Jeremy Allen White, TV’s ‘Bear,’ Accedes to ‘Boss’ With Great Performance in Gloomy Springsteen Biopic

Actor Jeremy Allen White looks very little like “The Boss” in *Springsteen: Deliver Me from Nowhere,* yet his performance approximates a brooding authenticity akin to one of America’s iconic musicians. Often framed to look taller and wearing dark contact lenses to suppress his baby blues, the star of TV’s *The Bear* sings quite a bit in the film, achieving a vocal likeness that doesn’t jar with moments when we hear the authentic voice of the artist. It’s such a brave, quietly intense portrayal of Bruce Springsteen in the early 1980s—just before immense fame and success—that one wishes the movie around him were better.

Ostensibly about the making of one of Mr. Springsteen’s best albums, 1982’s *Nebraska,* the real interest in writer and director Scott Cooper’s film lies elsewhere: at the crossroads of depression and masculinity. Throughout, scenes of Mr. Springsteen looking po-faced are used to flesh out how the musician dealt with desolation, rejection, and inadequacy, with flashbacks to his childhood and scenes with his father (Stephen Graham) providing some background. One comes away from the movie believing, though, that depression rejects dramatization.

After a rollicking start as Mr. Springsteen performs “Born to Run” with the E Street Band in concert in 1981, the film settles into a minor key and shuffling rhythm for most of its runtime. Once the tour is over, the singer and songwriter returns to New Jersey, settling into a rented house near his childhood home in Freehold. Manager Jon Landau (Jeremy Strong) is weary of his artist’s need for suburban tranquility, aware that Mr. Springsteen suffers from bouts of depression.

The musician and his band also have their first top-10 hit on the music charts, “Hungry Heart,” and Jon and the record company wish to continue the momentum by having Bruce compose more hit singles. A chance viewing of *Badlands* on television sees Bruce begin to write grim songs about disaffected killers, bad breaks, and economic depression, combining dark irony, New Jersey storytelling, and widescreen imagery.

There’s a great sequence in which the director ties a moment from that classic movie to a specific childhood memory of Bruce’s, which in turn leads to lyrical alterations, but insights into songcraft remain elusive—particularly when Bruce attempts to give his demos the full-band sound in the studio. Instead of scenes involving creative exchanges with members of the band like Steven Van Zandt, we get lifeless ones in the control room where Bruce tries to explain to Jon and engineers that his next album should be acoustic, essentially solo.

Most of the compositions recorded by Bruce at home during this period appear in their original versions on *Nebraska,* though a few of them will turn up in more elaborate arrangements on the follow-up album, 1984’s *Born in the U.S.A.* Mr. Cooper includes a couple of songs from the latter—a huge sounding and selling record—in order to enliven his storyline of folky earnestness and moodiness, one that works when set to fantastic music and melodies but rarely in cinema.

Yet once the decision is made to release 10 of the unvarnished demos as an album, the director’s look into the creative process ends, and what we’re left with is an unconvincing romance and a man with serious father issues. An actor as intelligent as Mr. Strong can do nothing with material that has Jon explaining the musicians’ behavior as if he were a psychologist, prognosticator, and poetry reciter. Still, in scenes between him and Mr. White, the actors manage to convey Springsteen and Landau’s bond.

It is the rocker’s relationship with his father, though, that propounds the harmfulness of masculine reticence and evasion—how they can lead to substance abuse, self-harm, and violence. As the film ends, nearly back-to-back scenes confirm the notion that the drama hinges on Mr. Springsteen going to therapy and that childhood trauma is at the root of it all.

Mr. Cooper makes almost no visual or verbal reference to Mr. Springsteen’s Catholicism, his views on the country’s political landscape, or the socioeconomic outlook of his New Jersey milieu. The artist’s despondency seems to stem entirely from his father’s roughness and neglect, excluding the influence of external forces or internal struggles.

This myopia drags down the film with repetitive scenes, despite its laudable intention to deal with mental crisis. Except for a few scenes at Asbury Park’s Stone Pony and other local attractions, the movie barely attempts to situate the audience. Nor does it give us much of a view of Mr. Springsteen’s mindset through imagery beyond black-and-white flashbacks, keeping viewers in the thematic flatlands of long stares and drab domestic interiors.

