Devotees Bid Goodbye To Durga Maa With Fun-Filled Sindoor Khela Celebrations – Watch VIDEO

On Maha Vijayadashmi, devotees of Andheri Link Road Sarbojanik Durga Puja bid goodbye to Goddess Durga with a joyous celebration of Sindoor Khela. As women joined in the Sindoor Utsav, they danced and played with vermillion, marking the festive atmosphere before Durga Maa’s immersion.

Dressed in the iconic white sari with a red border, the women embraced the traditional theme as they enthusiastically participated in the celebrations. The entire pandal came alive with chants of ‘Subho Bijoya,’ as women wished each other well while applying sindoor on one another’s faces.

In a touching moment, as a woman blew a conch in the distance, another gently wiped the face of Durga Maa with the end of her pallu. Using two betel nut leaves, she touched the goddess’ face and applied sindoor to her forehead before offering her a sweet. This beautiful ritual continued with all the idols of Durga Maa’s children.

Following the rituals, devotees danced joyously to religious tunes, playing with vermillion in celebration. The atmosphere was filled with mixed emotions as they bid farewell to Durga Maa — sadness at her departure, yet happiness in the hope of her return next year.

Sindoor Khela marked the culmination of the five-day celebration at Andheri Link Road Sarbojanik Durga Puja. From her grand welcome to this heartfelt farewell, no stone was left unturned in honoring Durga Maa with great aplomb.
https://www.freepressjournal.in/lifestyle/devotees-bid-goodbye-to-durga-maa-with-fun-filled-sindoor-khela-celebrations-watch-video

Devotees Bid Goodbye To Durga Maa With Fun-Filled Sindoor Khela Celebrations – Watch VIDEO

On Maha Vijayadashmi, devotees of Andheri Link Road Sarbojanik Durga Puja bid a heartfelt goodbye to Goddess Durga with a joyous celebration of Sindoor Khela. As women gathered for the Sindoor Utsav, they danced and playfully smeared vermillion on each other, embracing the festive spirit before Durga Maa’s immersion.

Dressed in the iconic white sari with a red border, the women honored tradition while joyfully participating in the celebrations. The entire pandal came alive with the chants of “Subho Bijoya” as women wished one another and applied sindoor on each other’s foreheads, symbolizing blessings and good fortune.

Amidst the festivities, a woman blew a conch in the distance, while another gently wiped the face of Durga Maa with the ends of her pallu. Using two betel nut leaves, she touched the goddess’s face, applied sindoor to her forehead, and offered her a sweet. This ritual was then performed for all the idols of Durga Maa’s children.

Following the rituals, devotees danced to joyous religious tunes, continuing to play with vermillion as a mark of devotion and celebration. The atmosphere was filled with mixed emotions—while devotees felt sadness bidding farewell to Durga Maa, they were also happy knowing she would return next year.

Sindoor Khela marked the graceful conclusion of the five-day celebration. At Andheri Link Road Sarbojanik Durga Puja, Goddess Durga was welcomed with great aplomb, and her farewell was no less grand, leaving no stone unturned in honoring her presence.
https://www.freepressjournal.in/lifestyle/devotees-bid-goodbye-to-durga-maa-with-fun-filled-sindoor-khela-celebrations-watch-video

Durga Puja 2025: How Bollywood Brought Bengal’s Festival Spirit To Mumbai

In the early ’70s, some prabashi (migrant) Bengalis who had settled in Mumbai’s western suburbs—Khar, Bandra, and Santa Cruz—decided to organise a Durga puja of their own. Since Shakti Samanta was a big name, with a string of blockbusters like *Kashmir Ki Kali*, *An Evening in Paris*, *Aradhana*, and *Kati Patang*, they reached out to him.

Subsequently, the Notunpalli Sarbojanin Durgotsav Committee was formed with businessman Arun Banerjee as the first president, Shakti Samanta as the chief advisor, and several Bollywood personalities pitching in. These included filmmakers Pramod Chakraborty, Hrishikesh Mukherjee, Basu Chatterjee, and Basu Bhattacharya; actor Manik Dutta; and composers Salil Chowdhury and R.D. Burman. Together, they hosted the first puja in 1972 at the Raosaheb Patwardhan Udyan, opposite Bandra’s National College.

“It became an annual event and, over the years, came to be known as ‘Shakti Samanta’s Durga puja’ even though dad voluntarily never served as president of the committee,” smiles the filmmaker’s son, producer-director Ashim Samanta.

Shankar Maitra, nephew of the late actor Abhi Bhattacharya and the present general secretary, informs that in 53 years, there’s never been a break in the celebrations. Even during the Covid-19 pandemic, some committee members performed a symbolic puja following all the SOPs with a small idol.

