The Sound, the Stage, the Story

**Karachi Hosts the World Culture Festival 2025**

The Arts Council of Pakistan (Karachi) is bringing together more than 800 artists for the World Culture Festival 2025, to be hosted in the vibrant city by the sea. Gathering voices, movements, and colors from across the world, this event is a grand celebration of diversity through performance, sound, and visual expression. It serves as a showcase of creativity that builds understanding across cultures.

Pakistan’s representation is extensive and varied. Musicians such as Akbar Khamiso Khan, Akhtar Chanal, Asim Azhar, Bilal Saeed, Imran Momina (Emu), Lutaf Ali, Mai Dhai, Rahat Fateh Ali Khan, Ustad Abdullah Khan, Ustad Fateh Ali Khan, Izat Fateh Ali Khan, Ustad Nafees Khan, and Wahab Bugti reflect the richness of the country’s artistic landscape. Spanning folk, classical, and contemporary genres, their performances connect generations and traditions.

Theatre highlights include work by Fawad Khan, Khaled Anam, and Khalid Ahmed, representing Pakistan’s growing stage culture. Adding depth to the festival, classical and contemporary dance showcases by Sheema Kermani and Nighat Chaudhry lend artistic authenticity. Together, these artists capture the vibrant energy of Pakistan’s creative identity, where cultural heritage and self-expression coexist beautifully.

Beyond Pakistan, the festival features a wide range of international talent across disciplines. Groups such as 7 Spices, Anikaya, Ballet Beyond Borders, Barcelona Repertory, Bedaya Group, CirkBizArt, Eurythmy West Midlands, Inkaba Creative Arts House, Khalaha Theatre, Lidia Kopina, Veronika Berashe Vich, Mine Nur Sen, Ozlem, Sahar Assaf, Sakai International, Scalambra, Soky Productions, Spirit Sisters, Stages Theatre Group, The Freedom Theatre, Umunyinya Theatre Company, University of Diyala, and Wava Theatre will bring distinct traditions, languages, and storytelling forms to Karachi audiences.

The global music lineup echoes this diversity, featuring artists such as Adiga Music Band, Arthur Ban, Ashraf Sharif Khan, Diana Baroni, Erica Lauren, Eva Klesse Quartet, Farah Baba Orchestra, Fariya Chaudhuri, Jay-C Val, Kenta Shoji, Liboi, Lucy Tasker, Madan Gopal, Mixwell, Mrs. Georgiana Costea Gluga, Nawal, Ricardo Passos, Sahib Pashazade, Kamran Kerimov, Sarah Dillamore, Shireen Jawad, Sh-oomb, Tommy Hill, Veronika, Vicente, Viktor Marek, and Zouratie Kone.

Their participation promises to add beautiful rhythm and melody to the festival’s collective voice, creating moments where cultural distances fade through shared sound.

Dance remains a key component of the festival’s program. Anisha Thai, CayenaColfolk, Don Sen, Haraka, Lapa Dance Company, Navid Rezvani, and Shaam each bring their unique movement styles to the stage, telling stories through rhythm and motion.

Visual artists such as Adjaratou Mariam Ableusi Ouedraogo, Adrian Bojko, Bubly Barna, Chifumi, Domi Forest, Halldor, Kelechi Nwaneri, King Kesia, Luis M. S. Santos, Mendrika Ratsimandresy, Niharika Momtaz, Onesmus Okamar, Sinenkosi Msomi, Suborna Morsheada, Victoria Santos, and YAZ showcase culture through distinct interpretations of identity and place, expanding the festival’s creative horizons.

Film is represented by Per Fikse, whose work adds a compelling cinematic dimension to the event.

The World Culture Festival 2025 exemplifies how art strengthens connections through empathy and shared imagination. Artistic expression communicates ideas and emotions often beyond words. It records struggle and achievement, reflecting the human desire to create meaning and beauty.