Unfortunately for Mr. Cooper, his film most often conveys a generalized gloom, even as in the final song of *Nebraska,* Mr. Springsteen sings of different scenarios reflecting a “reason to believe” in the human spirit and a valiant, if foolish, hope.
https://www.nysun.com/article/jeremy-allen-white-tvs-bear-accedes-to-boss-with-great-performance-in-gloomy-springsteen-biopic

“So sorry”- Rhea Ripley issues an apology following heartbreaking personal update

Rhea Ripley’s Upcoming Appearance Canceled Due to Injury

Rhea Ripley, the former WWE Women’s World Champion and one of WWE’s top superstars, has canceled an upcoming appearance outside the company. The news was confirmed after Ripley took to social media to apologize for the cancellation.

Over the past few years, Ripley has been highly active in WWE’s international tours, including recent shows in Australia and Japan, where she competed in nearly every event. However, during a match at the Tokyo house show on October 18, she suffered a nose injury and was assisted backstage.

As a result of this injury, Ripley was forced to cancel an in-store appearance at Hot Topic in Irvine, California. Hot Topic shared the update on their Instagram page, which Ripley reshared along with a heartfelt apology to her fans.

“So sorry to everyone that paid to meet me at Hot Topic 😔 Hopefully we can reschedule and I can meet you all!” she wrote.

Rising WWE Star Kendal Grey Expresses Desire to Face Ripley

At just 29 years old, Rhea Ripley has quickly become one of the most prominent members of WWE’s roster and a dream opponent for many female wrestlers.

Kendal Grey, the recent Evolve Women’s Champion, spoke about her interest in wrestling Ripley someday. “One person I would like to eventually wrestle would be Rhea Ripley. I think she’s so bada** and she’s so cool,” Grey said.

She added, “With her size, and obviously, I’m a little bit smaller, but I think with my technicality and my speed, it would be a cool little matchup. (Who wins?) I mean, I’ve got to bet on myself, but I think I’ve got some work to do before I get into the ring with Rhea, for sure.”

Recent Feud with The Kabuki Warriors

Recently, Ripley has been involved in a heated feud with the Kabuki Warriors. She teamed up with Iyo Sky to defeat Asuka and Kairi Sane at WWE Crown Jewel. However, the heel duo took revenge on Raw by attacking Ripley after her match against Kairi Sane.

Fans will be hoping for Ripley’s speedy recovery and a rescheduled appearance, as well as more exciting matches in the near future.
https://www.sportskeeda.com/wwe/news-so-sorry-rhea-ripley-issues-apology-following-heartbreaking-personal-update

R.E.M.’s Mike Mills Shares New Drivin N Cryin Cover, Joins New Supergroup Howl Owl Howl

In 2023, the Drivin N Cryin cover compilation *Let’s Go Dancing: A Celebration Of Kevn Kinney* began rolling out. The project is still ongoing, bringing together various artists to pay tribute.

Now, R.E.M.’s Mike Mills is sharing his rendition of “Telling Stories,” originally from Kevn Kinney’s 1995 album *Wrapped In Sky*.
https://www.stereogum.com/2327756/r-e-m-s-mike-mills-shares-new-drivin-n-cryin-cover-joins-new-supergroup-howl-owl-howl/news/

Taylor Toppled: Swift’s “Life of a Showgirl” Beaten on iTunes Album Chart by Brandi Carlile, Singles Chart by Megan Thee Stallion

Taylor Swift has been toppled—at least on the iTunes chart. Her album, *Life of a Showgirl*, which has sold an impressive 4.3 million copies, is no longer holding the number 1 spot on the iTunes album chart. Additionally, her single “The Fate of Ophelia” has dropped to number 2 on the iTunes singles chart.

The new number 1 album is Brandi Carlile’s *Returning to Myself*, while the new number 1 single is Megan Thee Stallion’s “Lover Girl.”

According to HitsDailyDouble.com, *Showgirl* sold 199,000 copies this past week, representing a 41% drop. Despite this decline, the album is far from finished and could finish with close to 5 million total sales in the coming months.

To put things in perspective, it’s as if every person in San Francisco—which has a population of about 4.5 million—owned some iteration of the *Showgirl* album. That’s roughly equivalent to the entire population of the country of Panama. (Remember when Trump was focused on the Panama Canal?)

The *Showgirl* vinyl LP also remains the best-selling record on Amazon.com.

Taylor Swift continues to hold strong on the Spotify top 15 streaming chart, with fans seemingly pressing play repeatedly all day long. This success comes despite the album including a number of songs borrowed from other artists—well, who cares? Just enjoy the music!

