorandums of understanding were signed to facilitate translation and exchange. Building on that momentum, CIBF 2026 hopes to cement Chennai’s role as a vibrant centre for global literary and cultural collaboration.

*(Except for the headline, this article has not been edited by FPJ’s editorial team and is auto-generated from an agency feed.)*
https://www.freepressjournal.in/education/chennai-international-book-fair-2026-aims-to-become-global-literary-hub-with-100-countries-participating