When you experience art, you participate in an ongoing conversation—you learn from differences and recognize shared values across cultures.

Through this gathering, the Arts Council of Pakistan Karachi reaffirms that culture is not a privilege but a living element of society. It shapes thought, sustains identity, and supports creativity. The festival reminds us all that art belongs to everyone, and diversity is not a division but a collective strength.

**Moklani The Last Mohanas: Pakistan’s Historic Win at the Nature Oscars**

*Moklani The Last Mohanas*, directed and produced by Jawad Sharif, has made history as the first Pakistani feature film to win at the Jackson Wild Media Awards 2025. Often called the Nature Oscars, this prestigious event honors excellence in environmental and wildlife storytelling.

The win, announced on October 2 in Jackson, Wyoming, places Pakistan firmly on the global map of documentary cinema.

The film tells the story of the Mohana community of Manchar Lake in Sindh. Known as the boat people of Pakistan, the Mohanas have lived on the waters for centuries. Their lives revolve around the lake’s rhythm, but pollution, shrinking water levels, and the loss of traditional practices now threaten their survival.

Sharif’s direction highlights the beauty of Manchar Lake, revealing the fragility of both nature and culture. The film connects local realities with global environmental concerns, giving voice to marginalized communities that are rarely heard.

Supported by the National Geographic Society and Climate Kahani, the project blends art and advocacy to raise awareness about the cultural and ecological importance of Manchar Lake.

Sharif said after receiving the award, “The award belongs to the Mohana people, whose stories deserve to be seen and heard beyond borders.”

The Jackson Wild Media Awards are among the highest honors in conservation filmmaking. *Moklani* competed in the Global Voices category, which recognizes underrepresented perspectives. According to the official Jackson Wild website, over 500 submissions were reviewed by more than 200 international judges in 2025.

This recognition places *Moklani* alongside leading environmental documentaries worldwide and reflects Pakistan’s growing presence in global storytelling. It also highlights how local filmmakers contribute to vital discussions on climate change and conservation.

For Pakistan, this award represents more than a single success—it symbolizes the growth of the country’s creative industries and their confidence on the international stage.

From Sharmeen Obaid-Chinoy’s Oscar-winning documentaries to the global acclaim of *Joyland*, Pakistani cinema continues to evolve. *Moklani* adds to this progress, proving that the nation’s filmmakers can stand among the best.

Sharif noted on his company’s website, “This award is for every Pakistani storyteller who believes that film can be a tool for empathy and change.” His words echo a wider movement among filmmakers using documentaries to raise awareness and inspire action.

*Moklani*’s success shows that documentary filmmaking in Pakistan is gaining momentum after years of limited support. The genre is now recognized as a powerful medium for storytelling, advocacy, and cultural preservation.

Sharif’s earlier films—*Indus Blues* (2018) and *K2 & The Invisible Footmen* (2015)—earned similar acclaim for spotlighting indigenous art and unsung heroes. *Moklani* continues that mission, exploring the link between environment and identity.

The film’s strength lies in its quiet universality. Rooted in Pakistan but understood worldwide, it documents a community’s resilience and humanity. More than a film, *Moklani* preserves the story of the Mohanas and their water-bound world for future generations, capturing their culture, struggle, and hope amid environmental change.

As Pakistan expands its cultural presence globally, *Moklani* stands as proof of what is possible when storytelling meets purpose. It marks a defining moment for Pakistani cinema and for all those who use art to represent their communities.

**Now Playing: Spotify Joins ChatGPT to Turn Chats into Playlists**

Imagine chatting about your day and, with a few words, discovering the perfect song to match your mood. That’s now possible as Spotify integrates with ChatGPT, turning everyday conversations into gateways to new music.

This integration is live in English across 145 countries for ChatGPT Free, Plus, and Pro users on both web and mobile apps (iOS and Android).