**PS:** Looking for a cool pop album by a female artist? Check out Lily Allen’s *West End Girl*. It will blow your mind. For a male artist, try Tame Impala’s new record—they are so much better.
https://www.showbiz411.com/2025/10/25/taylor-toppled-swifts-life-of-a-showgirl-beaten-on-itunes-album-chart-by-brandi-carlile-singles-chart-by-megan-thee-stallion

“Backbone of the establishment”: College football mascot Pudge the Cat comforts grieving a son, saves his team, and goes viral

Fans of college football, cats, and especially both are in love with Pudge, the exotic shorthair who tours with the Bowling Green Falcons. The flat-faced feline belongs to starting long-snapper George Carlson and has been dubbed their official mascot since rising to online stardom in August 2025.

### Meet Pudge the Cat, Emotional Support Mascot

Carlson first met Pudge after doctors diagnosed his mother, Cristen, with stage four ovarian cancer in 2021. The young long-snapper was particularly close to his mother, and the news was devastating enough to interrupt his football career, according to ESPN. Cristen raised her son on a small farm and constantly brought home animals to care for, including cats. Carlson had a special affinity for the flat-faced ones like Persians and exotic shorthairs.

While still fighting her illness, Cristen went out and adopted Pudge for her son in 2023. The following year, Cristen sadly passed away due to complications from the cancer—but Carlson still had Pudge by his side.

### Pudge Boosts Team Morale and Goes Viral

Last August, after a rough practice, Carlson brought Pudge into the locker room, where the cat instantly improved morale. The resulting Instagram reel went viral, set to the sound of the Jet2Holiday meme.

The caption read: “Fall camp so rough we got a locker room cat.” Fans flooded the post with love for Pudge.

Comments included:

– “Might come to homecoming after 9 years just to see this cat,” said @uvtides.
– “Cat you mean backbone to the establishment,” wrote @ryannemarieorosco.

### Pudge Becomes a Star

In the weeks after Pudge went viral, he received his own line of merchandise, gained a dedicated security escort, and appeared in EA’s College Football 26 as the “Star of the Week” in early September. At this point, he likely has more name recognition than any of Bowling Green’s players.

On September 20, three different college football organizations joined forces with Pudge’s official Instagram account to post photos of the cat on the field at Louisville. Pudge was safely tucked in his bubble carrier backpack, strapped to a large man wearing a hat labeled “PUDGE SECURITY.” It’s clear: don’t mess with the star.

### A Humble Celebrity

Thankfully, Pudge hasn’t let the fame go to his head. He regularly greets fans for selfies at tailgate parties and even participates in the game-day Simba cam, allowing handlers to lift him for a better view.

Interviews with the feline tend to be one-sided, but in early October, Steve Hartman of CBS News profiled Pudge and credited him with turning the team’s luck around. The adorable cat has helped bring back fans, filling stadium seats with cat lovers.

“Home game attendance is up almost 60 percent this year,” Hartman reported. “That’s the largest increase of any Division One school in the country.”

“No doubt due in part to the long-snapper and the long napper, who have given everyone in this community a reason to cheer.”

On October 11, the Falcons managed an incredible rally to keep the Battle of I-75 Trophy from their rivals—an achievement fans are sure to celebrate alongside their new favorite mascot, Pudge.

*The internet is chaotic—but we’ll break it down for you in one daily email. Sign up for the Daily Dot’s newsletter [here](#).*
https://www.dailydot.com/news/college-football-mascot-pudge-the-cat/

Sabrina Carpenter Sings “House Tour” Live For The First Time In Pittsburgh

Sabrina Carpenter is currently on tour celebrating her new album, *Man’s Best Friend*.

At ACL Fest, the pop star brought out Shania Twain and playfully “arrested” Djo as part of the “Juno” bit.

Then, on Thursday (Oct. 23), she gave a live debut of her song “House Tour” in Pittsburgh.
https://www.stereogum.com/2327752/sabrina-carpenter-sings-house-tour-live-for-the-first-time-in-pittsburgh/news/

Stream It Or Skip It: ‘My Hero Academia’ Season 8 on Crunchyroll, Where A Thrilling War Arc And Superpowered Storyline Conclude In This Beloved Anime’s Epic Final Season

After a year of waiting, fans of *My Hero Academia* can rejoice as the title returns for an eighth and final season on Crunchyroll starting this month. The sci-fi superhero adventure anime series wraps up the story of teen boy Izuku Midoriya (Daiki Yamashita), who aspires to become the number one Hero, despite being one of the 20% of humanity’s population born Quirkless.