“The biggest threat came after the BMC (Brihanmumbai Municipal Corporation) turned Patwardhan Park into a public garden, following which some neighbours moved court, objecting to us taking over the ground every year, for almost a fortnight, for a religious function,” Maitra explains.

In 1987, the committee was allotted an open plot behind Balgandharva Rangmandir theatre, which is one-fourth the size of the original venue. “But the puja is celebrated with the same fanfare,” he asserts.

Maitra adds that bhog is served by members of the ‘Mukto Mela’, started by Salil Chowdhury, to 2,000-3,000 devotees for five days from Panchami to Dashami. Local artistes are given a platform to showcase their talent alongside more established names.

“Singers Abhijeet Bhattacharya and Kumar Sanu have performed at our puja, Mithun Chakraborty has served bhog, Sushmita Sen with her family is a regular visitor, and Bipasha Basu too has been spotted,” he shares.

Ashim, who never misses Ashtami Pushpanjali, points out that from the ’70s right up to the ’90s, Notunpolli was among the city’s biggest Durgotsavs. “But at the turn of the century, the Mukherjees’ puja took centrestage,” he acknowledges.

The North Bombay Sarbojanin Durga Puja was started in 1947 at the Sri Mandal Hall in Santa Cruz by film producer and founder of Filmistan Studio Sashadhar Mukherjee and 26 of his friends. “Back then, it was a small, gharua (homely) puja with everyone running to my Dada (grandfather), the financier, whenever money ran short.

“His six children—Rono, Joy, Deb, Shomu, Shibani, and Subir—and their cousins and friends served bhog to devotees seated on mattresses on the floor, my Badi Maa (grandmother Sati Rani) insisting that they be treated as honoured guests,” recalls Rono’s daughter, actress Sharbani Mukherji.

The tradition continues today, with her grandchildren, including family members and puja committee members, serving a seven-course meal. The menu changes daily during the five-day festivities, and guests are now seated on chairs at tables in an air-conditioned hall, making the long wait for bhog worthwhile, Sharbani asserts.

Earlier, she would accompany her mother, Samita, to homes of family friends like Basu Chatterjee or take the chanda (donation) book to school and cajole teachers for contributions. Once Puja started, she would take a half-day holiday from studies and rush to the pandal with her siblings Samrat and Siddharth for pushpanjali. Their biggest responsibility then was to serve bhog with their cousins and partners-in-crime.

“Now, I supervise the arrangements and assist our priest, Ujjwal Bhattacharya, with the rituals. It’s something Badi Maa taught my mother, her eldest daughter-in-law, who has been training me,” Sharbani shares.

Samrat is in charge of bringing the idols to the pandal. Earlier, the idols were physically carried to the stage; now, they are forklifted.

“My brother was trained by Ayan’s dad (Deb Mukherjee). Once Debu kaka entered the picture, he made the puja his annual magnum opus project—roping in sponsors, taking it to a larger venue like Tulip Star Hotel, and serving elaborate bhog with mineral water bottles. Even the idol got bigger and the décor more lavish, but Maa’s face, moulded by Nemai Pal and now by his son Amit, hasn’t changed from what my Badi Maa had decided on,” reveals Sharbani.

She never met her grandmother but recalls stories of how, despite being diabetic, Sati Rani would sit with a handi of rasgullas and greet guests by popping a sweet into their mouths and one into her own.

Her brothers Ashok Kumar, Kishore Kumar, and Anoop Kumar were roped in for donations and the evening’s entertainment, alongside Hemant Kumar and Bappi Lahiri.

“Now, Bappi kaka’s children, Reema and Bappa, along with Samrat and Raja (Rani’s brother) supervise the bhog distribution, while Ayan, with others, decides the cultural programmes,” Sharbani informs.

Durga Puja has always been celebrated with much gusto by the Mukherjees, but this year, the family is mourning three losses—Deb (March 14), Rono (May 28), and their sister Shibani (August 10).

“I feel lost without them. Towards the end, baba was undergoing dialysis, but he would go only after pushpanjali and bhog, returning after it was over. Debu kaka too, despite being unwell, was around even when the pandal was being erected. We will dedicate a night to the three pillars of our North Bombay Sarbojanin Durga Puja,” Sharbani says emotionally.

Meanwhile, Subir Mukherjee has taken over as president of the committee from Rono, and Kajol’s children, Nysa and Yug, have been seen distributing flowers during Pushpanjali and serving bhog at earlier pujas. Rani is also passing down the same beliefs and values to her daughter Adira as the puja continues from one generation to the next.

And with Abhijeet Bhattacharya, Kumar Sanu, and singer-composer Pritam Chakraborty hosting their own pujas, Mumbai and Bollywood’s bond with Bengal and Maa Durga remains as strong as ever.
https://www.freepressjournal.in/weekend/durga-puja-2025-how-bollywood-brought-bengals-festival-spirit-to-mumbai