Whether you’re a free or premium Spotify listener, you can now explore music simply by asking for it. Just link your Spotify account to ChatGPT and start talking. You can ask for playlists to suit your mood, favorite genre, or a specific artist—and with a single tap, listen directly in the Spotify app.

Spotify already plays across more than 2,000 devices including cars, TVs, smart speakers, and home systems. With ChatGPT, that reach extends even further, bringing music discovery into everyday conversation.

Ask for new releases, hidden gems, or songs you once loved; it’s like having a personal DJ who understands not just what you type, but what you mean.

“For listeners, it’s a more direct way to find music. For artists, it provides a broader stage to reach new audiences,” said Sten Garmark, SVP and Global Head of Consumer Experience at Spotify.

By bringing Spotify into ChatGPT, Spotify is creating new ways for fans to connect with artists and creators whenever inspiration strikes. Importantly, Spotify has confirmed that no music, podcasts, or other audio or video content will be shared with OpenAI for training purposes, ensuring that artists and creators remain protected.

Music shapes how we experience moments. This collaboration makes conversation a bridge to sound, where every word can lead to something you love. Describe a mood, your plans, or even a fleeting thought; Spotify in ChatGPT will help you find the right track in seconds.

The process feels effortless, blurring the line between dialogue and discovery—letting words lead you to rhythm.

Spotify in ChatGPT transforms language into listening, keeping the focus on what matters most: music that moves you. It’s not just technology, but a conversation that feels alive and human.
https://www.thenews.com.pk/tns/detail/1350275-the-sound-the-stage-the-story

ガザ和平巡り13日に会合 エジプトで20カ国首脳

国際 ガザ和平巡り13日に会合 エジプトで20カ国首脳
2025年10月12日 7:14 更新 7:16
[有料会員限定記事]

【エルサレム、テルアビブ共同】
エジプト当局は11日、東部シャルムエルシェイクで13日に、パレスチナ自治区ガザの戦闘終結など和平を目的とした国際会合を開催すると発表した。

同会合には20カ国の首脳らが参加予定で、シシ大統領やトランプ米大統領も出席する見込みだ。

詳細については、有料会員限定の記事となっている。

※クリップ機能は有料会員のみご利用いただけます。
【西日本新聞meとは?】
7日間無料トライアルあり。1日37円で読み放題。年払いならさらにお得。
https://www.nishinippon.co.jp/item/1410407/

Cabinet ministers, Gantz denounce booing of Netanyahu’s name during Witkoff’s Hostage Square speech

Cabinet Ministers, Gantz Denounce Booing of Netanyahu’s Name During Witkoff’s Hostage Square Speech

Likud ministers and senior opposition figure Benny Gantz have condemned protesters who booed Prime Minister Benjamin Netanyahu during the speech of US envoy Steve Witkoff at Hostage Square.

Activists gathered at Tel Aviv’s Hostage Square on October 11, 2025, where the incident occurred.

Photo credit: Chen G. Schimmel/The Jerusalem Post

https://www.jpost.com/israel-news/article-870124

「平和賞、独裁と闘う人々にささぐ」 ノーベル委員長のフリードネス氏

“`html

国際 「平和賞、独裁と闘う人々にささぐ」 ノーベル委員長のフリードネス氏

2025/10/12 6:00 [有料会員限定記事]

【オスロ共同】ノルウェー・ノーベル賞委員会のフリードネス委員長は10日、独裁体制を強めるベネズエラのマドゥロ政権に対峙(たいじ)してきた野党指導者、マリア・コリナ・マチャド氏(58)へのノーベル平和賞授与について語った。