In *My Hero Academia: Season 8*, we’ll witness the ultimate clash between Heroes and Villains as Izuku and his mentor, All Might (Kenta Miyake), take on Tomura Shigaraki (Kōki Uchiyama) and All For One (Akio Ōtsuka/Hiroshi Kamiya) to conclude the Final War arc and bid farewell to the characters and storylines that fans have come to know and love over the past nine years.

### MY HERO ACADEMIA SEASON 8: STREAM IT OR SKIP IT?

**Opening Shot:**
Petals fall from beautiful, blooming cherry trees as the voice of Izuku “Deku” Midoriya (Daiki Yamashita) narrates:
“The heroes declined, and the villains flourished. The odds of winning in a frontal assault were slim, and it felt like we were attempting to reel in a delicate line of string. That’s why we worked out a plan, split up our opponents, and tried to seize the advantage.”

A wrinkled hand reaches out before pulling back. “A powerful wind was raging,” Deku concludes, before a young, scarred hand catches an errant petal. “A powerful wind.”

### The Gist

Things aren’t looking too great for our heroes as Season 8 begins. Season 7 ended with America’s number one Hero, Star and Stripe (Romi Park), sacrificing herself in a battle against Tomura Shigaraki (Kōki Uchiyama), and gecko-like Villain Spinner (Ryō Iwasaki) helping Shigaraki regain full control of his body. Additionally, Villain Himiko Toga (Misato Fukuen) sacrificed herself to save young Hero Ochaco “Uravity” Uraraka (Ayane Sakura).

Now, at the start of Season 8, Deku and Shigaraki are deadlocked in a brutal battle. Toga’s many clones of Twice (Daichi Endō) are overpowering and outnumbering the Hero forces while simultaneously weighing down their “Coffin in the Sky.” Meanwhile, the U.A. student duo of Tenya “Ingenium” Ida (Kaito Ishikawa) and Shoto Todoroki (Yūki Kaji) are en route to stop Villain Dabi (Hiro Shimono)—now revealed to be Toya—from causing major destruction as his thermal energy rises to critical levels following a clash with his father, Endeavor (Tetsu Inada).

But the centerpiece in this first episode is one last big fight between longtime enemies: Japan’s former number one Hero, Toshinori Yagi, AKA “All Might” (Kenta Miyake), and the 200+ year old Quirk-stealing Villain who forced him into early retirement, the dastardly All For One (Akio Ōtsuka/Hiroshi Kamiya).

As the last bastion of the Heroes’ defense able to stand against All For One, All Might uses an assistive mechanical suit to overcome his now Quirkless state. He emulates various Quirks and attacks of his students at U.A. to stall and de-age All For One enough to take him out of the fight.

While this intense battle unfolds, another fight occurs hundreds of miles north. U.A. student traitor Yuga Aoyama (Kōsuke Kuwano) stands as the unlikely last hope to defeat Tartarus jailbreaker, mass murderer, and corpse collector Villain Kunieda (Tatsumaru Tachibana). When “Invisible Girl” Toru Hagakure (Kaori Nazuka) comes to his aid, they just might have a chance to save the Heroes from Kunieda’s life-force-stealing evil flowers.

Get ready for plenty of surprises, epic showdowns, and emotional moments as *My Hero Academia* officially comes to an end.

### What Shows Will It Remind You Of?

*My Hero Academia* calls to mind other fight-filled anime series revolving around the battle between Good vs. Evil (and the grey areas in between), such as *Naruto*, *Jujutsu Kaisen*, *Demon Slayer: Kimetsu no Yaiba*, *Hunter x Hunter*, and of course, *My Hero Academia: Vigilantes*.

### Our Take

The first episode of *My Hero Academia: Season 8* is an electrifying beginning-of-the-end that carries the gravitas, energy, and thrills you would hope for—and expect—from a popular show’s final season.

Even with moments of recapping previous events and over-the-top dialogue, this episode flies by and keeps you on the edge of your seat from the start. From smooth animation and eye-catching visuals to moving moments that tug at your heartstrings and humorous lines that break the tension of this sometimes grim, deadly war arc—the across-the-board amazing, evocative voice acting work pulls you in and gives you goosebumps as it honors the characters and story that came before while building toward an unforgettable finish.

