Jaime King Makes Rare Comment About Taylor Swift

Taylor Swift and Travis Kelce’s love story began in July 2023, when the singer’s Eras Tour made a stop at Arrowhead Stadium in Kansas City, Missouri. As a huge Swiftie, the Kansas City Chiefs tight end attended the show with hopes of giving Taylor a friendship bracelet with his number on it. However, he was unable to complete the gesture due to her pre-show rituals.

“I was disappointed that she doesn’t talk before or after her shows because she has to save her voice for the 44 songs that she sings,” Travis shared on the July 26 episode of his *New Heights* podcast. “So, I was a little butt-hurt I didn’t get to hand her one of the bracelets I made for her.”

After publicly recounting his fumble—a move Taylor would later describe as “metal as hell”—Travis decided to shoot his shot and invited the Grammy winner to watch the Chiefs play at Arrowhead Stadium. “I threw it out there, I threw the ball in her court,” he shared on *The Pat McAfee Show*. “I told her, you know, ‘I’ve seen you rock the stage in Arrowhead, you might have to come see me rock the stage in Arrowhead and see which one’s a little more lit.’ So, we’ll see what happens in the near future.”

At the time he was first introduced to Taylor, Travis was sporting a mustache, which he had debuted in August during training camp. As he later noted, “That ‘stache and the 87 jersey was pretty iconic there for a little bit, and I had it when I met Taylor for the first time.”

Accepting Travis’ invite, Taylor joined the athlete’s mom, Donna Kelce, at Arrowhead Stadium to watch him and the Chiefs take on the Chicago Bears. After the game, the couple was seen sharing PDA at a local bar.

Though there was speculation that this was the couple’s first in-person meeting, the “Karma” singer later clarified that they had spent a “significant amount of time” getting to know each other beforehand. As Taylor explained, “We would never be psychotic enough to hard launch a first date.”

During a bye week, Travis traveled to Argentina to catch the South American leg of Taylor’s Eras Tour. Not only did the NFL star bond with Taylor’s dad, Scott Swift, at the November 11 show in Buenos Aires, but he also received a special shoutout from the stage.

“Karma is that guy on the Chiefs,” Taylor sang, “coming straight home to me.”

After the show, the *Midnights* artist was seen running up to Travis backstage and greeting him with a passionate kiss.

Taylor also addressed the lavender craze surrounding her appearances at Travis’ games. “I’m going to see him do what he loves, we’re showing up for each other, other people are there and we don’t care,” she told *Time* magazine. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that you’re seeing someone.”
https://www.eonline.com/news/1424592/jaime-king-on-taylor-swift-travis-kelce-engagement?cmpid=rss-syndicate-genericrss-us-top_stories

Report: Taylor Sheridan Leaving Paramount for a New Studio

Taylor Sheridan’s Next Chapter Could Reshape Prestige Television

Taylor Sheridan, the acclaimed creator behind hits like Yellowstone and Landman, is reportedly preparing to leave his longtime home at Paramount. This move signals a major shift in Hollywood’s ongoing battle for top storytelling talent and could redefine Sheridan’s creative reach in both film and television.

**Taylor Sheridan Reportedly Leaving Paramount**

According to Puck News, Sheridan will depart Paramount once his existing film and television commitments conclude. He has finalized a significant new deal with NBCUniversal that will cover both film and TV production.

The arrangement includes an eight-year film agreement starting in March 2026, followed by a five-year overall television deal beginning in 2028, coinciding with the end of Sheridan’s current contract with Paramount. Additionally, his production company, 101 Studios—led by David Glasser—will also transition to Universal.

**Reasons Behind the Move**

Sources familiar with the situation reveal that Sheridan grew dissatisfied with changes at Paramount following David Ellison’s acquisition of the studio in August 2025. Many executives Sheridan had worked closely with were either removed or reassigned, and new leadership under streaming chief Cindy Holland began questioning several of his production budgets.

Further straining the relationship, Ellison reportedly sought to involve Paramount in a separate film deal Sheridan made with Warner Bros. These tensions contributed to Sheridan’s decision to explore other opportunities.

**Competitive Interest from Top Studios**

Represented by CAA, manager Scott Greenberg, and lawyers Neil Meyer and Emily Downs, Sheridan held discussions earlier this year with multiple studios including Warner Bros. Discovery, Amazon, Netflix, Apple, and NBCUniversal.

Ultimately, Sheridan chose NBCUniversal following meetings with Donna Langley. Langley, who recently expanded her role to oversee both film and television at NBCU, has a strong track record working with renowned filmmakers such as Steven Spielberg, Jordan Peele, and Christopher Nolan—an aspect that reportedly appealed to Sheridan.

**Paramount’s Response**

Despite David Ellison previously praising Sheridan as “a singular genius and content creator” and expressing a desire to retain him “as long as he wants to be telling stories,” Paramount had not extended Sheridan’s television deal beyond 2028.

Current Paramount projects including Tulsa King, Mayor of Kingstown, Landman, Lioness, and upcoming Yellowstone spinoffs are expected to remain with the company even after Sheridan’s departure.

This move marks a pivotal moment in Taylor Sheridan’s career and could have lasting impacts on the landscape of prestige television and film production in the years to come.
https://www.comingsoon.net/tv/news/2048361-paramount-taylor-sheridan-leaving-why

Taylor Toppled: Swift’s “Life of a Showgirl” Beaten on iTunes Album Chart by Brandi Carlile, Singles Chart by Megan Thee Stallion

Taylor Swift has been toppled—at least on the iTunes chart. Her album, *Life of a Showgirl*, which has sold an impressive 4.3 million copies, is no longer holding the number 1 spot on the iTunes album chart. Additionally, her single “The Fate of Ophelia” has dropped to number 2 on the iTunes singles chart.

The new number 1 album is Brandi Carlile’s *Returning to Myself*, while the new number 1 single is Megan Thee Stallion’s “Lover Girl.”

According to HitsDailyDouble.com, *Showgirl* sold 199,000 copies this past week, representing a 41% drop. Despite this decline, the album is far from finished and could finish with close to 5 million total sales in the coming months.

To put things in perspective, it’s as if every person in San Francisco—which has a population of about 4.5 million—owned some iteration of the *Showgirl* album. That’s roughly equivalent to the entire population of the country of Panama. (Remember when Trump was focused on the Panama Canal?)

The *Showgirl* vinyl LP also remains the best-selling record on Amazon.com.

Taylor Swift continues to hold strong on the Spotify top 15 streaming chart, with fans seemingly pressing play repeatedly all day long. This success comes despite the album including a number of songs borrowed from other artists—well, who cares? Just enjoy the music!

**PS:** Looking for a cool pop album by a female artist? Check out Lily Allen’s *West End Girl*. It will blow your mind. For a male artist, try Tame Impala’s new record—they are so much better.
https://www.showbiz411.com/2025/10/25/taylor-toppled-swifts-life-of-a-showgirl-beaten-on-itunes-album-chart-by-brandi-carlile-singles-chart-by-megan-thee-stallion