フリードネス委員長は単独会見で、「平和賞は独裁と闘う人々にささぐものである」と述べ、マチャド氏の長年にわたる勇気ある活動を高く評価した。

また、マチャド氏の受賞を祝し、「平和賞『譲ってくれ』とは言わなかった」というトランプ流ジョークも披露し、和やかな雰囲気の中で祝福の意を示した。

記事の続きは有料会員限定となっております。残り582文字。7日間無料トライアル中は1日37円で読み放題、年払いならさらにお得です。

“`
https://www.nishinippon.co.jp/item/1410374/

「犠牲増やさないで」 ガザ戦闘2年 福岡市・天神でデモ

福岡 社会 「犠牲増やさないで」 ガザ戦闘2年 福岡市・天神でデモ

2025年10月12日 6:00
記者一覧:長田 健吾

パレスチナ自治区ガザでのイスラエルとイスラム組織ハマスとの戦闘開始から今月で2年を迎えました。

これに合わせ、福岡市・天神では11日、デモ行進が行われました。参加者たちは「パレスチナに自由を」などとシュプレヒコールを上げながら、福岡市中心部を練り歩きました(11日午後4時前、福岡市中央区にて)。

「犠牲を増やさないで」との思いを込め、多くの市民が平和と人権を訴えました。

※この記事は有料会員限定です。
残り419文字を読むには7日間無料トライアル(1日37円で読み放題)、または年払いプランがご利用いただけます。
https://www.nishinippon.co.jp/item/1410355/

【米中関係】関税、輸出規制で神経戦 レアアース、交渉の鍵に

【米中関係】関税、輸出規制で神経戦 レアアース、交渉の鍵に
2025年10月12日 0:15(10月12日 0:19 更新)
※有料会員限定記事

米国と中国の対立が再び激化する恐れが高まっている。ハイテク産業に欠かせない重要鉱物であるレアアース(希土類)の世界最大の生産国である中国が、輸出規制の強化を発表し、米国に対して揺さぶりをかけている。

米中間の緊張は、特にレアアースをめぐる神経戦の様相を呈している。中国が輸出管理を厳格化すれば、米国は追加関税の100%引き上げを含む強硬措置で応じる構えだ。これにより、両国間での貿易摩擦が一段と激化する可能性がある。

レアアースはスマートフォンや電気自動車、軍事技術など、先端技術分野に幅広く利用されているため、その供給をめぐる交渉は今後の米中関係にとって極めて重要な鍵となる。

(写真はAP、ゲッティより、レアアースをめぐる米中の構図を示す)

※この記事は有料会員限定です。
残り769文字。7日間無料トライアル、1日37円で読み放題。年払いならさらにお得。
https://www.nishinippon.co.jp/item/1410393/

Calcio: qualificazioni ai Mondiali, l’Italia fa tris in Estonia e blinda il secondo posto

Una buona Italia supera l’Estonia e blindando il secondo posto nel girone, importante per i play-off degli ultimi posti al prossimo Mondiale.

Alla Le Coq Arena di Tallinn, gli azzurri di Gennaro Gattuso conquistano un’importante vittoria per 3-1, fondamentale soprattutto per tenere lontano Israele, più che per raggiungere l’inarrestabile Norvegia di Haaland, ormai distante in termini di punti e differenza reti e praticamente quasi qualificata ai Mondiali Usa-Messico 2026.

A sbloccare subito il risultato ci pensa Moise Kean, che segna a soli 5 minuti dall’inizio della partita. Purtroppo, poco dopo, l’attaccante si fa male alla caviglia ed è costretto a lasciare il campo.

Il raddoppio arriva grazie a Retegui, che si riscatta dopo aver fallito un rigore. Nella ripresa, arriva anche il tris firmato da Pio Esposito, al primo gol con la Nazionale. Poco dopo, l’Estonia realizza il gol della bandiera con Sappinen, approfittando di una palla persa da Donnarumma.

Il c.t. Gattuso sceglie un 4-4-2 come sistema di partenza per la sfida. Orsolini parte a destra, Raspadori a sinistra, con Kean e Retegui a formare la coppia offensiva. Di Lorenzo e Dimarco giocano da terzini, mentre Calafiori e Bastoni sono i centrali.