There is an earnestness baked into the very DNA of this series that, even in its cornier bits, makes the show ultimately feel winning, charming, and human. It’s an absolute (Detroit) Smash!

### Sex and Skin

None.

### Parting Shot

All For One has managed to recover from All Might’s attacks and closes in on the older hero, ready to make his finishing move and erase that ever-present smile for good—when suddenly, the villain is frozen in his tracks, unable to move.

“Blood runs red for everyone,” we hear, before witnessing the return of the big *My Hero Academia: Season 2* villain, Hero Killer: Stain (Gō Inoue), who now fights alongside All Might and the heroes.

Also, a post-credit scene reveals Aoyama planning to work alongside Hagakure to free the heroes from Kunieda’s flesh-eating plants as his last act as a U.A. student.

### Sleeper Star

Undoubtedly, Kenta Miyake as All Might. Even on death’s door with the stakes impossibly high, All Might retains a positive attitude, belief in humanity, and sense of humor—all conveyed through both the dialogue and Miyake’s masterful vocal performance.

### Most Pilot-y Line

There are several All Might lines to choose from (it’s just in his nature as a slightly sappy, catchphrase-slinging superhero), but this one, directed to All For One, particularly stands out:

“I heard Shigaraki’s hatred has affected you. Then you can’t ignore me, can you? Why? Because I am here!”

Get ready to stream *My Hero Academia: Season 8* and experience the thrilling conclusion to a beloved saga. Don’t miss it!
https://decider.com/2025/10/25/my-hero-academia-season-8-crunchyroll-review/

10 JRPGs That Suck To Platinum

JRPGs That Suck to Platinum: When Completionism Ruins Great Games

In my teen years, I bought an unofficial Final Fantasy VII guide, which taught me how to raise a Gold Chocobo, get everyone’s Level 4 Limit Break, and the best strategies to face Emerald and Ruby Weapons. That changed everything for me. Since then, I hardly ever played a JRPG without a guide by my side.

I didn’t use it to learn the best way to beat a boss or the optimal route; I figured those out myself. I used walkthroughs to avoid missing collectibles or obscure sidequests, for instance. However, as time went on, we got Achievements and Trophies, which only reinforced my urge to do everything a game offered or to tackle its toughest challenges head-on.

But then again, not all JRPGs deserve the time invested in them. In this list, I’ll show some JRPGs that simply suck to platinum. My only criterion is that they must be inherently good games, but whose experience is soured if you give in to your completionist addiction. Just one game per franchise to keep things varied.

10. Trails in the Sky SC: Returning To Liberl

This is not based on Trails in the Sky SC Evolution for PS Vita (which I heard has an even nastier trophy list), but on the Steam version, which has achievements. I 100%-ed it, and the only reason I managed to was because I followed a step-by-step, ultra-detailed walkthrough by my side. Otherwise, nah.

Trails in the Sky SC, much like its first game, is way too linear. Once you complete a chapter, that’s it. You can’t go back to finish missed Bracer requests or collect chests. That means you can kiss goodbye to the achievements for opening all chests and earning maximum BP.

To be fair, playing while hunting for achievements doesn’t necessarily derail your experience from a casual playthrough. If anything, it can even enhance it, since you’ll be doing everything the JRPG offers, and if you know how Trails’ worldbuilding works, you’ll want to do everything and talk to everyone.

However, it sucks because, if you’re anything like me, you’ll get obsessed with checking if you’re completing every request, picking the right choices, collecting all chests, and cooking all recipes. That constant back-and-forth between the guide and your progress can take away the genuine experience, turning enjoyment into a chore rather than entertainment.

9. Granblue Fantasy: Relink — Excessive Grinding

I didn’t know what to expect from Granblue Fantasy: Relink, and maybe that’s why it felt like such a pleasant surprise. I loved my time with it so much that I kept farming in the endgame just because, something I rarely ever do in games.

I started playing with friends, doing co-op missions, unlocking and leveling up every character, and it was a blast. It became my comfort game. Since I played it early, I didn’t know how tough its trophies would be, but I did know I had to get all weapons, which I thought were found in stage chests. But I was wrong.

The last weapons required for the trophy, the Terminus, were obtained by finishing The Tale of Bahamut’s Rage quest. The problem was that their drop wasn’t guaranteed, and you needed every character’s Terminus weapon, meaning endless repetition of the same quest over and over again.

This is a grind-heavy game, akin to Monster Hunter, I’d wager, so I know some of you didn’t mind the farming. But I did, mainly because I had to face the same boss with the same mechanics repeatedly, for I don’t know, more than a hundred times. It really soured my experience, and I never returned to Granblue Fantasy: Relink after getting the platinum.

8. RAIDOU Remastered: The Mystery of the Soulless Army — New Game+ Locked Difficulty

There are a few JRPGs that only unlock their hardest difficulty once you finish the game, and some of them have trophies that require completing the game on this difficulty, but not quite. It means you can play the game on the easiest setting and then switch to the hardest one before the final boss, and the trophy will still pop. That’s the case with Raidou Remastered: The Mystery of the Soulless Army (and most recently, Digimon Story Time Stranger).

I don’t know if that was the intended experience or if someone fumbled the requirements and just let it be, but it works. Fortunately, because having to replay a game is one of the things I hate the most.

I reviewed Raidou Remastered for DualShockers, and yeah, it was a fine game. I’d be more than happy to just play it and move on. However, I was writing a guide on how to get a demon that’s only available in NG+, and to do so, I had to replay half the game.

Since I had already invested that much, why not keep going, right? Before a recent patch, Raidou’s NG+ reset your level, weapons, and items. The only thing that carried over was your Devil Chart, which, fair enough, summoning a level 80 demon was enough to trample most of the game.

However, for the final boss (on the hardest difficulty), it wasn’t enough. I had to farm all the way back to a high level just to avoid dying in one hit. When I finally did, I just wanted it to be over. Never have I deleted a game so fast after a platinum popped.

7. Rogue Galaxy — Way Too Tryhard

Rogue Galaxy is considered one of the PlayStation 2’s hidden gems. Level-5 gave it their all, and while I think it tries a bit too hard with the number of mechanics it offers, it’s a good JRPG, so much so that it received a remaster for modern consoles. With new HD graphics also came a trophy list; a very annoying one, by the way.

This is by far one of the most tedious platinum hunts I’ve ever done. You know how I said Rogue Galaxy is tryhard because it tries to introduce so many mechanics? Yeah, most of them have no real depth, like the factory or the Insectron tournament, but you’re not forced to engage with them. Or are you?

Yeah, you are, in case you’re chasing that sweat-soaked platinum. Not only do you have to hunt for every factory blueprint and craft every item, but you also have to win the slog of the Insectron tournament and complete the Ghost Ship, the hardest stage in the game.

Even though it’s a post-game secret area, you can confidently finish the Ghost Ship around level 65-70. So why the hell did the game decide to include a trophy for taking a character to level 99? There’s no reason whatsoever to do this other than artificially inflate the playtime.

I had completed everything it wanted me to, but I still had to walk in circles, fight random battles, and earn puny experience to get my Jaster Rogue to level 99. I must’ve finished an entire Netflix series while doing it.

6. Digimon Story: Cyber Sleuth — I Hate Medals

This is an open letter to the developer who thought finding medals in Digimon Story: Cyber Sleuth was a fun and worthy activity for our time as fair and honest players. It’s not, and I demand my time invested back.

In Cyber Sleuth, you can find some Digimon Medals throughout your journey. There are 500 in total, and you need to grab them all. 99 of those are non-guaranteed enemy drops, meaning you have to farm them repeatedly until the medal drops.

To make things worse, 300 of them come from gacha machines. Once you interact with a gacha machine, you pay a fee and get a random medal. Each of the ten machines in the game houses 30 medals.

You see where I’m going? You have to mindlessly spam these machines until you get all 30 different medals because, guess what, you can and will get repeated ones from them. Who in their sane digital mind thought this was a fun task?

It’s literally spamming the same button over and over again, waiting for the right medal to appear for a mind-boggling amount of time. I only did it because I was broke at the time and couldn’t afford other JRPGs.

5. Kingdom Hearts Final Mix — No Light Or Friends Here

Truth be told, other Kingdom Hearts entries like Chain of Memories and Dream Drop Distance have a more boring trophy list, but since I’m aiming for inherently good games, I preferred going with the remake of the first Kingdom Hearts.