Pochi istanti dopo l’inizio, Calafiori imbastisce l’azione sulla fascia, servendo Dimarco che mette un filtrante per Kean. L’attaccante della Fiorentina entra in area, rientra su Kuusk e calcia un destro a giro imprendibile per il portiere estone Hein.

Dopo il gol, Kean accusa un problema alla caviglia e, nonostante il tentativo di stringere i denti, è costretto a uscire. Al suo posto entra Pio Esposito.

Nonostante l’uscita di Kean, l’Italia continua a spingere e, alla mezz’ora, ottiene un calcio di rigore per fallo di Kuusk su Retegui. Tuttavia, l’attaccante dell’Al-Qadisiyya fallisce il penalty, parato dal portiere Hein.

L’errore non ferma gli azzurri, che arrivano al 2-0 con un’azione sull’asse Orsolini-Retegui: un cross dalla trequarti di Saliste viene prolungato di testa, Orsolini raccoglie e serve Retegui, che sigla con un diagonale di destro, riscattandosi subito per il rigore sbagliato.

Nel finale del primo tempo, l’Italia mantiene il doppio vantaggio e non rallenta il ritmo.

Nella ripresa la musica non cambia: l’Italia mantiene possesso palla, mentre l’Estonia prova a ripartire in contropiede. Gattuso cambia assetto inserendo Spinazzola e Cambiaso al posto di Raspadori e Orsolini, per aumentare la vivacità sulle fasce.

Il terzo gol arriva con Pio Esposito, che realizza il suo primo gol in Nazionale: Spinazzola chiude un triangolo sulla sinistra e crossa dal fondo verso il cuore dell’area, dove Esposito arriva al momento giusto e batte Hein con un tiro di controbalzo.

Poco dopo, l’Estonia accorcia le distanze segnando il gol della bandiera: un errore di Donnarumma sulla sinistra permette a Soomets di crossare verso l’area piccola, dove Sappinen insacca approfittando della respinta non trattenuta del portiere azzurro.

La partita si chiude sul 3-1, lasciando l’Italia di Gattuso in piena corsa per i playoff, anche se con poche speranze di agganciare il primo posto nel girone dominato dalla Norvegia.

**Le parole di Gattuso**

Il c.t. Gennaro Gattuso si dice soddisfatto per la vittoria e la prestazione della squadra:

“L’importante è creare occasioni, poi i gol e i rigori si possono sbagliare. Grazie ai ragazzi per l’impegno, dobbiamo continuare così e recuperare le energie”.

“Ci giochiamo tanto perché se vinciamo contro Israele, loro restano fuori dai giochi e ci possiamo concentrare sui playoff. Quando vedo questo spirito sono molto contento. Ci sono momenti di difficoltà, ma la partita l’abbiamo gestita bene”.

Su Kean: “Speriamo non sia niente di grave, perché abbiamo bisogno di tutti”.

*Riproduzione riservata © Copyright ANSA.*
https://www.ansa.it/sito/notizie/sport/calcio/2025/10/11/calcio-qualificazioni-ai-mondiali-litalia-fa-tris-in-estonia-e-blinda-il-secondo-posto_1a06bc3f-9f14-4cf8-91a7-dc2db255d939.html

Nat Sciver-Brunt hammers her 5th Women’s ODI WC century: Stats

**Nat Sciver-Brunt Smashes Her 5th ICC Women’s World Cup Century**

*By Rajdeep Saha | October 11, 2025, 7:13 PM*

England all-rounder Nat Sciver-Brunt showcased a masterclass innings by hammering her 5th ICC Women’s World Cup century. In a thrilling contest against Sri Lanka Women in Colombo on Saturday, Sciver-Brunt scored a commanding 117 runs off 117 balls, powering England to a total of 253/9 in their 50 overs.