Final Mix added a plethora of new content, including cutscenes, enemies, abilities, Keyblades, and, yeah, trophies. Much like every other Kingdom Hearts found in the collection, you basically have to do everything in the game — from completing Jiminy’s Journal to winning all the Cups and earning an S Rank in the highly entertaining Gummi Ship missions.

My biggest gripe with Kingdom Hearts Final Mix, though, lies in two specific trophies: completing the game in under 15 hours and clearing it without changing equipment.

I have nothing against speedrunning and love watching streamers do it, but these two are basically the antithesis of an RPG. You play an RPG to progress, which not only means leveling up and learning new skills but also buying and finding new equipment to empower your characters.

Also, RPGs are famously long games. You want to take your time, so speedrunning feels counterintuitive. But there you have it, Kingdom Hearts asking you to do both.

I did it in the same playthrough, on Beginner difficulty. Not fun, not challenging, just… sucks.

4. Tales of Symphonia — Not Even Kvothe Has That Many Titles

Every 60+ hour JRPG that asks you to replay the entire game just for trophies is disrespectful. There are a few exceptions, like when a game unlocks a new mode or challenges that justify a New Game+, but that’s the exception rather than the rule.

To be honest, I could be talking about most Tales of games here, but I’ll focus on Tales of Symphonia since it’s one of my favorites. Still, I don’t love the game enough to warrant four or five playthroughs just to get a platinum. I value my time, and I believe Lloyd does too.

Several Tales of entries introduce character titles with different mechanics depending on the game. There are various requirements to unlock these titles, and that’s where the most annoying part of Tales of Symphonia‘s trophy list lies.

You have to unlock them all for every character. Some titles are locked behind character affection levels that trigger a specific scene in the game, meaning you have to manipulate said characters’ affection, reach that scene, unlock the title, finish the game, and start a New Game+ carrying titles, repeating the same drill over again with other characters. It’s simply not worth it.

3. Persona 3 Portable — Optimizing Your Schedule

I’ve heard that Persona 4 Golden has a remarkably hideous platinum run, but since I haven’t played it yet, I went with Persona 3 Portable. You know the gist: any game with a time limit is packed with missables, meaning you should prepare diligently before starting a playthrough if you want to avoid replaying it.

The major problem with Persona games is that they usually require you to max every Social Link to grab that shiny platinum trophy. While it sounds straightforward, it also strips the player of the agency to choose which activities to take part in.

Should you work for money, improve your charisma, or try to bond with a drunk monk? Or are you self-conscious because you don’t know if you just missed the cue to max everything you could? That’s when the walkthrough comes in, right as any personal decision-making goes out the window.

Okay, I never self-inserted myself into Makoto Yuki, but I still wanted to give the snarkiest answers to Tanaka. But since I was platinum hunting, I couldn’t. So I just stuck to the well-trodden path of what worked most efficiently, in the shortest time possible, and focused on strengthening my Personas to face the insane secret boss.

2. Final Fantasy VII: Rebirth — Minigames Trophy Hunting

I’ll take Hamaguchi’s side on this. The director said he doesn’t believe Final Fantasy VII: Rebirth is too long, just that players have too much to play these days.

I understand those who dislike Rebirth‘s minigames, but they’re so charming and quick that they don’t exactly harm your experience. That is, unless you’re hunting for the platinum trophy. Because if you are, the minigames will become public enemy number one, surpassing even Shinra.

Good grief, I can handle getting my ass kicked hundreds of times in the combat simulations, but achieving the highest rank in every minigame just to fill Johnny’s hotel is exhausting. Desert Rush, G-Bike, Chocobo Glide, goddamn Cactuar challenges — those are just a few among the immeasurable number of minigames in Rebirth.

It simply sucks because I don’t feel like those minigames honor my RPG skills like secret bosses do; they just bloat the gameplay. For the love of Aerith, if you enjoyed Final Fantasy VII: Rebirth and are thinking of extending your playtime by hunting every trophy, I beg you to reconsider. Don’t taint your experience of one of the best JRPGs out there with such unnecessary endeavors.

1. Eiyuden Chronicle: Hundred Heroes — Hundred Hours Wasted

Look, I love Suikoden II, and I jumped out of my chair the first time I saw the Eiyuden Chronicle: Hundred Heroes announcement trailer. Learning that it was being made by Suikoden’s original creator and scriptwriter was enough to make my expectations soar higher than they should’ve — but it is what it is.

I played the spinoff Eiyuden Chronicle: Rising first. Had a mildly good time with it, then jumped into Hundred Heroes. Did I love it? Not necessarily. But I did like it. It’s a solid and contemporary take on a 90s JRPG design formula, with all the caveats and no quality-of-life improvements.

Then I had the brilliant idea of going for the platinum trophy, and oh boy, what a mistake. I started working on the trophies one by one, unaware of what awaited me, and that was enough to trigger the sunk cost fallacy in me. I had already spent 80 hours, so what were 20 more, right?

The problem is that almost 20 of those were spent on the same stupid card minigame. A minigame that isn’t even fun, mind you. It’s the same thing over and over again, but the game thought it was a good idea to make you beat all 120 recruitable characters for a single trophy.

There are other grind-heavy trophies and a few more tied to minigames (JRPG’s Achilles heel right there), but nothing tops this stupid card minigame. If you want to cherish and respect Suikoden’s legacy, avoid Eiyuden Chronicle: Hundred Heroes‘ platinum trophy at all costs.

https://www.dualshockers.com/jrpgs-that-suck-to-platinum/

FanDuel promo code: Bet $5, get $300 in bonus bets if your bet wins for Indiana vs. UCLA

One of the best stories in college football continues on Saturday when Indiana takes on UCLA in a Big Ten tussle. The Hoosiers, under the leadership of Curt Cignetti, are No. 2 in the most recent AP Poll — marking the first time that Indiana has ever climbed that high in the rankings. It’s a remarkable accomplishment for the Hoosiers, who signed Cignetti to a massive contract worth nearly $93 million.

### FanDuel Sportsbook Promo for Indiana vs. UCLA

FanDuel Sportsbook is offering a welcome bonus to new customers who have yet to create an account: Bet $5, get $300 in bonus bets if your bet wins! The best part is you don’t need a FanDuel promo code to claim this offer. New users can simply [click here](#) to get started.

To qualify for this FanDuel offer, you need to be located in one of the following states:
Arizona, Colorado, Connecticut, Washington, DC, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Massachusetts, Maryland, Michigan, North Carolina, New Jersey, New York, Ohio, Pennsylvania, Tennessee, Virginia, Vermont, West Virginia, or Wyoming.

### How to Sign Up for FanDuel Sportsbook

1. Choose your state.
2. Fill out your login details.
3. Click [this link](#) to get started.
4. Make a deposit.
5. Place your bet!

### What Our Post Expert Thinks About Indiana vs. UCLA

While the story for this game will be Curt Cignetti and the Hoosiers as they continue their march towards a second appearance in the College Football Playoff in as many years, don’t overlook what’s going on at UCLA.

The Bruins have games against Penn State, Michigan State, and Maryland to bounce back from a disappointing 0-4 start that led to the firing of head coach DeShaun Foster. Despite being massive underdogs in Bloomington, UCLA has shown it has some bite and could pose a challenge.

### Important Information

– New players only, 21+.
– Gambling Problem? Call 1-800-GAMBLER.
– Available in AZ, CO, CT, DC, IL, TN, IN, IA, KS, KY, LA, MA, MD, MI, NC, NJ, NY, OH, PA, VA, VT, WV, WY only.
– Full Terms & Conditions apply.

### Why Trust New York Post Betting?

Michael Leboff is a long-suffering Islanders fan but also a long-profiting sports bettor with 10 years of experience in the gambling industry. He loves using game theory to help punters win bracket pools, find long shots, and learn how to beat the market in both mainstream and niche sports.
https://nypost.com/2025/10/25/betting/fanduel-promo-code-bet-5-get-300-in-bonus-bets-if-your-bet-wins-for-indiana-vs-ucla/

Paul Simon Released “Still Crazy After All These Years” 50 Years Ago Today

50 years ago today, Paul Simon released *Still Crazy After All These Years*. The album—and its title track—have become emblematic of reflection and nostalgia, capturing old familiar ways that resonate across generations.

In MAGNET magazine, Rachael Yamagata offers a compelling take on the song, delving into its enduring appeal and lyrical depth. Her insights provide a fresh perspective on a timeless classic.
https://magnetmagazine.com/2025/10/25/paul-simon-released-still-crazy-after-all-these-years-50-years-ago-today-2/?utm_source=rss&utm_medium=rss&utm_campaign=paul-simon-released-still-crazy-after-all-these-years-50-years-ago-today-2