Sciver-Brunt’s brilliant knock was central to England’s innings. Coming to the crease when the team was 49/2, she stabilized the innings and then took charge, forging a crucial 60-run partnership with captain Heather Knight for the third wicket. Throughout her innings, she maintained momentum with several 30-run stands and accelerated impressively towards the end.

The innings had a moment of drama as Sciver-Brunt was dropped early on by Udeshika Prabodhani when she was just on three runs—an error Sri Lanka would come to regret. Eventually, Prabodhani did manage to claim her wicket, but not before Sciver-Brunt inflicted substantial damage.

### Impressive Stats and Milestones

Sciver-Brunt’s 117-run innings included nine fours and two sixes, taking her World Cup tally to an impressive 954 runs at an average of 59.62. This knock marked her 5th century and 2nd fifty-plus score in the tournament, elevating her to the 8th-highest run-scorer in Women’s World Cup history. In doing so, she surpassed Australia’s Meg Lanning, who has 948 World Cup runs at an average of 52.66.

In terms of overall Women’s One Day Internationals (WODIs), this was Sciver-Brunt’s 10th hundred. She has amassed 4,241 runs in 124 matches (110 innings) at an average of 47.12, complemented by 25 fifties. Highlighting her dominance against Sri Lanka, she now has over 500 runs against them—523 runs from 12 matches (10 innings) with a remarkable average of 74.71. This century was her 5th score above fifty against Sri Lanka (2 hundreds and 3 fifties).

### Record-Breaking Feats for England

According to Cricbuzz, Sciver-Brunt now holds the second-highest number of centuries for England in Women’s ODIs, a testament to her consistency and class.

**Most hundreds for England Women in ODIs:**

1. Tammy Beaumont – 12 centuries (125 innings)
2. Nat Sciver-Brunt – 10 centuries (110 innings)
3. Charlotte Edwards – 9 centuries (180 innings)
4. Claire Taylor – 8 centuries (120 innings)

Nat Sciver-Brunt’s stunning performance in Colombo once again highlighted why she is one of the premier all-rounders in women’s cricket today. England will be counting on her firepower as the World Cup progresses.
https://www.newsbytesapp.com/news/sports/nat-sciver-brunt-hammers-century-versus-sri-lanka-in-women-s-wc/story

国民・玉木氏「立民と組めない」 首相指名、野党一本化巡り


title: 国民・玉木氏「立民と組めない」 首相指名、野党一本化巡り
date: 2025-10-11 20:52
categories: 政治
tags: 国民民主党, 立憲民主党, 玉木雄一郎, 首相指名選挙, 野党連携

国民民主党の玉木雄一郎代表は11日、首相指名選挙での野党間の候補者一本化を巡り、立憲民主党とは安全保障やエネルギー政策で隔たりがあるとして、現時点で連携は困難との認識を示しました。

大阪市で記者団に対し、「現在の状況では立憲民主党と組むことは難しい」と述べました。

(以下、有料会員限定記事)

※本記事は有料会員限定となっております。閲覧をご希望の方は、7日間無料トライアル(1日37円で読み放題)、もしくは年払いプランのご利用をご検討ください。

「西日本新聞me」とは、西日本新聞が提供するデジタル会員サービスです。会員登録を行うことで、限定記事の閲覧やクリップ機能などをご利用いただけます。
https://www.nishinippon.co.jp/item/1410306/

PVL: Akari finally solves Creamline puzzle

DASMARIÑAS, Cavite — Akari secured its first-ever franchise win over defending champion Creamline in a thrilling match during the PVL Reinforced Conference on Saturday night at Dasmariñas Arena. The nail-biting contest ended with a scoreline of 23-25, 25-23, 30-28, 23-25, 15-12.

Central to Akari’s victory was Annie Mitchem, who finally made her delayed debut after an International Transfer Certificates dispute. Mitchem delivered an outstanding performance, pounding 33 kills and recording one block to lead her team to the historic win.
https://sports.inquirer.net/643826/pvl-akari-finally-solves-creamline-puzzle